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Fiction in dance films, (how) does it work? Good question at festival Cinedans
Fransien van der Putt, together with choreographer and dance filmmaker Angelika Oei, saw five new Dutch dance films during Cinedans. Some of the results were promising. The films all transcended the level of visual gimmick. In its place is a struggle with fiction and physical credibility.
'A lot of art is too much about pleasing'
It started with an email out of the blue. Artist Joncquil had Googled my website and was struck by the name. I myself had almost forgotten how I had ever come up with the name, Joy of Irony: a song by the legendary, highly underrated English noise/metal band Fudge Tunnel. Joncquil came to my site because of his expo at the time, Himmel und Joy. He had read some of my pieces and introduced himself. Maybe one day we could have coffee to talk a bit about art.
Thus it happened.
'Oh, it's being torn apart a bit' #wu13
At 1 strip or 1,000 words blogger and columnist Peter Breedveld spoke with three influential illustrators, Barbara Stok, Peter van Dongen and Thé Tjong-Khing using projected images from their beautiful work. The relaxed conversation was a breath of fresh air among the other ferocious debating violence at the festival.
Egidius Quartet came, saw and conquered
Utrecht, 22-12-2013 - After the final notes of Pierre de Machicourt's motet Reges Terrae, the audience stood in Vredenburg Leeuwenbergh as one man on to the Egidius Quartet rewarding them with a well-deserved ovation.
Wrong Time Wrong Place opens IDFA - documentary as dance with chance
In John Appel's new documentary Wrong Time Wrong Place features survivors of the shooting on the Norwegian island of Utoya and the preceding bombing, which killed 77 people.
Gergiev Festival full of Sunday afternoon music
What could be the matter with the Rotterdam Philharmonic Gergiev Festival - the official name to emphasise its international appeal anyway? As soon as you enter concert hall de Doelen, you immediately get the feeling that you have arrived at an ordinary, weekday concert, even though Valeri Gergiev is on the posters. No decoration of the large rooms...
Tate London has 100,000 members. Fortunately not all of them are active
Martin Barden realises that an old model works, where everyone is always clamouring for new forms. As marketing boss of the Tate museums in London, he created a large network of friends. So that museum has more than 100,000 members. people who feel part of the club, and whom you have to pamper.
Mahler Chamber Orchestra happily flirts with Haydn, but Russian composers will make you laugh #hf12
True story. There is laughter in classical music. At many an orchestral rehearsal, the viola jokes are all over the place. And in the Concertgebouw, you might catch some mock chuckles. But classical composers are not known for their humour. Except Joseph Haydn. The Viennese composer brought a cosy witticism to his works here and there. One of his...
Opening Holland Festival on twitter and facebook: tenue de wtf, ns-#fail, sublime dance theatre and mozzarella sticks #hf12
[View the story "Opening Holland Festival 2012" on Storify] Opening Holland Festival 2012 On 1 June, the Holland Festival opened at Theater Carré. We were there, saw Platel's C(h)oeurs and tasted the atmosphere. Although it almost went wrong. This is what of it was witnessed on social media Storified by Cultureel Persbureau - Sat, Jun 02 2012 08:37:18...
Fragmentary first choreography by artist Martin Creed is non-committal, sketchy and lacks tension
"We've been working on some songs and dances," says visual artist Martin Creed, assisted by his five-piece band and five ballet dancers. In his fragmentary performance, Creed explores the relationships between the five basic positions from classical ballet, the bouncy off-beat rhythms of his post-rock band, and Creed's own video art. This is his first choreography and it shows. "Works No....
Progress news: Give Act no more for culture, Utrecht more expensive and Purmerend stops all subsidies
Lower House approves Tax Plan 2012 (...) Furthermore, the adjusted Giving Act was also passed. The €7 million tax support shifts from cultural institutions to sports and music associations. Source: Belasting.nl 18 Nov 11 Utrecht - Culture may cost something - by Wouter de Heus (...) this week, when I finally saw the renewed operating plan for the Music Palace in...
Elektra: only five singers worldwide who can handle this part. Linda Watson sings scathingly Nietzschean.
Elektra – scenefoto: Hans van den Bogaard De vierde reprise van Elektra door De Nederlandse Opera is over de helft. In de laatste voorstellingen nemen twee verse dramatische sopranen het stokje over. Waarom wordt een opera hernomen, zelfs maar liefst vier keer? Bij de slaapverwekkende Don Giovanni in het vorige seizoen van De Nederlandse Opera – ook al een reprise – was…
Does the body still matter?
Europe in Motion (EIM) is an international exchange project, which supports the development of emerging choreographers, travelling through three Springdance partner organisations in 2011 and 2012. Last February it visited Nottdance in Nottingham and in April EIM touched down in Utrecht. During SPRINGDANCE 2011, nine choreography talents from the UK, Austria, Turkey and the Netherlands competed in private...
Jacob Derwig and Elsie de Brauw receive 2011's top drama awards
On Sunday evening 11 September, the VSCD Drama Awards, the VSCD Mime Prize, the VSCD Youth Theatre Awards and the AVRO Toneel Publieksprijs 2011 were presented at the Gala van het Nederlands Theater. And that you then know that VSCD stands for the Association of Theatre and Concert Hall Directors and AVRO for General Free Radio Broadcasting. The award for the best male lead of the past...
Rascals and heroes battle for power at Utrecht Festival a/d Werf
There is no such thing as the perfect human being. We are all crooks. Or is there a way to get it right? Ilay den Boer and the actors of De Utrechtse Spelen / De Warme Winkel each explore in their own way at the 26th edition of Festival aan de Werf. Wasn't my grandfather just an asshole? That...
Gergiev comes to Rotterdam with a top orchestra and top repertoire, but audiences are used to that from him
Russian conductor Valeri Gergjev was back in Rotterdam for a while, for one concert. He conducted his own orchestra, the London Symphony Orchestra (LSO), in de Doelen. The famous orchestra played repertoire that we in our country know inside out: Gustav Mahler's 1st symphony and Dmitri Shostakowich's 1st piano concerto. A now historic combination: because the Netherlands has become fused...
Superior played-in recordings are no guarantee of delivering a reference CD
The Rotterdam Philharmonic Orchestra currently has an unprecedented luxury: it is releasing CDs on two labels at the same time. How is that possible? The orchestra signed under its own name with BIS Records, the label with which the eccentric owner Von Bahr releases one extraordinary recording after another, while chief conductor Yannick Néze-Séguin is old-fashionedly under contract as maestro with EMI....
Liszt's music is too important to ignore
Fransz Litszt, born in 1811, explored every nook and cranny of the piano in his work, trying to incorporate every conceivable technique. As this contemporary of Carl Czerny, Niccolo Paganini and Richard Wagner was born 200 years ago this year, so there is a Liszt year. The Rotterdam Philharmonic Orchestra bit the bullet of that on Friday 28 January,...
With the best actors of their generation, Oostpool makes beautiful theatre of J.D. Salinger's America
Things become more fascinating when you look back on them 30 years or so later. Three decades make the life you were once in the middle of history, and that is happening to my generation (40-somethings) now with the second half of the last century. Hence the success of Jonathan Frantzen's masterpieces Freedom and The Corrections, and hence the success of a DVD series like Mad Men....
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