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The figures are in. And they don't say anything at all.

We had already announced it. This period is all about positive framing by the arts sector. Good news has to be spread, although people don't really know why. After all, there are no shareholders to be kept happy, only concerned art lovers. Enfin. On Wednesday 9 September, NRC journalist Daan van Lent presented the result of an investigation into the... 

The 10 best films to get in the mood for SAIL

Boats and film, they have been linked since the very earliest cinema. The first moving shot is shot from a gondola in Venice, Georges Méliès already made Les haleurs de bateaux in 1896 and the much more sophisticated 20000 lieues sous les mers in 1907. With SAIL about to break loose, it is time to list the best nautical films.... 

Important performances now available in full on Theatre Encyclopaedia

Watch Who's Afraid of Virginia Woolf by the Dutch Comedy in 1964, or Live, the 1979 video ballet by the Dutch National Ballet. You can now do so at the Theatre Encyclopaedia. Thanks to the crowdfunding campaign Being/Not Being. Theaterencyclopaedia had wanted for some time to put videos of a number of crown jewels from Dutch theatre performances on the internet. A nice start has now been made on that. Through a Voordekunst action, even more money has been raised... 

poster on productivity

Idea for Greece? Britain worth 15 billion more thanks to art

It could just be a solution to Greece's problems: investing in culture. For Britain, at least, the softest of all sectors has proved a fertile cash cow. The cultural sector added 15 billion in value to the economy there last year, almost 3 billion more than two years ago. In other words: for every pound the government put in... 

Dutch National Ballet - Empire Noir - photo Angela Sterling A0146

Cool Britannia: fine coalition of British choreography talent

Got that. Do I get increasingly impressed during the National Ballet's evening Cool Britannia, turns out it's not that good at all. Because connoisseurs react lukewarmly afterwards. Am I that dumb, or are they that smart? There is actually very little British about Cool Britannia. Except that the choreographers are from there. An obvious... 

Zeros, ones and the public; what is digital art?

The new format of the Holland festival puts the spectator first. Plenty of visible events, free performances and being in the middle of the city. It's director Ruth McKenzie's trademark. It is therefore not surprising that she does not shy away from the digital universe. After all, what better way to share than digital art? But what then is digital art... 

Carel Kraayenhof: 'Most people think I'm inside.'

When you think of Carel Kraayenhof, you don't immediately think of a young squatter orating about Karl Marx in circle discussions. Yet protest resides in the musician, just like in the tango. This becomes apparent when the interview gets off to a brisk start.
'If anyone knows how to penetrate the soul of tango, it is Carel Kraayenhof.' Says Mike Schaperclaus, innovator with the Rotterdam Philharmonic Orchestra, which is performing the production Julia in Ahoy in June. 'Everything falls into place: that's the feeling we had when we heard...

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Dutch Theatre Festival selection: a splendid list that makes no sense at all

A beauty list. The Dutch Theatre Festival's official jury selection cannot be described any other way. Neatly divided into large- and small-screen productions, with a mime and a location production as well. At the same time, the selection makes no sense at all. Because yes, the Theatre Festival admits that it looks mainly at theatre. And after all, aren't there all kinds of awards for opera, youth theatre,... 

Ivo van Hove directs Bowie's The Man Who Fell To Earth II: Lazarus

Indeed, you couldn't release this message on 1 April, because nobody would have believed it. But it is coming, then. Bowie, The Musical. But from the man himself. Sort of. Ivo van Hove, the boss of Toneelgroep Amsterdam who is now more famous in America and England than in the Netherlands, is going to direct Lazarus. That's a new... 

The five shows you must see in February

#1 Salzburger Festspiele / Schaubühne am Lehniner Platz / Katie Mitchell, The forbidden zone (theatre/performance) - Dutch premiere 11 February, Stadsschouwburg AmsterdamThe British director Katie Mitchell is this month's 'arsonist' at Amsterdam's Stadsschouwburg. With performances that are as scintillating as they are transgressive. The forbidden zone is about areas long off-limits to women: wete... You can log in now to continue... 

Masha Bijlsma's come-back turns Zeister Bovenkamer into sultry jazz club

An upstairs room on an abandoned industrial estate becomes a cosy jazz club, a 43-year-old girl from the Achterhoek becomes a black jazz diva and her band makes a comeback after the demise of its musical director. With Masha Bijlsma, the wonders are not yet out of the world. Music can make time stand still. That happens lol but sometimes; I make it... 

Copyright: Erik Bindervoet

The five theatrical performances you want to see in January 2015, and you already have to head back to the province

After the annual lists, the recommendations for the new year. All dailies participate in it. Problem: much is not yet known. Festivals and companies present their programmes sometime in February, March. So we cannot yet give the tips for the whole of 2015. But we do have the tips for the coming month, in chronological order, because ranking performances we still have to... 

2015 is not left: 5 reasons why art is becoming more exclusive

Art ends its 70th anniversary as a 'Leftist Hobby' in 2015. There is not much more to predict for this year. Art goes back to the bourgeois status it held since the start of the industrial revolution. 1: Art was never left Art, of course, has never been 'left'. Subsidy may have come from the thinking tubes of social and Christian democrats, but art an sich... 

Lesson 1 for 2015: don't make your annual lists too early

Last weekend, we thought we were on the safe side with our list of best-read stories on Culture Press. True to old media laws, we thought the days between Christmas and New Year's would be quiet. Aber nein. It turned out there was another list on the way, which turned the whole thing upside down. Instead of 235 thousand interested readers... 

Photo: Monique van de Wijdeven

The 10 theatre performances you actually wanted to see in 2014, even if you had to leave Amsterdam for half of them

It's raining annual lists and we're merrily joining in. As subjective as anyone, after all, no one sees everything, and opinions on taste can always differ. Of course, also in this list many performances in or from the Randstad, but half of them were not yet shown there. And all genres mixed together. As long as it is theatre. With the only limitation: no repeats, apologies Ring and Lohengrin (DNO), St John Passion (NRO). And no dance, because for that our partner dance audience

In advance, 5 reasons why no one needs to apologise to Halbe Zijlstra.

According to the VVD, all artists and art lovers in the Netherlands should say 'sorry' to Halbe Zijlstra. Because they were so angry with him when he abolished 30 per cent of art subsidies without any underlying idea. After all, according to the Ministry of Culture, things were going fan-tas-tically with the arts in the Netherlands. Anyone who reads the press release the ministry issued yesterday on that... 

Get the performing arts out of the margins: 1 award, 1 night, 1 gala. 100 cameras.

We can make a long story short. September and early October are raining awards. Every performing art form celebrates its own party. Theatre does it with Theo and Louis, cabaret with the Poelifinario, a Cricket is awarded somewhere, and then you have the Musical Awards and of course the Swans and the Dioraphte Prize. You can already feel it hanging: there... 

Joop Daalmeijer Marathon (5) "All balls on Amsterdam", I'm not into that at all.

Wijbrand Schaap: 'Now on the role of cities. One of the reactions on our site is about the role of the randstad in cultural policy. Melle Daamen puts the primacy in the randstad, and goes further than the Council in this.' Marathon interviewAfter the uproar surrounding Melle Daamen's opinion piece on arts policy, we were invited to a 'conversation about... 

Sparkling Candide at Canal Festival

The 300-strong audience stood up as one after Leonard Bernstein's infectious performance of Candide at the Hilton Hotel in Amsterdam last night. The performance of this 'pocket version' of Bernstein's cheerful musical/opera about the incorrigible optimist Candide, produced by the Nationale Reisopera, took place indoors, in the hotel's ballroom, due to the weather conditions. After all, the Grachtenfestival has to be... 

Five things we learned from opera amuse Sweeney Todd

What: A preview of the 'musical thriller' Sweeney Todd

Location: the biggest rehearsal room of the Dutch Travel Opera

Present: almost the entire cast, one hundred and fifty guests

Menu: bread, pastry, a dessert as pretty as it is tasty

Drinks: water, red/white wine ánd Bloody Mary's, complete with celery as a stirrer, Worcestershire sauce, Tabasco, pepper (and salt, nowhere to go), lemon (should have been lime), prepare it yourself

 
(1) How m...

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Warhorse is almost perfect: 6 reasons to go. Or stay away.

Saturday, June 14, went off in a flood of evening gowns, dinner jackets, Dutch celebrities and Gooische Tanks War Horse premiered. A play about a war in which the Netherlands was neutral, and of which there are memorial stones in every village in the rest of the world. You can go and see it. Or not. We have listed six arguments.

Is Anne too big for reviews? 3 reasons why I find it hard to review Anne

Someone commented on Facebook that it looked a bit odd for a newspaper to hand out stars for a play based on The Diary of Anne Frank. Although I myself shudder to give out stars this early for a Godwin make, surely there is something to The Play and The Review. Indeed, reviews of The Play to The Diary seem superfluous. For how do you review such a play, with such a history? Isn't fuss about layering or no layering, adventurousness or no adventurousness in the direction even a little irreverent? So these are three issues, which led me to consider that maybe it shouldn't be possible at all. Anne review.

Nederlandse Reisopera with a musical. With Sanne Wallis de Vries. In Royal Theatre Carré.

No, the company is not afraid of competition. Nor of cooperation, as witness the jubilantly received Fairy queen with Veenfabriek and Combattimento, the orchestra led until recently by Jan Willem de Vriend.

Combattimento? That orchestra was supposed to quit, wasn't it?

Indeed, it looked like that for a while when Jan Willem de Vriend announced his intention to retire from the Netherlands Symphony Orchestra, but without its founder, the orchestra made a successful relaunch. Like the Reisope

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4 old cows in eternal Amsterdam theatre war cause Daamens oekaze?

How can a usually very ordinary, amiable theatre director suddenly come out with the announcement that a few orchestras can go and the National Ballet has to be outsourced? We wondered so and headed to the Concertgebouw car park yesterday. Because at the Concertgebouw there was a get-together due to the celebration of a new grade, and where there are get-togethers, there are loose lips. Especially in car parks. And there, among all the pulmonary emphysema complaints, we heard some news: Melle Daa...

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