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'Publicity after the show is more important than before'

He is a professor of it, so if there is a problem in the economics of culture, Arjo Klamer knows about it. He says there has been growing resentment against subsidies for years. So the arts sector will have to get used to making a living in a different way from now on.

We now think too traditionally first about subsidy, the Rotterdam professor tells us in the interview we had with him during the Performing Arts Congress 2012, at the Rotterdam Doelen, late...

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Less is more? No, less is FAR too much, by Michael Nyman's Potemkin. #hf12

Two days later... Sometimes you don't quite know what to write: even reviewers have writer's block from time to time. Fortunately, Jenny Diski of London Review of Books published a blog just Friday about the functionality of not being able to write (yet). Apparently, more time was needed. Anyway, at some point you have to tie the knot. ... 

Save a museum: make sure you make friends

There are funny answers in the way people sometimes try not to answer a question. As director of Museum Boerhaave, Dirk van Delft managed to rake in a sloppy €1 million from the market. This immediately made him the darling of Rutte's cabinet. After questioning him twice, it turns out that he actually thinks there are too many wild things happening in the performing arts, and that this could be the reason why they have been hit so hard. But we have da...

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Passio-Compassio calls for philosophical reflection. A socratic dialogue. #hf12

Dodo reviewers Maarten Baanders and Mariska van der Meij both attended the performance Passio-Compassio, and struck up a conversation. - From the programme book of Passio-Compassio - All people experience suffering, regardless of religion or cultural background. Like love, suffering also results in passion. Art and religion are both capable of transcending the cycle of suffering and passion. If... 

'I have all of Shakespeare's records in my cupboard'

The press presentation of the open-air opera Orfeo ed Eurydice at Soestdijk at the time attracted just under a hundred people press and sponsors. At the presentation of the performance 'Much ado about nothing', The Utrecht Games attracted only a handful: someone from weblog cultuurpodium.nl, two people from the Stadsblad Utrecht and an indeterminate camera crew who had come exclusively for Suzan Visser.... 

Fedja van Huet's lost dinner jacket and other Toneelgroep Amsterdam mysteries #HF12

Anyone who might think that making a stage show is a simple one-two punch of a genius director with a good team of creatives and perfect actors is wrong. Only, as a spectator once attending the performance, you don't notice any of that. And that is just as well. You come for the performance and you won't care if... 

Waiting for Miss Monroe a feast for the mind. But with earplugs in. #hf12

Soon, Twitter brought an initial reaction to Waiting for Miss Monroe, Robin de Raaff's opera that had its world premiere at the Stadsschouwburg last night. @DavidMPinedo: What an atrocious opera Raaff's 'Waiting for Ms. Monroe' is. An atonal fart that has NOTHING musical. Just screaming. And a second. @sandraeik: Exciting world premiere Waiting for Miss Monroe - incredible performance by Laura Aiken as Monroe.... 

Popcorn polishes off rock 'n' roll #hf12

Popcorn wants to build bridges and dissolve borders; away with the differences between high and low culture. Covers of the band's favourite songs are interspersed with new compositions, thus blurring boundaries. Unfortunately, they do not succeed in this and the band sounds mostly academic and soulless. Popcorn is an experimental performance in which a composite band aims to bridge the gap between... 

Mahler Chamber Orchestra happily flirts with Haydn, but Russian composers will make you laugh #hf12

True story. There is laughter in classical music. At many an orchestral rehearsal, the viola jokes are all over the place. And in the Concertgebouw, you might catch some mock chuckles. But classical composers are not known for their humour. Except Joseph Haydn. The Viennese composer brought a cosy witticism to his works here and there. One of his... 

It's all the fault of "Roundabout Art"

You don't see Henk and Ingrid in theatres with subsidised theatre, so the VVD and PVV's hatred of the fine arts cannot be blamed on that, according to Hans Onno van den Berg, former director of the Association of Theatre and Concert Hall Directors. No. it is the fault of the roundabouts in the Netherlands. That's where Henk and Ingrid always have to drive around art on their way to the musical. And they don't like that. Of those roundabouts.
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Dodo Holland Festival journal becomes Dodo Holland Festival Hangout #HF12

 We've already had one episode on it, and it was obviously a huge success, but right at the climax you have to start something new. That's why tonight at 22:30 we have a new thing: The Dodo Holland Festival Hangout. Live, interactive and online. Innovative, in other words, as you know it from us. You know them: those reporter trucks with metres of spaghetti... 

With Antony Hegarty and the Metropole Orchestra in a fairytale forest #hf12

Antony Hegarty gives away the layered and emotionally charged show Cut the World with his pianist and the Metropole Orchestra. He shows that it need not be an issue to present more of the same. Meanwhile, the audience imagines themselves in the fairytale forest, eating out of his hand. Photo: Clive Osborne It is not the first time the... 

Actors' award for Theatre Institute threatened with dissolution

Mail from Actors' Interests, the actors' 'union'. Whether we want to abide by the embargo. Of course we do. We do. Butreh: so the Theatre Institute Netherlands, to be dissolved by Halbe Zijlstra together with the Netherlands Music Centre, is getting an award. And that seems to be a sculpture, which in turn makes us wonder where the thing should be after 1 January 2013.... 

Holland Festival news #HF12: Spectacle and emotion hand in hand in opening weekend

Claron Macfadden did it on her own, Alain Platel with 150 people and Andrea Breth in 54 scenes: touching. And convey a message. Dodo-reporters Mariska van der Meij, Daniël Bertina and Wijbrand Schaap look back at the first weekend of the Holland Festival 2012, and reviewer Maarten Baanders looks ahead to Emio Greco/PC's special performance. Kind of... 

The Dodo goes out of its way to tell you all about the Holland Festival 2012 #hf12

 Top theatre from all corners of the world, big names we had never dared hope for, and a newsreel that we will broadcast at unexpected times. Festival day newspaper The Dodo, now a household name in festival land, is going all out at this year's Holland Festival. Of course. It is the dream of every blogger, professional or amateur, to be at the performances of the... 

'I expect a wonderful interplay, that's the big challenge for me.' STUT gets to work with The Henry Girls #vvu

In about a year's time, the Stut Choir and Irish folk band The Henry Girls will be on one stage. Artistic director Donna Risa: ''I expect a wonderful interplay.''
STUT is a household name. The neighbourhood theatre group has been creating performances with and about ordinary Utrechters, taken from the neighbourhoods, since 1977. In 2010, the theatre group gave birth to the Stutkoor, which is now taking part in the community art lab's exchange project for the 2013 Treaty of Utrecht celebrations. Artistic director Donna Ri...

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Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

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Live from 11am: What remains of the arts? Culture Council pronounces verdict.

200 million less, half out at the basic infrastructure of the arts in the netherlands. what remains, how does the field react. Follow it here. advice council for culture... You can log in now to continue reading! Welcome to the Cultuurpers archive! As a member, you have access to all, more than 4,000 posts we have published since our inception in... 

Cultural Press Agency reinvents itself

What Rabobank can do, we can do too, thought the journalists of the Cultural Press Agency: working together in a cooperative association. In June, the new form for the news agency will become a reality. This will increase our clout and boost our innovative capacity. The Cultural Press Agency Foundation received time and money from the Ministry of Education, Culture and Science in 2010 and 2011 to... 

Tino Sehgal and Ari Benjamin Meyers seek the most intense live experience possible at Springdance

Springdance closes with a remarkable dance concert on 28 April. Visual artist and choreographer Tino Sehgal created a movement piece to music by composer Ari Benjamin Meyers, which will be performed among the listening audience. Tino Sehgal's work is a well-kept secret. In any case, hardly any recordings of it are known. During the interview, Meyers says the following about it 

Ruben Brugman interviews Russel Maliphant on the Rodin Project

"I love it when movement moves people," says British choreographer Russel Maliphant in this interview after the performance of The Rodin Project. In the Hekman foyer of Utrecht's Stadsschouwburg, our colleague from Danspubliek.nl put the creator ven the Rodin Project through his paces. It is interesting what Maliphant has to say about the first part of... 

Too full or not too full at subsidy theatre

Hein Janssen (Volkskrant) wrote a column in response to a couple of performances with BN stars in the subsidised circuit in which he argued that subsidy was not meant for that. The association for actors thought this was reason enough for a debate. We made a short film to go with it. We formatted it in storify, a feature that allows you to put tweets and other social media messages together and... 

The Dodo will once again monitor Brave Dancers

This year, Springdance will be held for the last time. After almost 30 years, it was time for something new, if only because the wind in The Hague is suddenly coming from the right and that is bad for business. At least if you want to show innovative art. That is why Springdance is merging with the other Utrecht-based... 

'No idea what the consequences of my policies are'

"It is currently not possible to reliably predict the development of these characteristics of the cultural sector, let alone the impact of the cuts on them. Movements in the things mentioned in the question depend on many factors. First, many underlying data are missing. Furthermore, the development partly depends on the (still unknown) subsidy decisions of governments, the extent to which institutions can continue with less subsidy or new money flows....

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Theodor Holman seeks new frontiers

 At the request of Amsterdam debate centre De Balie, Parool and Groene Amsterdammer columnist Theodor Holman wrote a play about a conversation between Anders Breivik and Geert Wilders. In an interview with Joost Niemöller of the opinion blog 'De Dagelijkse Standaard', the presenter and writer explained that he admires Breivik's analysis of the situation in Europe, which he also believes... 

Subsidy was not invented by the Nazis, they did embrace it

Apartheid activist Martin Bosma started talking about it during one of his many hilarious appearances in the second chamber, but, as is often the case, was wrong. He said art subsidies were an invention of the Nazis and therefore pernicious. We knew better, because researcher Benien van Berkel is thorough and deals with facts. From her doctoral research... 

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