Sometimes I think I was born in the wrong time. Wouldn't it be wonderful to live in the period when modern art was born? Then I correct myself: no, there were many problems and uncertainties back then too. But the new exhibition Colour Unleashed at the Gemeentemuseum Den Haag makes me hesitate again. Because the exhibited...
Olson Lamaj runs a gallery with three friends: from their own money and in their spare time. They have to because it is the only way to give young, contemporary Albanian artists a chance. Lamaj studied photography in Milan and fine art in Florence and now earns his money as a graphic designer. He speaks to me after working hours
If anyone can give a good picture of cultural development in Albania, it is Vincent van Gerven Oei. This Dutch philosopher and artist has lived in the country for five years and, as an insider and outsider, therefore has a strong opinion. I meet him at café Bukowski in a hip entertainment district of Tirana. When the embassy told me about Van Gerven Oei...
The annual major sculpture expo in The Hague in 2015 is called 'Vormidable'. In its own museum, on Lange Voorhout and at several satellite locations, Museum Beelden aan Zee shows how Flemish art experienced a true revival from the 1990s onwards. Panamarenko, De Bruyckere, Fabre, but also lesser-known names renewed sculpture - in two opposite ways. Guest curator Stef van...
The interesting thing about Financieel Dagblad columnist Annemarie van Gaal's stories is that you don't have to agree with her text at all but can still enjoy it. In her column in the newspaper of 13 April 2014, however, there is something else going on. Here, the conscience of financial and business Netherlands shows a very serious lack of...
What is already going on on a small scale in Groningen, Enschede, Zaltbommel, Amersfoort, Gorinchem and Vlaardingen, is threatening to happen nationwide as well: cultural institutions falling over while politicians look on helplessly. According to the Council for Culture, the situation is alarming: 'Institutions are draining their own funds, cultural funds are maintaining schemes by drawing on reserves. We therefore make the urgent...
They couldn't have picked a better time, there in Groningen. Because who do you call, when an overambitious theatre director has just blown the coffers of the once illustrious Grand Theatre dry, a Supervisory Board has been napping and then 22 people have been sacked because the money has run out? Then you're looking for someone with experience of that. Preferably...
According to Rotterdam alderman Visser, the current subsidy system is unsustainable. The system, in which cultural institutions submit a plan every four years and thus have to look years ahead, no longer fits with the times. Nowadays, there is a need for flexibility and change, not rigidity and certainty. The alderman said this during the presentation of the sector analysis by the Rotterdam Council
A few months ago, the Council for Culture advised Minister Bussemaker to maintain the law on fixed book prices. And that while the functioning of the law has not been proven at all. For enterprising booksellers, this law is a block. This law earned erotic department store Christine le Duc a €15,000 fine. They came up with a playful...
NTR Podium: the television programme about music and dance, is calling it quits. Tonight is the last broadcast with the Harmonium by John Adams by the Residentie Orkest. In 2015, NTR Podium gives way to the new Podium Witteman. This will be mainly about classical music and jazz.
Among the audience at Korzo theatre in The Hague at the performance 'Here We Live And Now' are a striking number of dancers from Nederlands Dans Theater (NDT). No wonder, as many of their colleagues are involved in this performance. This annual programme featuring young choreographic talent is a co-production of NDT and Korzo. The addition 'Hague' talent, by the way, may be taken with...
The Holland Festival got a completely unknown new director in the person of Britain's Ruth Mackenzie. At least, to us. The flamboyant, artistically exceptional opera director Pierre Audi makes way for a woman who has presented herself mainly as a manager of festivals and cultural institutions, but whose ideas are anyone's guess. When she was presented, none of the...
How to visit an art museum? Johan Idema, consultant, cultural entrepreneur and advocate of innovation in the art world, has written a book about it: 'How to visit an art museum'. He thinks there is room for improvement and change. And that after reading his book, people will experience their museum visits differently and especially better. And of course: that museums will also have the...
Wijbrand Schaap: 'The amateur arts. I experienced the cuts myself at the Utrecht Centre for the Arts in Utrecht. First, they were heavily cut back there back in 2001 under Leefbaar. They survived that, and now they were just slightly on top...' Marathon interviewAfter the fuss around Melle Daamen's opinion piece on art policy, we...
Wijbrand Schaap: 'The basic infrastructure was keelhauled by Zijlstra while it was not yet ripe. That, in its smaller version, now runs the risk of leading to further rigidity.' Marathon interviewAfter the uproar surrounding Melle Daamen's opinion piece on arts policy, we were invited for a 'conversation about everything' with Joop Daalmeijer, chairman of the Council for Culture. The conversation...
By Melle Daamen 'What do you want then?' was a question I received quite often in response to my articles last year in NRC, in which I expressed my concerns about the state of the arts in the Netherlands and especially its future. I argued for a fundamental debate from within the arts sector itself, focusing on the future, including...
This is rather fantastic. The Tate Museum in London offers the opportunity to wander the halls at night, in the dark. To view everything on your own time. By controlling robots from your couch. Viewing artworks online in museums has been possible for a long time. We have the Google Art Project, we have our own Rijksmuseum that...
The dance industry is not doing very well at all, people say. I spoke to a dance marketer who told me that venues are often only a quarter full. And that includes dance makers who have a Oscar for dance have won. What does attract a lot of audiences are fairy tales. And Isabelle Beernaert.
What explains the success of this Belgian choreographer?
Seagull, an early play by Anton Chekhov, is about drama in the same way that his equally famous play Cherry Garden is about cherry growing or real estate fraud. Not so. It seems to be a mistake that playwrights often make and that Chekhov made in his 115...
'Pearls' is an exhibition with the limitlessness, fantasy and dreamlike vistas that come with a fairy tale. Associations with the pearl roll in all directions. Those who wander around in 'Pearls' forget for a moment everything to do with sober everyday reality. Pearls appear everywhere. The works of art accompanying this exhibition are scattered among the fixed...
I did it just like that. Proclaimed a show as the most important theatre innovation for 20 years. That's daring. Even though I made the term a bit more vague in a subsequent tweet, because, yes, there has been quite a lot of innovation in recent years, left and right in theatres. So let's stick to 'the last few years'. And then...
What Rabobank can do, we can do too, thought the journalists of the Cultural Press Agency: working together in a cooperative association. In June, the new form for the news agency will become a reality. This will increase our clout and boost our innovative capacity. The Cultural Press Agency Foundation received time and money from the Ministry of Education, Culture and Science in 2010 and 2011 to...
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