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The Harvest of the Month: Carrasco, Cline, Hemmerechts, Hertmans, Hofstede and Japke-d.

Back to the 11th century His previous novel Oorlog en terpentijn (War and turpentine) brought Belgian writer Stefan Hertmans world success. The book became a bestseller and was showered with praise and awards. It gave Hertmans a whole new readership. His new novel De bekeerlinge was therefore eagerly awaited. Hertmans came up with the subject for his new novel... 

Ronald Wintjens. Photo: Tycho Merijn Roest

Ronald Wintjens: 'More face for youth dance and performance art at Dance Days'

'Not only work has disappeared, but also knowledge and craft - the whole perspective is disappearing. While the Netherlands as a dance country was renowned in the world precisely because it had the luxury to research, to build, to stimulate.' Ronald Wintjes, the brand-new director of De Nederlandse Dansdagen, worries. What about the future of dance?.... 

Grootser dan ik. Verdienstelijk debuut over sympathieke einzelgänger

Tussen alle grote titels die om aandacht vragen, worden debuten vaak over het hoofd gezien. In de serie Het Debuut bespreekt A Quattro Mani elke maand een opvallende debuutroman van de afgelopen tijd. Op eigen benen Je bent achttien, negentien en gaat het huis uit, studeren. De wereld ligt aan je voeten, de vrijheid lonkt, je beloftevolle dromen gaan over… 

Kristien Hemmerechts: 'I'm good at putting my feelings in the closet'

A year ago, Belgian writer Kristien Hemmerechts was diagnosed with breast cancer. While embarking on a course of surgery, radiotherapy and hormone therapy, she contained the chaos in words. Her new book Er gebeurde dit, er gebeurde dat is the beautiful result of that. A vivid account of the confusion, emotions and thoughts during those first few months, framed by older... 

Bombyx Mori, a brilliant explosion between something and nothing

While things are rumbling in the Amsterdam dance and performance world due to a total lack of solid support for development and experimentation (see Alarm Letter), choreographer Ola Maciejewska is showing the impressive Bombyx Mori at Veem House of Performance this weekend. Maciejewska is a fine example of a talented maker who has taken refuge elsewhere because of the crumbling art climate in the Netherlands. After... 

Prize season opened in style: critique on shortlist ECI Literature Prize 2016

The jury of the ECI Literature Prize has brought criticism upon itself with an idiosyncratic choice for the shortlist. In choosing Connie Palmen with Jij zegt het [You say it], Bert Natter with Golberg, Marja Pruis with Zachte riten [Gentle rites], Tonnus Oosterhoff with Op de rok van het universum [On the skirt of the universe], Arnon Grunberg with Moedervlekken [Mother stains] and Martin Michael Driessen with Rivieren [Rivers], the jury ignored... 

Salome Dances for Peace Terry Riley: opening hit Musica Sacra

Thursday 15 September saw the kick-off of arts festival Musica Sacra in Maastricht. While I was in a traffic jam, Bobby Mitchell played the eighth and final movement of Frederik Rzewski's piano cycle The Road, who himself was present. It also marked the conclusion of last year's festival, which was dedicated to 'the road', the journey made by pilgrims ... 

Herman Brusselmans: 'In my head I am not a bourgeois dick'

With an average of two novels a year, the Flemish writer has built a huge and unique body of work in over thirty-five years - he turns 63 this week, but the number of books he has written far exceeds that number. Interview with the man who writes faster than his shadow, in ten quiz questions. 'Well, I don't appear to be a connoisseur of my own work, do I?'

Catherine Millet: 'As soon as something is on paper, I am relieved of it'

Her book The Sexual Life of Catherine M. took the world by surprise and made her world-famous overnight. Since then, Catherine Millet has been one of France's most widely read writers. In her most recent novel A Dream Life, she returns to her childhood in Bois-Colombes. A Quattro Mani went with her to the seeds of her authorship. Back to... 

Legendary cello gets new player: 'Just play it like a bear with socks on'

Recently, Lidy Blijdorp (* 1986) took over the cello of well-known cellist Anner Bijlsma (* 1934). It was his wish for the instrument to be played by her from now on. Via the Netherlands Music Instruments Fund (NMF), the instrument came to her. The maker of this cello is not known. However, it is certain that it originated from... 

The Harvest of the Month: Claudel, Baker, Russo, Van der Kwast

The summer period is a fine time for catch-up reading - books from recent times that you still wanted to read but didn't get around to before - but we also got a glimpse of a few upcoming titles. That made for a fine, varied crop this month. Eifel adventures Since The Detour, there hasn't been a new novel... 

Piet Piryns: 'TivoliVredenburg is main character of The Night of Poetry'

ER wordt al weken reikhalzend naar uitgekeken: De Nacht van de Poëzie. Volgende maand is het weer zover, en verzamelen dichters en publiek zich voor de vierendertigste  keer rondom het podium voor een nacht lang luisteren naar verzen en muziek. Vaste presentator Piet Piryns, inmiddels vergroeid met het evenement, blikt vast terug en vooruit. Hij weet het nog goed, zijn eerste… 

Zvizdal - Chernobyl so far so close, by Berlin/The Zuidelijk Toneel

If you have nothing but love - Zvizdal is stunning highlight of Festival Boulevard #tfboulevard

I experienced by far one of the most impressive theatre experiences of my life on Friday 5 August 2016. I was a guest at 'Zvizdal - Chernobyl so far, so close' by the Flemish company Berlin, in co-production with Het Zuidelijk Toneel. I saw this 'documentary installation' in an empty factory hall in Den Bosch, where the work is a beautiful resting point in... 

Waanzinnige heldin in opera Hanna Kulenty

Een opera over het meervoudig persoonlijkheidssyndroom, kan dat wel? De Pools-Nederlandse componist Hanna Kulenty (1961) en de Canadese librettist Paul Goodman (1955) waagden het en oogstten veel lof met The Mother of Black-Winged Dreams. Deze opera beleeft volgende week zaterdag 6 augustus zijn Nederlandse première tijdens de NJO Muziekzomer, in een coproductie met Dutch National Opera Academy. Waanzinnige heldinnen, de gangbare operaliteratuur wemelt… 

Tefer, Itamar Serussi, Balletto di Roma, foto: Matteo Carratoni

Julidans dubbelprogramma met Levi en Serussi roept vooral vragen op

Het is een nieuwe en belangrijke trend binnen de programmering van internationale dans- en performance festivals in Nederland: niet alleen relevant werk van internationale choreografen tonen, maar ook uitdrukkelijk aandacht besteden aan dansmakers verbonden met de Nederlandse danspraktijk. Spring Utrecht opende in mei met Nicole Beutler en sloot af met Jan Martens, terwijl tijdens Julidans Pere Faura de spits mocht afbijten met sin baile no hay paraíso (no dance, no paradise).

Fernando Botero: 'Almost everything around us is art'

A major retrospective of the work of Fernando Botero (1932) is on show at the Kunsthal in Rotterdam, entitled Botero: Celebrate Life! The rush of opening such an exhibition takes energy out of him, but strangely enough painting never exhausts him, he says in his studio in Monaco. 'I have never experienced anything more fulfilling than painting or sculpting. Painting takes you out of everyday reality. You forget your body - even your existence. It's intense, but while painting I don't feel any fatigue, even after working for seven or eight hours. Whereas at a cocktail party, I am exhausted after only half an hour.'

Carolijn Visser en Iris Hannema: ‘Schrijven geeft reizen een doel’

De vakantie staat voor de deur, dus het wordt tijd om de koffers te pakken. Reisschrijfsters Carolijn Visser en Iris Hannema zijn het liefst het hele jaar door op pad. ‘Nederland is heerlijk hoor, maar na een paar maanden thuis begint het alweer te kriebelen: op reis wordt alles op z’n kop gezet; je denkbeelden over de wereld, de ideeën die je hebt over jezelf.’

Olga Neuwirth sticks to old avant-garde #HF16

It is good that the Holland Festival dares to stick its neck out, by making Olga Neuwirth (1968), unknown here, its focus composer this year. On reflection, by the way, I would have preferred to hear her high-profile opera Bählamms Fest in a staged version once, rather than Le Encantadas. This piece composed last year did not quite manage to live up to the high expectations... 

Mark Haddon: 'Without death there is no fiction, nor any value in existence'

It came anything but naturally, writing his collection of short stories The Pier Collapses. Mark Haddon, made famous with The Miraculous Incident with the Dog in the Night, novels come a lot easier. 'I've been trying to write short stories for a long time, and I knew I should be able to do it, but I never succeeded. It was like a... 

Though dated, Pina Bausch' Nelken still impresses #HF16

This way from row nine, it is like being knee-deep in carnations yourself. The heads of the audience in front of me merge silently into a forest of stems crowned with pink, through which dancers carefully step back and forth like leggy chickens.

The find is great: Nelken by Pina Bausch depicts paradise as a place where you have to be careful or things will go wrong. The carnations force the dancers to be careful. As a spectator, you go along with them, without all the underlying thoughts immediately coming through to you.

Olga Neuwirth: Weltkatzenmusik or acoustic preservation? #HF16

Austrian politician Jörg Haider labelled its work Weltkatzenmusik. When his far-right Freiheitliche Partei Österreichs joined the government in 2000, it led to mass protests. At one such rally, Olga Neuwirth (Graz, 1968), under the title 'Ich lass mich nicht wegjodeln', denounced his anti-intellectual and anti-cultural agenda. The rest is history: Haider drove himself to pieces in 2008, Neuwirth... 

Ça Ira: political theatre with the allure of House of Cards #HF16

Over four hours long Ça ira (1) Fin de Louis, a performance by French director Joël Pommerat, to be seen this weekend at the Holland Festival. He reconstructed events in France between 1789 and 1794, better known as The French Revolution. What begins as a sometimes difficult-to-follow, animated history lesson culminates in an impressive 'whodunnit', balancing between re-enactment and live television.

McBurney's The Encounter points visitor #HF16 to a different way of life

The Encounter, a large-scale solo performance by British multi-talent Simon McBurney, had its Dutch premiere at the Holland Festival on Thursday. The Encounter combines the dramatic power of a Hollywood blockbuster with the polished simplicity of 20th-century, stripped-down, edited - call it Brechtian - theatre.

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