The hybrid German-English model combines the best of three worlds. But it also involves major changes. Artists will no longer all live in Amsterdam, but in one of eight or 10 urban cultural regions.
The myth just had to end. Nan van Houte, former director of Amsterdam's small theatre Frascati, has buried Action Tomato. During Requiem for Tomato, on 4 November 2019, she made it crystal clear that this legendary event has been measured too big by our theatre historians. In 1969, when a few tomatoes were sent to the al...
Post-colonial criticism and reflection ran like a thread through this year's Holland Festival programme. Not only William Kentrigde and Faustin Linyekula, the associate artists with whom the festival's programmers collaborated, their work addresses the devastating effects of centuries of Western European trade and commerce. In reframing political and social history and reclaiming...
Anthony and Cleopatra is exactly the kind of repertory piece that people look forward to during the Holland Festival, or any other prestigious stage. Director and writer Tiago Rodrigues manages not so much to deflate that grandiose expectation as to reduce it to the intimacy of a duet and a play with extremely basic theatrical gestures. His two actors are dancers, an experienced choreographer duo
Djino Alolo Sabin (1990) sits there, relaxed, in the morning at the hotel in Brussels. The night before, he has danced his solo Piki Piki for the first time, which will also be shown at Theater Frascati during the Holland Festival. The performance touches on many intense themes, but is anything but melodramatic. Rather, it expresses a relentless optimism....
'Please stop the show!", shouted an 83-year-old former reviewer from the back row. Theatre Frascati fell silent for a moment. There had never really been such an interruption at the Holland Festival's traditionally festive press conference. And that while Faustin Linyekula had just got into his stride, telling about the projects he is carrying out with his Studio Kanako in Kisangani. They provided...
Dutch theatre is remembering less and less. This was evident last Friday during two meetings at ITA, the building that once housed the Stadsschouwburg. During Nieuwe Grond, part of the Dutch Theatre Festival, the topic was heritage. One meeting will possibly be remembered by the six attendees: the two guests plus presenter, and their three audience members. The other...
Endless chatting at the kitchen table. While cooking. That's all they do, the brother, the sister, the ex, the two daughters-in-law and the mother of the Gabriel family. About recipes, about the old piano. About Thomas, the brother who died of parkinson's, about his wife, who due to informal care had no time to renew her doctor's degree. All very casually, without...
Swiss playwright Milo Rau created a theatrical trilogy about the demise of the European ideal. The second part The Dark Ages is now at the Holland Festival. Rau combined his actors' painful, personal life stories with themes from the works of Chekhov, Shakespeare and the Greek tragedies. With a Freudian sauce: 'Countless people who are The Dark Ages have seen ask me: 'Milo, is something wrong with your father?'
The raw in Something Raw can mean all sorts of things. The first thought might be something rough, as in the effect of sandpaper on skin or the havoc left by an elephant in the china shop. But rough is a derivative meaning. Raw first of all means unprocessed and fresh. There is a certain hope in the combination of rough and raw: artists who like...
Three mongols playing Mongols. Dschingis Khan, the opening performance of Something Raw, is provocative and consequential. With this performance by German theatre collective Monstertruck, or the also Berlin-based Man Power Mix by Sheena Mcgrandles and Zinzi Buchanan, the festival Something Raw lives up to its name. Something Raw is a festival in which Amsterdam theatres Frascati, De Brakke...
As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,...
The children introduce themselves one by one. They build sets, make music and play scenes. A catastrophe is imminent. They speculate loosely: will it be a nuclear or biological attack, a plane or a missile, a tsunami or a bombing? In Next Day, shown last weekend at Theatre Frascati, they rehearse an attack by 'aliens'. That...
It erupts during the Dutch Theatre Festival and continues even longer. For three weeks, Frascati 4 will be annexed by the live radio show Radio Futura - The Voice of the Future. One of the Radio Futuristas, Heske van den Ende, explains below why you should especially listen in online.
Holland Festival
This month is all about the Holland Festival. Culture Press reports almost daily. What are we most looking forward to?
Putting a man and a boy on stage together - upper body bared; in today's times, that means asking for trouble. Our gaze, saturated by paedophilia scandals, leaves little in the way of intimacy between what could also be father and son, brothers or friends. But 'Victor' by choreographer Jan Martens and director Peter Seynaeve is no good, politically correct repartee. In their search for a loving look at the relationship between husband and child, they also consistently push the boundaries of what is permissible.
For more than a decade, Something Raw has been one of the few places in the Netherlands where the question of artistic and social urgency of the body is explored on stage, with all the fun and risk involved. Many performances struggled with the 'impasse of display': have people then become mere things to look at? Porn is the...
Foto: Sanne Peper Het Amsterdamse gezelschap Dood Paard vertaalde zelf Shakespeare’s ‘Othello’ en zwaait met ‘Bye Bye’ de bard uit. Het eigenzinnige collectief brengt een anderhalve uur durende actuele zedenschets en zielenspiegel, waarin wijzen naar ‘De Ander’ centraal staat. Shakespeare’s stukken worden nogal eens heel eerbiedig opgevoerd. . De bewierookte ‘bard’ uit Stratford-upon-Avon heeft de Engelse taal bovendien talloze uitdrukkingen…
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