The Money Museum will close in a month, but its collection (as far as important) will go to De Nederlandsche Bank. The Tropenmuseum has been disbanded, but the collection will be housed elsewhere. However, only half of the library will be saved: everything from after 1950 is not interesting enough to preserve, according to minister Bussemaker. This is evident from the answers given by Culture Minister Bussemaker to questions by the SP.
Wonderful quote in the Volkskrant, also copied by the ANP in the message feeds on Ann Goldstein's departure as artistic director of hert Stedelijk Museum in Amsterdam. Or vice versa. Just read carefully:
Dancer Ellen Edinoff died in her hometown of Amsterdam on Tuesday at the age of 70. Ellen, together with her husband Koert Stuyf, formed a unique dance couple in the 1960s-'70s that reactions in extremes. The Dutch dance world came of age partly thanks to them.
Once upon a time, subsidised theatre was a left-wing hobby. Now, two years on, subsidised theatre has effortlessly conformed to the prevailing, much more right-wing trend.
Developing new models on the internet takes time. We have found that out with the Cultural Press Agency by now. With more than 7,500 followers on Twitter and 400 visitors a day to our website, we have now become a factor of importance in cultural journalism. But we are also very happy that four years after the first plans took shape and one year after the start-up subsidy from the Ministry of Education, Culture and Science ended, our first publication can be read on the sites of De Persgroep, publisher of Trouw, Volkskrant and Parool.
The Netherlands' greatest artist is dead. Can happen. But can I then also curse heartily? Because Jeroen Willems is irreplaceable. As a journalist, you know the drill: of actors over 60, or of otherwise fragile stature, you have a necrootje ready. If you are well-known and meet the requirements, count on your friends and acquaintances to...
We too retweeted it: "Germany increases culture subsidy by 100 million". And we thus fed a half-truth. That half-truth is, that Germany is a heaven for culture lovers, a haven for people fed up with the chilly austerity of the Rutte governments. Germany may seem nice, but, As Volkskrant correspondent Merlijn Schoonenboom noted in March this year, cuts are being made there at least as hard as here.
Halbe Zijlstra is proud of his policy, and keen to come and tell it in front of the entire cultural sector. So on Sunday 26 August, he appeared on stage during the annual 'Paradiso Debate' to reiterate how well things had gone with the 200 million cut in the arts sector. He praised the resilience of the affected art world, and would be happy to do the same again.
The major research and management consulting firm Berenschot has calculated that, on balance, the cuts to the arts turn out to be not too bad. Client of the study, De Volkskrant, then headlined that big. And indeed, it is kind of good news that the pile-up of cuts (the state 24% less, the provinces 20% less and the municipalities only 9 % less) is so low in net terms. We were surprised for a moment, but when we asked around, we found out
I would like to take a moment to put this one to you. Quote from this morning's volkskrant, where editor Harmen Bockma makes a valiant attempt to list all the figures of culture carnage, but fails a little in doing so. It also remains difficult to identify the fallout in the basic infrastructure add to the dropout at the fund, but it is proving altogether difficult to discern what
On Wednesday 1 August 2012, the Performing Arts Fund will announce the results of the lottery that granting arts subsidies has now become. Huge cuts are looming: companies and makers that by now seemed to be a permanent part of the Dutch arts landscape will disappear. Exactly what it will look like, we know
Hein Janssen (Volkskrant) wrote a column in response to a couple of performances with BN stars in the subsidised circuit in which he argued that subsidy was not meant for that. The association for actors thought this was reason enough for a debate. We made a short film to go with it. We formatted it in storify, a feature that allows you to put tweets and other social media messages together and...
Art subsidies are better abolished if artists have to reach large audiences. Because then, after all, you distort the market. Logical. You could also decide to subsidise everyone. And that sounds stranger than
According to the Volkskrant, Rick van der Ploeg was state secretary of culture in the early 1990s (in reality, he was at the end of those years), and in Het Parool columnist Gerard Mulder claims that the fact that he "thankfully knows nothing about art subsidies" need not deter him from some wild speculations...
We received a letter on legs from Wim de Groot a while ago. Now we often get letters in paws, but here something seemed to be going on. Trouble of course because sorting it out takes time and money and that wasn't there for a while. (Look out for the donor campaign we are about to launch) But still. What's wrong with it? Wim de...
An alternative scene for classical events outside the ice palaces of classical music is growing. Last month, you could 'classical clubbing' at the Yellow Lounge at the Westergasfabriek venue. The club was sold out, indeed with a large
MuseumgoudA not expelled MuseumgoudA may still remain a member of the Dutch Museum Association (NMV). A majority of the members were still of the opinion in September that the museum should be expelled because it had auctioned Marlene Dumas' The Schoolboys at the end of June without consulting other museums. That is against the NMV's rules. It did, however, decide to change the rules for the...
The Marathon Effect is well known: put spectators together in a theatre for half a day or more, preferably on uncomfortable seats, and hand them over to a couple of actors with a play. Success seems assured, and the ancient Greeks already knew that. So that there would be no discord surrounding the monster project I Demoni, the Dostoevsky adaptation of Peter...
Image by Andrew B47 via Flickr Photo: Chris Vanderburght It was time for a real theatrical hit at the Holland festival, after the rather lukewarmly received British-American Shakespeares of Sam Mendes' Bridge Project. And clap it did with Rechnitz by Elfriede Jelinek dooor the best actors of the Münchener Kammerspiele. Karin Veraart of De Volkskrant was deeply impressed: ...Not...
Not all was negative around Sam Mendes' Bridge Project, which was received rather sparingly by us at The Dodo, and a few other media outlets. Apart from a few positive Twitter reactions, the performance of The Tempest also garnered a pretty nice review from Volkskrant reviewer Karin Veraart, who admired music, directorial discoveries and acting performances by Stephen Dillane in particular and the fresh couple...
Martijn Padding has done something special with Beethoven's 10th. He turned the piece that the deaf composer never really wrote in its entirety into an experience that, as Volkskrant reviewer Frits van der Waa put it, made you feel what it sounded like between Beethoven's ears. According to the NRC, it sounded Impressive: the sphere of creation stripped of all heroism, as if you were passing through two centuries of...
Curlew River Photo: Bertrand Stofleth For every independent journalist in the Netherlands, there are about 15 information officers. It is therefore obvious that these spokespeople largely determine the image in the media. Could that be why in the newspapers and television programmes surrounding the Holland Festival, the announcements are far more numerous than the critical reviews? A look at the...
Those who missed it, like our Beatrix, will increasingly realise that something important happened, Tuesday 1 June, at the opening of the Holland Festival. Egyptian beauty Amal Maher performed an hour and a half of classical Arabic music at Carré, making her first small step into the Western mainstream. We ourselves were from The...
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