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Creation returns: Nederlands Blazers Ensemble and Bart Moeyaert on tour again

In October, the Blazers and Bart Moeyaert will tour again with De Schepping, the first part of this successful musical theatre trilogy. During this performance, Bart Moeyaert (winner of the 2019 Astrid Lindgren Memorial Award, the 'Nobel Prize for children's literature') tells the story using a self-written text to this old, but never performed this way, music by Haydn.

Composer Marijn Simons: 'Everything is about timing'

Although the press picks it up only sparsely, not only the NTRZaterdagMatinee pays much attention to Dutch composers. Indeed, they are also well represented in the AVROTROS Vrijdagconcert (formerly De Vrijdag van Vredenburg). In 2014, for instance, Joey Roukens wrote The building of the temple to mark the reopening of TivoliVredenburg. Two years later, the season opened with Atlantis by Robin... 

Silvia Colasanti: 'My string quartet is about the beauty and nostalgia of Rome'

Whether flowing melodies, driving rhythms or dense clouds of sound, the music of Silvia Colasanti (Rome, 1975) is always lyrical. On Monday 29 January, Quartetto di Cremona will perform the world premiere of her string quartet Ogni cosa ad ogni cosa addio at Muziekgebouw aan' t IJ Amsterdam. The concert is part of the String Quartet Biennale, which takes place from 27 January... 

Last 7 Words Dutch Don't Dance

'This is God'. Choreographer Thom Stuart sets Haydn's Last 7 Words to dance.

First there was Kinder Matteüs: an interactive musical production with the Holland Baroque Society and the Nieuw Amsterdams Kinderkoor. Now The Dutch Junior Dance Division with the Matangi Quartet brings Last 7 Words to music by Haydn. You came to church every day, didn't you?" I ask Thom Stuart. No, the choreographer firmly denies. 'I never come to church.' 

José Maria Sánchez-Verdú composes musical Hell's Gate for choir and string quartet

The string quartet is considered Joseph Haydn's invention; Goethe considered it the nec plus ultra of instrumental music. 'One hears four intelligent people conversing with each other' said the poet. 'One believes to understand something of their conversation and to know the idiosyncrasies of the instruments.' We get plenty of that opportunity from 27 January to 3 February, during... 

How a lark and a bullet can be a combination that still makes you happy

Bird sounds are heard from all sides. A song, a chirp. Call and response. The sky is full of them. Yet it's not birds you hear, but five strings. The acoustics of the Amstelkerk are exploited in their best qualities. Creating programmes in a small setting, with a personal choice around a theme. This is what cellist Lidy Blijdorp uses to... 

Why we're losing more and more music thanks to 'digital' #HF17

For new music, the primal performance is often also immediately the last time a piece is played. The scores await the archive or dusty drawer; recordings are nowhere to be found. David Dramm searches for these gems of stilted notes. He presents them at the Holland Festival Orphanage: three evenings of forgotten compositions from the rich... 

Ivo Pogorelich shocks Eindhoven and streams on Idagio

'It took me 18 years to make a new recording,' Croatian pianist Ivo Pogorelich (1958) says with a modest smile. 'Just as much time as it takes a baby to come of age.' It is Wednesday, November 2. A special moment, because on that day Pogorelich's CD-less new recording of Beethoven's Piano Sonatas No 22 and No 24 will go on... 

Kian Soltani is the Great Discovery of the Cello Biennale 2016

Every morning Maarten Mostert, spiritual father and artistic director of the Cello Biennale Amsterdam, is squeezing oranges at half past seven in the Muziekgebouw aan 't IJ. The early birds among cello lovers then flock to the place to be for a free croissant with orange juice, followed by a top-notch performance of one of Bach's six Cello Suites in the Bach... 

Publicity image Hexagon Ensemble

Maartje van Weegen brings sole movement to 'Diary of a cello'

Taking an idea from Marieke Stordiau, bassoonist in the Hexagon Ensemble, Joost Galema, journalist and programmer, writes texts that deal with tree dreams, music and time. This creates Diary of a Cello, a piece that challenges the listener to think about the connections between nature and music. The premiere of Diary of a cello took place at the Amesfoort theatre De... 

Ed Spanjaard is the ideal new leader of the Orchestra of the East

After it was announced in January this year that Jan Willem de Vriend was leaving at the end of the 2016/2017 season, the Orchestra of the East announced that it was in no hurry to find a successor. One would start working with "renowned guest conductors". Just over six months later, a few months before the departure of interim director Bart van Meijl, a successor was still presented. That this successor, Ed Spanjaard, is given the title of 'permanent conductor' seems mainly a semantic issue.

Film fails to lift Die Schöpfung to higher plane at Holland Festival #HF16

Full of religious inspiration, Joseph Haydn (1732-1809) wrote the oratorio Die Schöpfung, his famous musical hymn to the Biblical story of creation. Berlin-based artist Julian Rosefeldt (1965) reflects on Haydn's masterpiece with an aesthetic film that shows how humans shape the world to their liking. During the Holland Festival, this film was screened at a live performance of the music by Collegium Vocale Gent and baroque orchestra B'Rock led by conductor René Jacobs. Did Die...

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Conductor Han-Na Chang: 'Music never offers just one answer'

'She is the embodiment of the incredible lightness of existence, agile, alert and precise on the beat.' So says one critic about Korean-American conductor Han-Na Chang (Suwon, 1982), who led just about every major orchestra after her debut in 2007. In 2014, she scored highly at the renowned BBC Proms with her fresh interpretation of the Fifth Symphony.... 

Holland Festival 2016: urgent, challenging and inviting

Never before has the Holland Festival placed itself at the centre of society as it is today. The 2016 programme is steeped in the turbulent times in which we live. The Netherlands holds the presidency of the European Union this spring. Artistic director Ruth Mackenzie has taken this fact unflinchingly to give 'Europe' a wide place in the programming. In presenting... 

Franz Liszt: from virtuoso keyboard lion to ascetic innovator

Franz Liszt (1811-1886) was revered in his own time as a true devil's advocate, whose virtuoso piano playing set many a woman's heart racing. But above all, he was an innovator, whose ambition was to "hurl a spear into the infinite space of the future". The Concertzender highlights life and work for two hours on Wednesday, 2 December 

Soprano Katharine Dain highlight Seven Bridges Festival

During the Seven Bridges Festival, from 29 September to 4 October, you could enjoy chamber music concerts in beautiful historic buildings in Amsterdam. One concert, on 1 October, we highlight. Compositions by Haydn and Beethoven resounded in Museum Geelvinck Hinlopen. This included a straining Haydn sonata on pianoforte grand piano and sparkling 'Volksliederen' by Van Beethoven by the expressive soprano Katharine... 

Orlando Festival is broad and varied - with one blind spot: the female composer

Thursday 20 August sees the start of the annual Orlando Festival again in Kerkrade. Established in 1982 by cellist Stefan Metz, this event has been luring young musicians to Rolduc Abbey for over three decades to train in musical practice. Named after the then renowned Orlando Quartet, the festival traditionally pays close attention to strings, but other instruments are not forgotten either.... 

Mahler Chamber Orchestra happily flirts with Haydn, but Russian composers will make you laugh #hf12

True story. There is laughter in classical music. At many an orchestral rehearsal, the viola jokes are all over the place. And in the Concertgebouw, you might catch some mock chuckles. But classical composers are not known for their humour. Except Joseph Haydn. The Viennese composer brought a cosy witticism to his works here and there. One of his... 

The International Choice does, what The International Choice has been doing for years: divide opinion and loosen tongues.

"We are blind to the big changes in the world and meanwhile we are arguing with one-liners on Radio One." These words, penned by reporter Robbert van Heuven from the mouth of writer Abdelkader Benali during the Choice Debate on Tuesday 20 September perhaps best captures what The International Choice was all about. Artistic director Annemie Vanackere... 

15,000 burger buns set a fitting stage for typically Spanish Golgotha Picnic #International Choice

  Spain and God. The two have had something in common for a long time. And to outsiders, not always in a positive sense. Spaniards invented the Inquisition and converted the entire native population of South America to the eternal hunting grounds. When artists delve into the relationship between supreme being and Spaniard, it also quite often produces confrontational works. Take... 

Die Jahreszeiten, in OT's version, fits perfectly into the Flemish-Dutch Opera Days

Photo: Ben van Duin In the Netherlands, the view of opera is mainly guided by concert practice. As such, the Dutch approach to this genre differs considerably from what is common in the rest of Euroa. This is evident from the fact that over the past century, investments have been made in concert halls that are among the best in the world. 

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