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PODIUM ART

Anything for which people enter a stage.

Joost Galema on writing as a marine and opera singer Bastiaan Everink

Joost Galema, journalist and programme maker, was called one day by Bastiaan Everink. The baritone and ex-marine wanted to make a book about his personal struggles and how music changed his life. Not being a writer, he started looking for a ghostwriter. Joost was third on his list. A few days later, Bastiaan was standing in Joost's Hilversum living room telling his story. The singer talked about marines, survival, violence, Iraq, Wagner's music and a search for...

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Creatures ISH and The Ballet Orchestra

Total spectacle Creatures turns The Ballet Orchestra upside down

In the huge Zuiveringshal of Amsterdam's Westergasfabriek, musicians from jubilee Het Balletorkest live it up on stage in the creative dance performance Creatures. They even lie flat on the floor or swing loose in a small big band.

'Come and see that, Creatures: special show with fifty musicians and ten breakdancers," shouts the man at the door. The last tickets for the premiere must be sold. Creatures is at the Zuiveringshal in Amsterdam for a fortnight. Schools visit the show during the week, on weekends anyone can see it. But Creatures is such a

Conductor Han-Na Chang: 'Music never offers just one answer'

'She is the embodiment of the incredible lightness of existence, agile, alert and precise on the beat.' So says one critic about Korean-American conductor Han-Na Chang (Suwon, 1982), who led just about every major orchestra after her debut in 2007. In 2014, she scored highly at the renowned BBC Proms with her fresh interpretation of the Fifth Symphony.... 

Culture Council: broadcast orchestra should broadcast more, perform less

The Radio Philharmonic Orchestra and the Groot Omroepkoor should focus more on broadcasting and less on concert practice. So says the Council for Culture in an opinion released today on the policy plan of the Netherlands Broadcasting Music Foundation (SOM), which includes the choir and orchestra.

While the council is very pleased with the Saturday matinee, the two other series the Foundation brings are a bit redundant in their current form. The Friday night concert, in association with AVROTROS ,...

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Don Giovanni faces leaden seriousness at National Opera

For a dramma giocoso, there was precious little to laugh at during a performance of Don Giovanni by De Nationale Opera on Tuesday 10 May. This production, taken over from the Salzburg Festival, is weighed down by a leaden seriousness, exacerbated by the turbo-Mozart presented to us by conductor Marc Albrecht and the Netherlands Philharmonic Orchestra. Despite his often punishing tempi, the... 

Scenic shot from The Encounter by Complicity/Simon McBurney. Photo: Robbie Jack.

Audio is the new video (I): McBurney's theatrical podcast on #HF16

Simon McBurney is a real theatre nerd. Exceedingly interested in mathematics and physics, he enjoys nothing more in the theatre than building technical illusions. He is also an in-demand actor and director, who, when he has a performance at London's Barbican Centre, gets a visit from Kate Bush, who humbly comes to congratulate him on his work. This year, he is,... 

Interview Jiří Kylián on Free Fall in Korzo

Jiří Kylián: 'The silence of a photograph, I love that'

With Free Fall, Jiří Kylián shows his photographic works for the first time. He talks enthusiastically about his discoveries, his inspiration, and Sabine. The house in The Hague where Jiří Kylián has lived for more than 30 years radiates joy of life. Warm colour tones, fragrant flowers, classicist furnishings yet cosy. Unmistakably the 'touch of a woman.' That woman is Sabine Kupferberg, the life partner and... 

Mayke Nas wins composition prize: 'I don't want fear, I want adventure'

Grandfather Louis Toebosch was a famous organist and composer. His daughter - her aunt - Moniek an equally famous artist and performer; mother recorder teacher, father Mozart-crazy: 'When I left home I couldn't hear a recorder or Mozart anymore!' Mayke Nas (Voorschoten, 1972) is no stranger to making music and composing. In doing so, she likes to avoid the beaten track and... 

The five shows you must see in May

Toneelschuur, Don Carlos (stage) Nina Spijkers brings Friedrich Schiller's classic play back to its essence. No lavish scenery depicting the Spanish court, but canvases peeled off layer by layer. playlist https://www.youtube.com/watch?v=6XtUxD2zQ3E M31 Foundation, Nederlandse Reisopera, Theater na de Dam, Der Kaiser von Atlantis (opera) Forty years after its world premiere at Theater Bellevue, Victor Ullmann's Der Kaiser von Atlantis will be... 

Podium Witteman has lost the stage, er, way

Throughout the year, the public broadcaster spends a lot of time on sports. For World Cup, Tour or Games, cultural broadcasts are cancelled for weeks without pardon. If you can't beat them, join them, Paul Witteman must have thought, or perhaps the viewing figures were disappointing, because on 1 May he devoted an entire Podium Witteman broadcast to cycling. Don't. The reason for the cycling special is... 

The Muse of South - What does a street name sound like?

Some time ago, I discussed with broadcaster MAX the idea of phoning random residents in music districts to ask what they thought of 'their' composer. Would they spontaneously burst into an ode to, say, Carolus Hacquart, Cornelis Schuyt or Henriëtte Bosmans? Unfortunately, this playful plan never materialised, but lo and behold: a number of musicians joined hands.... 

With George Pieterson, music life loses another coryphée

Last Sunday, 24 April, clarinetist George Pieterson died at his home in Amsterdam, aged 74. 'George was an iconic player with a big musical heart,' says his former student Frank van den Brink. 'He invariably went full steam ahead and whichever recording you listen to, his playing is always remarkable. You didn't necessarily have to put up with his... 

Sensorium: see, hear, feel, smell and dance!

How do you get children moving? How do you stimulate their creativity? How do children learn to dance if they have little experience with dance, or other expressive artistic expressions? ICKamsterdam is developing a toolkit for dance teachers in primary education: Sensorium. By stimulating the various senses - eyes, ears, touch and nose - the body is invited to respond with movement. I am in a... 

New image for the King with some help from music & Ottolenghi

Majesty, Dear Willem Alexander, Last year at the Koningsdag concert, one of my favourite musicians played: violinist and composer Oene van Geel. On that occasion, his band zapp4 played together with a musician from my old world: recorder player Walter van Hauwe. In addition, surprising programming with David Kweksilber Big Band, leading lady Claron McFadden, tap dancer Peter Kuit and more. Great musicians... 

Princess Christina Competition 2016: varied repertoire at a high level

Even before the welcome applause has died down at the Zuiderstrand Theatre on Saturday 23 April, pianist Manuel Sanguino begins Bach's Partita BWV 826. Crystal-clear runs sound in his right hand, while his left hand shapes the contrapuntal counterpoints just as smoothly. Even the faster passages are beautifully phrased and distinguishable note by note. Sanguino is one of the... 

Nicolas Mansfield 'Dutch Travel Opera still needs €500,000'

The past and future of the Netherlands Reisopera are dominated by money worries. Nicolas Mansfield, director, during the season presentation on 20 April last in the foyer of Theatre Carré, stressed not only the necessity of a national opera company's existence but, above all, the necessary quality requirements to keep attracting audiences. And quality cannot exist without decent... 

Roméo et Juliette proves: synthesis of opera and ballet exists

Most impressive is the moment when the orchestra falls silent and Romeo tries desperately to storm the white wall behind which his sweetheart Juliet has disappeared. Time after time, he runs up the steep slope, only to slide down defeated each time. His wild jumps and trotting make his black coat tails flutter high, as if he were a tipsy bird in... 

Doelenzaal

Once sold for a guilder: now everyone out of the Doelenzaal

The historic Doelenzaal in Amsterdam, home to Internationaal Danstheater, will have flats. Those currently sitting there will have to leave. Doelenzaal sold The users of the Doelenzaal can all leave: International Dance Theatre, Omscholingsfonds Dansers, Dancing on the Edge, Musicians without Borders and Windmill Film. Because the building's new owner wants flats. The Doelenzaal, a design by architects Beirer and Bekkers who... 

Uitdehaags little foxes lack humanity

Lillian Hellman's The Little Foxes is not a rewarding play to direct or perform. For that, the image of man that the American (1905-1984) portrays is simply too morbid. The Nationale Toneel, directed by Antoine Uitdehaag, unfortunately fails to add sufficient psychological layering to it. In The Little Foxes, successfully filmed in 1941 with Bette Davis in... 

Böhmermann: Turkey is the place to be

'No barbaric act can ever erase press freedom,' French President Hollande tweeted immediately after the bloody attack on the editors of the satirical weekly Charlie Hebdo in January 2015. German Chancellor Angela Merkel walked side by side with him in a mass demonstration for freedom of expression. But that was the reality of the time. Now she stands ... 

Transatlantic by the Dutch National Ballet at Holland Festival

The National Ballet's Transatlantic showcases works by four white men. Why?

In Transatlantic, the Dutch National Ballet dances works by four choreographers during the Holland Festival. They are male. They are white. They make classical ballet. Why this choice?
Transatlantic and men's choreographers
It is a recurring theme. Recently again in the UK. British/Bengali choreographer Akram Khan, also to be seen at the upcoming Holland Festival, threw caution to the wind: 'Don't promote women choreographers simply because they are women.' That earned him ...

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Andalusia is Amsterdam and Amsterdam is Andalusia at Podium Mozaïek

"This was actually a mixtape," says Yassine Boussaid, Saturday 9 April 2016 after his concert, "as my cousin used to give me, for the long way back from Morocco to Amsterdam. Yassine is the business leader of the Amsterdam Andalusian Orchestra (AAO). Together with artistic director Mohamed Chairi and director-writer Mohamed Aadroun, he puts together concerts at breakneck speed.... 

Composer Julia Wolfe: 'John Henry symbolises the struggle of man versus machine'

Last year, Julia Wolfe (1958) won the Pulitzer Prize with her oratorio Anthracite Fields. In this poignant piece about the plight of miners, she draws on American folk music. She composed it for the co-founded Bang on a Can All-Stars, a New York ensemble that became known for its rousing mix of rock, mimal music and... 

Monsieur Doumani

This write-up may begin somewhat strangely, but the end is going to evoke very different images: All sorts of things are set in motion internally when I find myself in the smallest room of my house. This is because - besides nice, sweet cards from friends and family - there are clippings hanging on the door, theatre guides, newspaper sections and smart magazines lying around. So... 

Scenefotos_Bromance_Foto_Sanne_Peper

Stagehands, stay away from that theatre!

The longer I walk around in the theatre sector, the more I find out that this so-called crisis in the performing arts is not down to the people who make theatre, nor to the people who come to see it or not. Good will is omnipresent. The only real cause for a breach of trust between actors and audiences that I can point to is the nineteenth-century invention we call 'theatre'. Let me explain.

Theatres were rather intimate soci...

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