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ACTUAL

All about politics, policy, society and how those things relate to culture and art.

Pipi Longstocking rules in Zwolle. (Why everyone who cares about learning should go to Festival Woest)

Put 15 or so bouncy balls from the first grade of primary VMBO in an antique cabin of a few square metres and you can be sure there will be a hundred of them. Music they will make and they themselves had thought it should be about a forest. Protoon's accompanist is going to arrange that for them. There are pads ready,... 

Iranian Turandot disarms with engaging music. But Puccini remains undefeated

It is quite daring. To take a classic Italian opera and give it a 'primal version'. I know a small army of militant opera critics who would prefer to take up arms against that. If that comes from Iran, you soon have the puppets dancing. To get right to the first... 

Black, French, or African: The Welcome Table holds discussion on 'négritude' well away from Holland Festival

The ground beneath your feet is sacred. It is, in these times of left-wing identity politics and emerging right-wing blut und boden thinking, quite a risky remark, but Faustin Linyekula used it anyway, in an answer to a question from the audience. That question was about the need, to defend your own place in an increasingly globalised world. Because. 

At Festival Woest, young people figure out for themselves how they want to play life (Why you can't avoid Zwolle in early June)

Woest is a cultural education festival for and by young people and offers a place for experimentation outside education. Woest is a unique partnership between education, culture providers and young people. In fact, what makes Woest unique is that young people themselves come up with new things that can make education more fun and better. The pupil's voice is always the starting point. In recent months,... 

New audiences for subsidised theatre? The Netherlands is working against that.

Together with two 12-year-old kids, I go to a theatre performance. To a theatre performance labelled 'adult performance'. Tickets cost 25. Discount for students. Discount for CJP. No discount for children, excuse me, youngsters, because yes, those two bridge students are already 12. Is this performance made for children? No. It is made for the curious, open viewer, for... 

Faustin Linyekula and the tearfulness of the travelling artist

'Aid workers come to my city to leave again. I come there to stay.' You cannot get Faustin Linyekula any more concise. 'Aid workers do not create a bond with the people they want to help. Their work is gone as soon as they leave. I don't come to help, but because I want to be there. If that makes me a few... 

'We have become spectators rather than actors'; Philipp Blom tells performing artists on SPOT-Live what is at stake.

'We are on the brink of a new cultural revolution. We need to move away from our paradigm and art can play a role in this. Art can show us images of a different future, a different thought. Artists can help bring that realisation in.' Speaking is writer and journalist Philipp Blom. In 2017, his... 

Why you should come see 'Struggle! 100 Years of Women's Suffrage' should come and see it

In the struggle for women's suffrage, the 'ordinary' housewife from Ten Boer in Groningen played just as vital a role as the widely praised Aletta Jacobs. She too walked in demonstrations, appeared in her grandmother's costume during protests and sewed a banner for the movement in her kitchen or living room. Like her peers from the rest of the Netherlands, she fought... 

Eric de Vroedt (Het Nationale Theater)curates at SPOT-Live: 'Let's talk about love.'

'What we so often forget is to just talk about our love for theatre.' Eric de Vroedt, artistic director of The National Theatre, wants to talk about substance for once. And then with the entire performing arts sector. Soon there will be SPOT-Live, the renewed Congress of Performing Arts, and there he wants to talk about love. 'Quite by chance, it happened a month ago.... 

Vis à Vis versus Almere (2): civil service finds building land too expensive for culture

A fortnight ago, we reported that the unique open-air theatre group Vis à Vis had started a petition. Reason: the Almere city council was reportedly planning to convert the company's permanent site on Almere beach into a residential area. This would go against an earlier promise made by the alderman. Since that alderman has since ceased to be an alderman, it would... 

How a small riot in Eindhoven could have major consequences for all subsidies (But for now, it's just a blunder)

Thanks to a tip-off from a reader, we saw that there is fuss about subsidies in Eindhoven. Now that happens quite often, but here something special was going on. Eindhovens Dagblad reported (Blendle link €) that the entire Supervisory Board of Stichting Cultuur Eindhoven had resigned. There was trouble because, writes the ED, the... 

Culture funds want slow renewal. But it is far too late for that.

On 11 April 2019, the Council for Culture put a shovel in the dykes of the polder that is the Dutch cultural system. After all, the basic infrastructure, established in 2009 to finally bake renewal and flow into the system, is dead. The structure carefully conceived over years has been turned into a ruin by 10 years of cultural policy in which the... 

Panic over nothing? Vis à Vis sounds alarm over forced departure from Almere.

Shocking mail, this afternoon. Theatre group Vis à Vis, the company that has been making very fine open-air spectacles on the beach near Almere for many years, would have to leave their just-built accommodation in just under a month. At least, so it seems. Read the text of the emergency message: 'After 10 years of uncertainty, Vis à Vis has been told by the college of... 

Shout out! The big fill-in for the new arts plan.

The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural... 

All power to the city! Culture Council's opinion dissected into 9 opportunities and 10 threats

When the Council for Culture released its long-awaited musical advice a month ago, its president Marijke van Hees was remarkably nervous. This was particularly evident in her choice to act as moderator at her own presentation. When there, at Amsterdam's Allard Pierson Museum, came (very mild) criticism of the advice, she shot to the defence. That became... 

Still some places available on 9 May 2019 - Workshop: Storytelling in writing

On stories, message and social media Storytelling is the latest buzzword. Every organisation these days has to have a story to tell. Is it a fashionable marketing phrase? Not really. Storytelling is not new. We were always telling each other stories. It's just that we sometimes forget. Thinking that passing dry facts to each other is an effective way to get people moving.... 

Is the boom in the art trade really about art? The European Parliament has its doubts.

Tackling tax fraud and money laundering, as we reported earlier, also affects the arts sector. Money can no longer be hidden in shadowy limited companies behind foundations, which in turn hide behind other companies and individuals. Everything has to be transparent from now on. A new measure was added last week, according to Artnet. The European union is going to introduce a... 

Peppie & UBO: privacy concerns for business leaders and directors. (Why anti-money laundering policies can wreak havoc on culture)

Our government leaders, united in Europe, have come up with something to combat the masking of corruption. It is called UBO register. The Netherlands is also going to introduce it in the near future. This has consequences, also for cultural foundations and associations. Because every organisation has to determine who is a UBO (Ultimate Beneficial Owner). This causes some complications. In the cultural sector, it is... 

Vacancy general director deBuren

The Flemish-Dutch House deBuren promotes cultural and social cooperation and exchange between Flanders and the Netherlands by presenting, producing, inspiring and connecting. Spearheads of deBuren are Flemish-Dutch cooperation, talent development and diversity. As a house of culture and debate, we offer an extensive programme with 150 public activities a year and various cultural productions and projects. deBuren covers many... 

On the other side of the North Sea, it works: the national 'City of Culture'. Time to take it seriously in the Netherlands too.

Hull. Who knows that city? I only from hearsay. A boat sails there, and by train you can get there in just under nine hours. For those of us with flying shame. And it's in Yorkshire, which we know from Monty Python. But beyond that? I've been wiser since Wednesday 27 March, thanks in part to a promotional party it... 

(With PODCAST) The Netherlands worth a quarter of a billion more because of books. (And only a few writers benefit from that)

A person working at a publishing house thus generates for himself an income of 42,379.79 euros. That is slightly more than the average income of people in the book trade, who only make do with an average of 31,000 euros per person. This income is largely generated by authors and translators. These earn - on average - 1540.55 euros. Per person. Per... 

PODCAST! Why the paper book will never disappear

The paper book will never disappear. Of that, both Robbert Hak (Storytel) and Maarten Richel (New Book Collective) are convinced. And both are working on new ways to market books. 'The publishing world will become much more hybrid. The book, in all its different forms, should be present in as many places as possible.' 'Consumers are using... 

Baudet wants the rebirth of a civilisation. It is just a question of which one. (But actually we already know)

It was just missing the heavy music and gothic storm images in the Game of Thrones trailer whose lyrics Thierry Baudet uttered on the night of Wednesday 20 to Thursday 21 March 2019. 'And so here we stand, at the eleventh hour, among the debris of what was once the greatest and most beautiful civilisation the world has known. A... 

Best Listened to Culture Press Podcast: No more hypes, but beautiful books (on publishing, and why small is fine)

When the longlist of the Man Booker International Prize was announced on 12 March this year, two things stood out. First, of course, that our own Tommy Wieringa had won a place on this list of fiction translated into English. Even more striking was that 11 of the 13 titles had been published by small, independent publishers. That development... 

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