Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.
With the Movies That Matter award-winning Stop Filming Us, Joris Postema examines the tension between Western imagery and Congolese reality. And does not remain out of touch himself.
Cinemas are still closed until at least June 1. But one film is braving the online crisis this week. Jumbo premieres online.
Last year it was suddenly buzzing around: Dutch animation film is going to break through, a real animation industry has emerged. The occasion was the premiere of Heinz, Piet Kroon's whimsical and out-of-step film version of Windig and De Jong's comics. Not a children's film. And certainly not a Disney clone. We are talking about feature-length animation films, and there are many of those in the Netherlands....
"We are hopeful," is the reply when I speak to a colleague just before the start of the Berlin film festival. For curious as to how the choice of Carlo Chatrian as the new artistic director has fallen among German critics. Chatrian, previously director of the leading arthouse festival in Locarno, lies well, I understand. Whether this 70th Berlinale will see all that new momentum...
In the trailer for the International Film Festival Rotterdam, which kicks off on 22 January, film images crumble into abstract shapes and colour patterns. It has to do, I understand, with the wonder of the irrepressible urge to make stories. Once, a cave dweller put a painted hand on the rock face. In the digital age, we conjure stories with coloured pixels. The...
With over 38 million visitors, 6.5% more than in 2018, 2019 was a good cinema year. Unfortunately, the recovery of Dutch cinema is still minimal.
From February 2020, Vanja Kaludjercic will succeed Bero Beyer as festival director of the International Film Festival Rotterdam.
The 32nd edition of the International Documentary Film Festival Amsterdam has opened with Sunless Shadows. Confessions of young women jailed for complicity in the murder of their father or other man in the family grow into a haunting statement about oppressed women in a male-dominated society. The only Dutch film in the international competition is Rotjochies by Maasja Ooms.
Holland Animation Film Festival and the Amsterdam animation festival Klik! have joined forces. The new festival is called KABOOM.
What will shake up the cinema world the most in the coming years? The new James Bond film? Or a personal film tip tailored to your previous cinema visits that just pops up on your smartphone? Or perhaps a technical innovation that creates a whole new cinematic experience? Just a few things that loom around the topic of this week's New Cinema conference. A day and a half...
The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production....
Following Denmark, the Netherlands now has its own Dogma manifesto. A modest but also ambitious statement from two young filmmakers who present a surprisingly clear plan after a season full of noise and concerns about Dutch cinema. Whether it is a pebble or a big pebble in the pond remains to be seen. In any case, they are going to do something,...
Good news for anyone who has so far missed If you grow up later, Max Baggerman's double award-winning graduation film. This documentary look at working people, as poetic as it is socially critical, can be seen again on 1 August as part of New Lights. This evening is the second instalment of a new bi-monthly event that introduces us to...
Eye Xtended presents extraordinary VR. This time an experiment by the always challenging artist Paul McCarthy. Embedded in a package of films that served as inspiration.
The 2019 batch of the Film Academy shows graduation work. What do students think of the changes needed at the academy?
I described here earlier that Dutch animation film is on the rise. And as I look around the animation festival in Annecy, France, this week, it seems nice to see how our animation filmmakers and producers are presenting themselves here. Especially since Annecy is considered the most important event worldwide in this sector. 'The Cannes of animation' I hear...
The Cinéma Arabe festival is a platform for Arab cinema and aims to contribute to social debate. It celebrates its 15th anniversary this year, but is struggling with a tight budget.
Dutch cameramen also join the chorus of concern about Dutch cinema. The New Deal manifesto carries suggestions for improvement.
After the Dutch thriller Prooi, The Conductor has also been acquired for release in Chinese cinema.
'Heinz' and 'Buñuel in the Labyrinth of the Turtles', both out on 18 April, signal an important development in the field of feature-length Dutch animation. A breakthrough is in the air. On stubbornness and co-productions, Anne Frank and Miss Moxy. And what else is on the horizon.
Agnès Varda, once one of the few female filmmakers of the Nouvelle Vague, always upheld that free creative spirit. On 29 March, she died in Paris. Her rich oeuvre is an ode to life.
Calm and peace are but a thin layer covering the chaos of war and other violence in the world. In an extensive and richly varied themed programme, Eye shows how filmmakers have captured that in stories.
A survey shows that Dutch filmmakers are very concerned about the production conditions and quality of Dutch feature films. The Filmmakers Initiative wants to spark discussion and propose solutions. A symposium as a kick-off.
Rabbit Hole is the name of the programme with which the International Film Festival Rotterdam dives into the world of internet memes. With a Meme Café, vlogging Chinese and the dazzling feminist pamphlet Make Me Up.
'Feel IFFR' is the motto of this year's International Film Festival Rotterdam. The emotion behind the image and with the viewer as a guide for our interpretation. The opening film Dirty God is a nice test case. Director Sacha Polak explains why she wanted to make a film about a scarred woman.
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