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This is what makes The Dead Society such a successful podcast: noise.

I treated myself to one of those noise-cancelling headphones. The thing produces anti-noise to filter out highway, refrigerator and air conditioning from my daily life. So that I can listen to podcasts better. Podcasts like The Dead Society's. In which I am reminded again how important background noise from highways, air conditioners and rustling trees is. Radio journalist Carine van Santen... 

New Cabinet confirms with agreement culture line Rutte I and II

The Rutte III Cabinet is finally in place after long negotiations. It is a cabinet that will govern in financial prosperity, but that prosperity applies to a very limited extent to the Arts & Culture sector. Step by step, the cabinet will work towards an extra 80 million euros for the Culture sector from 2020, it says. But if this were to be enough... 

Goeyvaerts and Ustvolskaya: man and woman with hammer

In February 2017, The Collective combined the radical music of Galina Ustvolskaya with the heavenly chants of Hildegard von Bingen. Less strange than it seems, as both were deeply religious and composed from inner necessity. On Thursday 26 October, Spectra Ensemble places Ustvolskaya alongside Karel Goeyvaerts at Muziekgebouw aan 't IJ. Ustvolskaya is well enough known here in the country by now, but who was... 

Klaas de Vries finds neotonic heaven: 'I can't resist composing'

Dutch composer Klaas de Vries (Terneuzen 1944) pairs Stravinskyian clarity with southern sensuality. He harbours a love for poets such as Pablo Neruda and Fernando Pessoa, and his work excels in recognisable melodies and rhythms. 'However innovative, to be communicative, music must always contain a traditional element,' he said. On 28 and 30 November, Asko|Schönberg will play... 

Rule of Three, Jan Martens/Grip. Photo: Phile Deprez.

Very different or not at all? Jan Martens on his new show Rule of Three

Rule of Three is a piece for three dancers: Steven Michel, Julien Josse and Courtney May Robertson. NAH makes the music live, the lighting is by Jan Fedinger and there are some lyrics by Lydia Davis. Rule of Three was released last month at De Singel in Antwerp, and its Dutch premiere is today at the Stadsschouwburg in Amsterdam.... 

Jan Fabre's Exciting Friends vs the Curators (part 2): At breakneck gallop through Ostend

Jan Fabre is a bit like the Jan Cremer of Flanders but younger, five times more talented, multidisciplinary and eight times more social. 'It is quite an honour to succeed Jan Hoet,' says Jan Fabre. Together with art historian Joanna De Vos, he is the curator of HET VLOT. Art is (not) lonely. The exhibition is intended to highlight the Mu.ZEE and Belgian... 

Artist team of Jan Fabre delivers devastating defeat to curators in Ostend (1)

On Saturday evening 21 October, Belgian artist Jan Fabre opened 'his' expo 'Het Vlot. Art is (not) lonely'. This was done in a playful way at the KV Oostende stadium with 'A beautiful match between artists and curators'. The artists, including characters such as Goya, Da Vinci and a bloodied Van Gogh, turned back the curators 3-2. Angry tongues in the audience claimed... 

Films at ADE: The rock doc as an IKEA package.

On the fringes of Amsterdam Dance Event, I saw two music documentaries that expose why this genre is often problematic for the cinephile. Both films have their fine moments, but ultimately fall short for those who desire more than mere information transfer in television format. A sympathetic Goth Are 'friends' electric? is title and big hit (1979) by British synth-pop pioneer Gary Numan,... 

Also for Supervisory Board: many ancillary positions not necessarily an advantage

The commotion about Beatrix Ruf's side job, or rather just second job, touches on a number of important core values for the proper functioning of society in general and the cultural sector in particular. Firstly, that cooperation is based on trust. The Supervisory Board was justified in assuming that Ruf would not run a consultancy company alongside her... 

9 (Un)heard records not to miss this autumn

9 Plates full of extraordinary sound that won't go unnoticed and unsung. Fatima Al Qadiri - Shaneera (Hyperdub) Durban taxi techno and Arab queer culture come together on this pumping EP. For, on this record, you hear how bare, cold drums chug outrageously under microtonal or game-like synth melody. Heavy in the bass and loose in the underbelly, Al Qadiri breaks gender pigeonholes.... 

Still thinking about tougher sentencing, thanks to 'Prison Monologues'

Utrecht's Wolvenplein prison is sort of empty. Anyone who doesn't happen to have a conviction behind them themselves should go there for fun. I did so myself two years ago on an art project about the surveillance society. When I returned on Tuesday, 17 October 2017, for The Prison Monologues, the impression was still there. The... 

Lavalu's nocturnal movement

High up in a posh flat, Lavalu (stage name of Marielle Woltring, Cleveland, Ohio, 1979) recently gave a try-out of her new programme at Eindhoven's FlatFest festival. For the first time now, she will tour without a band, solo with piano, in small venues where there is a good grand piano. On that Sunday afternoon in Brabant, it soon became clear that somewhere, something was... 

Han Bennink (75) on LGW: "Working hard and hoping the highlight is still to come."

World-renowned Dutch drummer Han Bennink celebrates his 75th birthday and the 50th anniversary of his ICP Orchestra at Utrecht's Le Guess Who? Festival (LGW). Time for a conversation with a diligent worker. All over the world, Han Bennink is famous. And for him, that whole world is his playground, literally. Bennink started drumming at an early age. Pots... 

Rozalie Hirs: "'parallel world [breathing]' is dreamlike musical landscape"

For centuries, scientists have seen connections between music and the ordering of the universe. The Royal Concertgebouw Orchestra took this as the starting point for its concert on 19 October in the Horizon series. A 'polyphonic cosmos' is being realised in collaboration with the University of Amsterdam. Peter Eötvös composed the organ concerto Multiversum for this, Rozalie Hirs wrote 'parallel world [breathing]'. Eötvös' piece is experiencing... 

Kassys plays the blues (About hopeless depression and a real-life pizza delivery man)

That you can put a shoe on. But also not. That it doesn't really make much sense to put a shoe on, if you will take it off later in the day anyway. Why bother? Why live? Recognisable? For anyone who has ever been in a slump, yes. Theatre group Kassys, most recently a worldwide hit with 'Total Eclipse of... 

'Crusade' by Artemis is top theatre that will make any layman a fan.

Jetse Batelaan has spent pretty much this entire century making the most extraordinary theatre in the world. At least, of my world. Often with very few words, always with a great sense of bare aesthetics and usually sympathetic with a weird twist halfway through. His latest masterpiece is an adaptation of Thea Beckman's Crusade in Jeans. Though we need at least three quarters of... 

Add 100 million for art. But then sing the national anthem.

It succeeded. And that's even though we really didn't have a cent's worth of confidence left here. But still. It is there, in the financial section of the 'Confidence in the Future' coalition agreement: 'Intensification of 0.1 bln euros for the benefit of the cultural sector and historical democratic awareness. (RA_631)' That's 100 million euros, which is exactly what one of... 

'Had Couperus been born 10 years later, he wouldn't have needed all that packaging'

Director Ivo van Hove chose the 'books of little souls' cycle as the conclusion of the Couperus triptych at Toneelgroep Amsterdam. He previously directed 'Silent Power' (2015) and 'The things that pass' (2016). Dramaturg Koen Tachelet adapted Couperus' Magnum Opus for the theatre. The books 'The Little Souls', 'Late Life', 'Twilight of Souls' and 'Sacred Knowing' together form the cycle 'The Books of... 

Amsterdam Sinfonietta shines in shadow play with Kurtág and baroque

The Great Hall of the Muziekgebouw aan 't IJ is pitch dark. Then a spotlight flashes on the first side balcony on the right. There, Alexander Sitkovetsky, Maria Milstein, Rosanne Philippens and Jacobien Rozemond play three movements from Telemann's Concert for four violins. They end in a freeze, after which the whisper-soft, fragile tones sound from Treasures by György Kurtág. We only see... 

Majid Karrouch: flowers, Dutch design and the Berber hijab

His work has been featured in renowned fashion magazines worldwide. Majid Karrouch is currently one of our international calling cards in the creative Industry. I sought him out in his studio, which is as extraordinary as the images he creates. SCENE 1: #Ont encounter A while ago, I was first introduced to the exceptional work of a hidden Moroccan-Dutch fashion talent via Instagram.... 

Side B: Adrift THE HIDDEN FLOOR © Rahi Rezvani

In Side B: Adrift, The Hidden Floor completes the madness

NDT 1 concludes its triptych Side B: Adrift with Franck Chartier's new The Hidden Floor. After the performance, I literally lose my way. Different worlds "Franck?", I call out. In the rain, an unremarkable man approaches me. Yes, comes the reply from under a cap. It's Franck Chartier, on his way to the studio in... 

Per-Sonat sings songs from Luther's time: surprisingly fresh and current

Bis an der Welt ihr Ende is the poetic title of a CD by Per-Sonat featuring German songs from the time of the Reformation. This ensemble of mezzo-soprano Sabine Lutzenberger focuses on music from the Middle Ages and Renaissance. This CD follows the development of German song from church reformer Martin Luther to the composer Johann Hermann Schein.... 

Museum Association juggles numbers. (Why all our museums are doing great)

Museums in the Netherlands are doing well. Today, the Museum Association released a kind of annual report in which this was made abundantly clear in tables and graphs. Visits are increasing. Between 2015 and 2016, the sector counted 2.5 million more visits. Mainly by foreign tourists. At the same time, more and more museums are running at a loss. According to the Museum Association, that negative balance now hits for... 

Fair Practice Code is beta version. (Why it will remain unsettled in the arts for a long time to come)

Art subsidy cuts have been passed on to the weakest shoulders. Minister Jet Bussemaker made no bones about it in one of her latest public appearances. 'I have often praised the resilience of the sector, and we should celebrate that,' she declared yesterday at the presentation of the Fair Practice Code, 'but I also saw that subsidised institutions... 

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