"That of the other person being hell. I can get so worked up about that": Laura van Dolron makes theatrical mincemeat of Sartre.
She is a 'stand-up philosopher'. With that self-coined term, she created a new form of theatre, halfway between cabaret, a lecture and theatre. She plays with her own role, deploys actors as if they were puppets, but ultimately turns out to be their plaything, as good as that of fate. In short: Laura van Dolron is a case apart. She makes...
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