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Leo Bankersen

Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.

Film tip this week: Festival of short film Go Short goes online

The short film is the poetry of cinema. This statement by a Berlinale programmer is cited with approval by Go Short. This internationally highly regarded festival for short films - stepping stone for the Oscar and other awards - was supposed to have taken place in Nijmegen in early April. But, unsurprisingly, corona drew a line under it.... 

J'Accuse - is Polanski's latest film about the Dreyfus case or the creator himself?

It is 1895. Colonel Georges Picquart (Jean Dujardin) has just been promoted, to his own surprise, to head the French army's intelligence service. To get rid of the sewer smell there, literally and figuratively, he frantically yanks on the window in the musty office. It won't open. A touching image in J'Accuse, one of the most talked-about films of this... 

Film tip this week: Bait, intriguing black-and-white debut gets Dutch online stage at Cineville

Is black and white in film making a small comeback? You would almost think so. A black-and-white version of the critically acclaimed Parasite was released. Many film fans, meanwhile, also enjoyed the bizarre but impressive The Lighthouse, in which black and white helps lift the drama above reality. Now for Bait. Shot by Brit Mark Jenkin even with an antique Bolex... 

Comfort in times of Corona - Why adult animated films are so effective. (With Podcast)

Last year it was suddenly buzzing around: Dutch animation film is going to break through, a real animation industry has emerged. The occasion was the premiere of Heinz, Piet Kroon's whimsical and out-of-step film version of Windig and De Jong's comics. Not a children's film. And certainly not a Disney clone. We are talking about feature-length animation films, and there are many of those in the Netherlands.... 

70th Berlinale, under new management, opens with My Salinger Year and commemorates Hanau victims

"We are hopeful," is the reply when I speak to a colleague just before the start of the Berlin film festival. For curious as to how the choice of Carlo Chatrian as the new artistic director has fallen among German critics. Chatrian, previously director of the leading arthouse festival in Locarno, lies well, I understand. Whether this 70th Berlinale will see all that new momentum... 

49th edition Film Festival Rotterdam opens with Mosquito - history as a fever dream

In the trailer for the International Film Festival Rotterdam, which kicks off on 22 January, film images crumble into abstract shapes and colour patterns. It has to do, I understand, with the wonder of the irrepressible urge to make stories. Once, a cave dweller put a painted hand on the rock face. In the digital age, we conjure stories with coloured pixels. The... 

Open your eyes, watch and reflect, engage in conversation. Opening IDFA 2019 showcases the sublime extremes of documentary.

The 32nd edition of the International Documentary Film Festival Amsterdam has opened with Sunless Shadows. Confessions of young women jailed for complicity in the murder of their father or other man in the family grow into a haunting statement about oppressed women in a male-dominated society. The only Dutch film in the international competition is Rotjochies by Maasja Ooms.

No Time To Die? The New Cinema Conference is all about marketing - and hardly about Netflix.

What will shake up the cinema world the most in the coming years? The new James Bond film? Or a personal film tip tailored to your previous cinema visits that just pops up on your smartphone? Or perhaps a technical innovation that creates a whole new cinematic experience? Just a few things that loom around the topic of this week's New Cinema conference. A day and a half... 

Dutch youth film in dire straits too? Plenty to talk about during the Cinekid festival

The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production.... 

Red flags, pretty words and a resolute plan: Dogma 19. Turn a feature film like a documentary.

Following Denmark, the Netherlands now has its own Dogma manifesto. A modest but also ambitious statement from two young filmmakers who present a surprisingly clear plan after a season full of noise and concerns about Dutch cinema. Whether it is a pebble or a big pebble in the pond remains to be seen. In any case, they are going to do something,... 

New Lights at Filmclub Hyena - how young makers are breathing life into documentary

Good news for anyone who has so far missed If you grow up later, Max Baggerman's double award-winning graduation film. This documentary look at working people, as poetic as it is socially critical, can be seen again on 1 August as part of New Lights. This evening is the second instalment of a new bi-monthly event that introduces us to... 

The most important animation festival takes place in Annecy - and the Netherlands participates

I described here earlier that Dutch animation film is on the rise. And as I look around the animation festival in Annecy, France, this week, it seems nice to see how our animation filmmakers and producers are presenting themselves here. Especially since Annecy is considered the most important event worldwide in this sector. 'The Cannes of animation' I hear... 

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