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Review Hebriana: Dead-end lives

Put three neurotic sisters with their mother hen and errant brothers-in-law together in a parental holiday villa with beautifully translated text by Las Norén and you're bound to get some nasty Scandinavian family stuff. But luckily there is the wafting acquaintance Axel, a convincing role by Mark Rietman. Already at the start of the performance with the tableau de la troupe alongside... 

Podcast on the accordion's orchestral power: Blood Chorale by Toeac at November Music 2021.

The link between the Orpheus myth and Arnhem potenrammers is more obvious than you might think. At least, if your name is Peer Wittenbols and you are one of the country's best playwrights. That you can also think of accordions as part of that is, in turn, extraordinary. Still, Blood Coral, a performance by accordion duo Toeac, with a lead role for Jack Wouterse on a text that promises... 

Podcast artZINnig #1: comedian Thjum Arts on humour, social work and the meaning of life.

'The contact you make with your audience as a comedian is the highest thing for me.' When comedian Thjum Arts (1993) started breaking through as a comedian around 2018, he wondered if this was what he really wanted. As a human being, should he really want to talk about himself so much? Studying social work would have... 

Festival Circolo: relaxed and sunny festival celebrates circus innovation without glitz

A campfire, primeval hamburgers and flammkuchen with bacon and cream, as well as coffee with oat milk and remarkably many loose buns in Tilburg's Leijpark. White wine, kombucha and speciality beer. Some people get pimples from such combinations, but it felt remarkably good, last Monday at Festival Circolo. The hipster folk, considered super sustainable, mixed effortlessly with the burgundian Brabanter, so in... 

Jan-Bas Bollen on November Music: 'I experience music as a purely sonic event. I can enjoy a metal band immensely, but also drum 'n bass.'

His life is a strange journey through time, a giant leap forward from one musical culture to another. His mother was a composer and singer, his father accompanied a relay of famous song singers as a pianist. And Jan-Bas Bollen (1961) took to the stage early on as a promising violin talent. In 1970, a child of nine, he played at the Oscar Back Violin Competition, and... 

Composer Morris Kliphuis on High Dive with Lucky Fonz III: 'Every composer is a little dictator' #novembermusic

The Bossche sounds in November are contemporary. Since '93, the city has acted as a sounding board for today's music under festival name November Music. I talked to Morris Kliphuis (composer) and lyricist Otto Wichers (Lucky Fonz III), about their musical piece High Dive. The song cycle will premiere 11 November at the Verkadefabriek, performed by singer Pitou and ensemble stargaze.... 

Stille Nacht Am Silbersee is a unique musical sound poem: 'A single word can evoke a world.' #novembermusic

'Every time I go to a beach, I see the sea through a filter of all the texts written about the sea.' Writer Joachim Robbrecht, at the request of Romain Bisschoff and together with writer brother Artun Alaska Arasli, created a sound poem for Ensemble Silbersee. During November Music, the work will finally premiere, after it had been a year... 

Jan-Peter De Graaff composes Parallax: 'I show how much effort people put into creating their own world' #novembermusic

Jan-Peter de Graaff (b. 1992) is and thinks big. As an islander, raised on Terschelling as a child of musicians, he also perhaps perceives things a little differently from the peripheral city. The height of the sky, the nothingness of a strip of land surrounded by the movement and power of water; they suggest infinity and the mystery of higher powers. That perspective... 

Botero

Why never say, 'Botero, that's that fat-woman painter, isn't it?

Mons (Mons), a Walloon pinhead on the French border, became European Capital of Culture in 2015. To everyone's surprise. The city presents its umpteenth major exhibition this autumn and winter: Fernando Botero, beyond the forms. 3 questions are addressed in this story: 1) How does a small city like Mons get all that done? 2) Why never say:... 

'NOW support saved us, but creates a lot of extra workload afterwards.'

At the end of July, we posted an appeal by the UWV on this site. The benefit agency sounded the alarm because few cultural organisations had yet completed their final application for corona support. If they had not submitted the application corresponding to the advance received earlier before 31 October, they would have to repay that advance anyway. Every reason to take a... 

Nina Hiddema, director a.i. of the Netherlands Reisopera: 'Nicolas Mansfield's succession is going to take some time to complete

'A sorcerer's apprentice? It is really not the case that Josef Fuchs could and would single-handedly bend an entire application process to his will. That is pertinently untrue and I even find it damaging to his person.' Nina Hiddema reacts vehemently to our article on Josef Fuchs' remarkable job title, and the change in it. Hiddema explains: 'I am... 

The dizzying void is literally at the heart of L'absolu during Festival Circolo

For those who love acrobatics and existential questions of life, Boris Gibé's L'absolu is a valhalla. The extraordinary spectacle can be admired during Festival Circolo in Tilburg. In an empty silo at a height of 12 metres, acrobat (and metaphysician) Gibé confronts the audience with the big questions of life. With his act, he shows that circus and art can go hand in... 

Lucho Smit's unique take on circus innovation: 'Everything already exists, we just make different connections' #festivalcircolo

'I often wonder why I keep doing what I do. I do circus, but I don't just want to tell stories, I want to act, I want to live up to my beliefs and my values. And by acting, I don't mean eating organic food, sorting my waste and donating to Greenpeace, no ; I really want to contribute to all those issues I... 

Jolanda Spoel seamlessly forges hip-hop and classical together in Melomaniac. And that is quite difficult

'They come from two worlds, but work together towards something that is one. Jolanda Spoel has done that perfectly'. Katinka Reinders, head of education at the Rotterdam Philharmonic Orchestra, is enthusiastic after one of the first play-in performances of Melomaniac at Maas Theatre & Dance. Just now, a room full of somewhat timid secondary school students turned into a churning group of lovers of... 

New at Festival Circolo: The stage is at least as exciting when you can only hear it.

During Tilburg circus festival Circolo, you can experience it, if you want to, and certainly if you can't help it: audio description. Especially for the blind and visually impaired, the festival offers the services of Komt Het Zien, a company specialising in live description of what is on stage in front of you. Founder Arlette Hanson, is one such... 

'Smash the crystal ball. Empathise with future generations!' - About Digital Decisiveness #2

Perhaps the COVID pandemic did not itself create unprecedented inventions and new things, but unexpected things that were already there suddenly came to the fore. Like podcasts, like online art, like new views on leadership and a different way of looking at the future. Very briefly, this is what you take away from the total of eight hours of... 

Great, scintillating Trojan Wars from National Theatre

Dance and ballet, drama with gory atrocities and clattering emotions, imaginative lighting, set and costume effects and, above all, enthusiasm bursting forth. HNTjong's 'biggest production ever' with 30 actors for 50 roles is overwhelming. Thanks also to the corona crisis: the National Theatre had to postpone the performance for a year and a half and lift it over two summer holidays, with all the misery... 

The big question of online gathering: who will show us the way to the bar? #Digitaladventure 1

A virtual gun, which, when you shoot it, does not fire a bullet but displays a pop-up with encyclopaedic information about what you have just fired at. Now if only we fought the next war with that. It was conceived by Iranian artist Ali Eslami, who was forced by the lockdown to use his international network to develop... 

From 'artistic director' to 'deputy artistic director': what is Josef Fuchs' position at the Netherlands Reisopera?

Last Monday, 20 September, the Nederlandse Reisopera presented its programme for the upcoming season. The speaker was Josef Fuchs, who was introduced as the company's new artistic director by its general director a.i. Nina Hiddema. A festive occasion, which caused slight surprise in the small gathering (a few journalists and some colleagues). In an interview (below... 

Marta Barone's craftsmanship glistens beneath the surface of 'Sunken City'

'It really is the case that at some point the dead come back to look for you, and then you have to have dinner with them.' Italian writer Marta Barone (34), who records these words in her novel Sunken City, experienced this first-hand when she lost her father Leonardo, now a decade ago. Barone grew up at... 

In the grip of mental illness. Jan van Mersbergen wrote a novel about the demise of his family

If either parent is not firmly on their feet, how does that affect an entire family? That is what Een goede moeder (A good mother), the new novel by Jan van Mersbergen (50), is about. The story is based on the past years of his own life. 'It wasn't supposed to be a reckoning.' Adventure novel Two years ago, he said that at 50, when he was... 

Museum association sounds alarm: even strong museums will not get out of the one-and-a-half-meter without support

Last weekend's #unmuteus parades might lead you to believe that, as soon as the weather allows, the cultural world will be out of its misery in less than no time. The tens of thousands who took to the streets are quickly populating the halls again, and with a little more water with the beer, and slightly more expensive mints, the night and event industry - which is also there for the... 

Westbeat, Amsterdam's newly built cultural fray, is perhaps too good.

Art, and certainly avant garde art, thrives on the frayed edges of society. Especially in the second half of the 20th century, industrial heritage and as yet unrenovated urban foam were the places where art could escape the norms of the ruling class. The NDSM wharf in Amsterdam North, Hall 4 or the Submarine Wharf in Rotterdam, Ceramique in Maastricht, Sterrebos in... 

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