A festival is still the best way to get acquainted with new art. Yesterday, after six days of persistent drizzle and torrential rain, the sun finally broke through over Bossche Zuiderpark. Bartenders who had spent the first few days getting used to quietly serving those few customers who braved the rain for a white wine (because it was summer...
With the performance Krant, Dutch playwright Joeri Vos of De Veenfabriek aims to criticise the major Belgian newspaper operators in the Netherlands. But it also paints an unflattering picture of journalism. Vos, he revealed beforehand, has serious concerns about the independence of news supply. After all, Dutch dailies such as AD, Telegraaf, Volkskrant and NRC, as well as many...
The Theater aan de Parade is slowly but surely starting to become the blot of cultural politics in Den Bosch. The outdated theatre has too low ceilings, too much plush, asbestos and past to still be a credit to the Brabant provincial capital. Viktorien van Hulst, director of the now 35-year-old Theatre Festival Boulevard, made a point of saying during her opening speech on 1 August that the...
The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural...
Because the weather was record beautiful, I walked from Amsterdam Centraal to Theater Bellevue on Sunday 17 February 2019. I was going to see the performance 'And so I shall go again.' going to see, by Ilay den Boer, someone I used to follow intensively but had lost track of since I am no longer a paid opinion seller. I considered the title of the performance as...
Huge passenger trunks, like those at the airport, are stacked crosswise on the stage in the Amsterdam Forest. This immense rendition forms the backdrop of Romeo & Juliet by William Shakespeare in the Amsterdam Bostheater's performance. Director Ingejan Ligthart Schenk stages Shakespeare's classic modern, with acrobatics by the Tent Circustheater group and musical input by De Veenfabriek.
Those who apply for grants but do not receive them must be given insight into the applications of others who have been honoured. That is the most remarkable ruling by the Council of State in the case Holland Opera won against the Performing Arts Fund. Much more important for the company itself, of course: according to our highest court, in 2012 the Performing Arts Fund decided Holland...
The Grand Theatre in Groningen is dying. Yesterday, the city council of the northern university city decided that no more money should be poured into the theatre, which is in acute cash trouble. Bills from suppliers and independent artists have not been paid for several months, and financial reserves are more than depleted. We have received reports from artists...
Is a performance opera if not a note is sung? If the audience sits on a stand in a car park with headphones on their heads? Or if a man cries out like a dog with a tongue out of his mouth throughout the performance? The definitions of opera are stretched quite a bit at five Oerol performances. Interestingly, hardly anyone calls the performance opera. By necessity, musical theatre is often used, but that term does not really fall into a warm bath.
In 2001, when Rotterdam was European Capital of Culture, a number of institutions joined forces and from this, in 2005, the Rotterdam Opera Days born. The aim is to programme innovative musical theatre in the opera house-less Maasstad after all, often in unusual locations. This year the ninth edition will take place, from 17 to 25 May, with the theme 'brotherhood'.
No, the company is not afraid of competition. Nor of cooperation, as evidenced by the jubilantly received Fairy queen with Veenfabriek and Combattimento, the orchestra led until recently by Jan Willem de Vriend.
The Netherlands' greatest artist is dead. Can happen. But can I then also curse heartily? Because Jeroen Willems is irreplaceable. As a journalist, you know the drill: of actors over 60, or of otherwise fragile stature, you have a necrootje ready. If you are well-known and meet the requirements, count on your friends and acquaintances to...
In één weekend twee prijzen winnen, dat overkomt een mens niet vaak, zelfs niet in de met prijsuitreikingen overladen kunstwereld. Eric de Vroedt is een theatermaker en schrijver die dat dus wel is overkomen. Bij het ingaan van zijn laatste seizoen ‘MightySociety‘ kreeg hij de Amsterdam Prijs (35.000 euro) en de Prijs van de Kritiek (een beeldje), bepaald door een jury van dagbladrecensenten.
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