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Wilminktheatre

Happy faces, a reunion with old acquaintances, water, cake and a magical moment: press presentation Of Cotton and Water

Happy faces, a reunion with old friends, water, cake and a magical moment that closed the day with a golden edge. On Wednesday, the Stadslab on the Indiëterrein in Almelo was the stage for the press presentation of the theatre performance Van Katoen en Water. The headline is off. Wednesday saw the kick-off of a unique city musical that will bring Almelo and the surrounding area... 

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Theatre directors should reach out to themselves

De Volkskrant bracht op 18 mei van dit jaar een primeur over stakingen en uitval onder het technisch personeel bij ’s lands grootste gezelschap: ITA. In Trouw luidden op de zelfde dag de verenigde theaterdirecteuren (VSCD) de noodklok over het gebrek aan technici. Het is zelfs zo erg “dat voorstellingen afgelast moeten worden”. Twee redenen worden vooral genoemd: technici hebben… 

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Despite closed doors, Wilminktheatre produced more than ever 

Nu de cultuursector langzaam maar zeker de coronacrisis en de lockdowns achter zich kan laten, is het tijd om terug te blikken. Hoe hebben ze het gedaan, de theaters, de clubs? Eerder besprak deze site het boek dat TivoliVredenburg schreef over het eerste jaar (Off/On). Nu is het tijd om te kijken naar hoe een schouwburg in ‘de regio’ de… 

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Open call Theatre On Tour #5: Call for location theatre makers: Become part of our festival!

For the fifth edition of Theatre on Tour, Concordia and Wilminktheatre and Muziekcentrum Enschede are looking for location theatre makers. In the festival programme, we have reserved two special locations: the Redemptorist Park, on the border between the Netherlands and Germany, and the quay of the Enschede Rowing Association Thyro. On 18 and 19 September, Concordia and Wilminktheatre and Muziekcentrum Enschede will organise for the fifth... 

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Speed and humour in Reisopera's Don Giovanni

When the Commendatore suddenly rises from his bier in the mortuary, Leporello recoils violently. He smacks painfully against the back wall, as if struck by a gust of hurricane-force wind. This cartoonish image is just one of many hilarious moments in Don Giovanni by the Nederlandse Reisopera. This production was performed after its premiere Saturday 4 March in the... 

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Laurence Dale’s Ariadne auf Naxos: een opera vol ongebruikelijke koppels

De grote zaal van het Enschedese Wilminktheater is leeg, net als de orkestbak. Op het immense podium het decor voor de proloog van Strauss’ Ariadne auf Naxos. Theatertechnici bespreken licht- en boventitelingscues, iedereen oogt ontspannen. Ook regisseur Laurence Dale. Het is vier uur vrijdagmiddag, twee weken voor de première op 10 september. Eerder die vrijdag is de proloog – die… 

Read More "Laurence Dale’s Ariadne auf Naxos: een opera vol ongebruikelijke koppels

Guaranteeing: the new way of subsidising.

The Orchestra of the East is allowed half a million in red. That is the outcome of the 'Urban Commission' in Enschede. In a fortnight, the city council will formally take the decision, but with the commitment of a large majority, any debate will be wasted time then and the proposal would be better added to the list of hammer pieces immediately. That would have taken a month... 

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Orchestra of the East reinstated: HET Symphony Orchestra has 'new' name

From Dutch Symphony Orchestra with international ambitions back to provincial orchestra with as yet nothing at all. Now, except for the ironclad original name. It could be a commercial for Telfort. In between are many lost court cases, the grotesque protest name *****Symphony Orchestra and the equally garish HET Symphony Orchestra. It is the ultimate capitulation of the once by just about everything and everyone... 

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Good news from Enschede: magical Orphée et Eurydice by Reisopera

After all the misery surrounding HET Symfonieorkest, the premiere of Orphée et Eurydice last night (1 May) at the Wilminktheatre was a breath of fresh air. Defying all worries, the Nederlandse Reisopera realised a shimmering performance, which was rightly rewarded with a minute-long ovation. With magical colour fields, slow-motion movements and mysterious shadow play, director Floris Visser brought the timeless love drama to life. A must-see for... 

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Reisopera's Pearl Fishermen: sober but effective

Even before the Noord Nederlands Orkest's final chord has fully sounded out, the audience in a well-filled Theater Carré stands up as one to cheer on the cast of Bizet's Parelvissers. We are writing 24 February 2015 and this is one of the last performances of this austere but effective production by the Nationale Reisopera. Tonight, this... 

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Municipal politics remain powerless over cultural policy content, this time in Enschede

Municipal cultural politics are often about 'bricks and mortar'. People put up a cultural building and then pray/hope that fantastic things will happen there, which the city council, in turn, has no money for/power over. Take Enschede. In a council meeting in which it was decided to reinvest in cultural bricks by means of a €475,000 loan, there was actually some unrest. No, not about those bricks, but about... 

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Bicycle shed gives way to redundant office of The Symphony Orchestra

650,000 euros. The municipality of Enschede is prepared to lend that amount to HET Symfonieorkest. Not for a special cultural project in the city, no, for a renovation. Not surprising, since municipalities, after all, prefer to invest in bricks and mortar rather than culture. But in this case, we are talking about very special bricks. According to director Harm Mannak, the barely used bicycle shed needs to be converted into a... 

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Copyright: Erik Bindervoet

The five theatrical performances you want to see in January 2015, and you already have to head back to the province

After the annual lists, the recommendations for the new year. All dailies participate in it. Problem: much is not yet known. Festivals and companies present their programmes sometime in February, March. So we cannot yet give the tips for the whole of 2015. But we do have the tips for the coming month, in chronological order, because ranking performances we still have to... 

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Should Halbe Zijlstra apologise only to Overijssel?

Ten per cent fewer performances and ten per cent fewer visitors in Overijssel headlines RTV Oost. Bam! That chops it. Into the bin, that jubilant press release by Jet Bussemaker. And if there is one province that does not need to apologise to Halbe Zijlstra, it is Overijssel. Well, we reported earlier that apologies are not necessary anyway, but as a province... 

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Maas Theatre and Dance's Greeks: compelling and bewildering for young and old alike

First story. A naked king crawls at the feet of a woman. She is much taller than him, a goddess. High above him, she holds a bunch of grapes in her hand. Hungry he is! He wants those grapes, all of them. His body is vulnerable. It seems to shiver in the open air. But when it comes to the coveted food, he fetches... 

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Symphony orchestra seeks name. All suggestions are welcome.

Suddenly they are gone: the Dutch Symphony Orchestra's twitter account and facebook page. Searching for the new ***** name also yields nothing. Must have something to do with all sorts of lawsuits. But if you type in nederlandssymfonieorkest.nl, you happily end up at symfonieorkest.nl. Incidentally, if you type in orkestvanhetoosten.nl, that's also where you end up.

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From packaging for fish to opera: JacobTV's The News

The news: today it is hot, tomorrow the fish will be wrapped in it. In his video opera The News gives Jacob ter Veldhuis/JacobTV it a second life by putting it in a new context. 'These days, news is infotainment, dipped in sentiment.' Next Friday, the Dutch Travel Opera the premiere at the Wilminkteather in Enschede.

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Timeless staging of St John Passion grips at throat

The main character of Bach's St John Passion? Jesus, of course. Wrong. It is the narrator, the evangelist, especially in Dale Duesing's wonderful staging, especially when interpreted by Robert Burt. Where in ordinary performances of the Johannes the evangelist's recitatives mainly interrupt the arias and choral passages, here they form the dramatic core. We truly see John's passion.

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Figaro and The Fonz on a scooter in an entertaining choreography for set pieces

It is the turnout of the evening: riding around on a scooter, barber Figaro gets involved in a crazy adventure in which Count Almaviva wants to snatch the beautiful Rosina from the hands of her guardian Doctor Bartolo. Three Bertas, meanwhile, literally tear Basilio's clothes off in an ingenious dance in front of three sets in which the action moves at lightning speed from inside to outside and... 

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Figaro! Figaro! Figaro! Reisopera on tour with Rossini's masterpiece on order

'Give me a shopping list and I will set it to music,' the Italian composer Gioacchino Rossini is said to have said. Perhaps apocryphal, but fitting for the man who composed faster than musicians could rehearse his scores. Where Wagner needed a lifetime for 14 operas, Rossini wrote triple that. In barely fifteen years.

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From Dutch to National and vice versa. DNO and NRO give lesson on name change and collaboration

A joint press conference by two companies. In the post-Zijlstra era, that often does not bode well. A merger then seems obvious, especially when it involves the two largest opera companies in our country: De Nederlandse Opera and the Nationale Reisopera. Only now we have to turn that around: the Netherlands Opera will become the National Opera. And the building will be called National Opera and Ballet.

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Tristan und Isolde at Reisopera, something special happens here

A Brünhilde who does not burst into flames but endures the Götterdämmerung with a baby in her arms, a Senta who does not jump off a cliff but is shot by Erik together with the Holländer. No one really looks surprised anymore. And Isoldes who do not die in the Liebestod are no exception, but Tristan who rises from the dead, as it were, by Isolde's notes reaching into heaven, stands diagonally behind her and sings along soundlessly?

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Ed Spanjaard unleashes primal forces in Götterdämmerung Reisopera

The closing applause after the premiere of Götterdämmerung stormy, is an understatement. It seemed as if the completely sold-out auditorium wanted to surpass the primal forces extracted from the Gelders Orkest by Ed Spanjaard. History was made here: on stage, by the soloists and choir, in the orchestra pit and behind the scenes, for six hours and 20 minutes.

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