Anything for which people enter a stage.
It's dance, but not as we know it. That's the best way to describe the current edition of Korzo and Nederlands Dans Theater's dance festival Spring Awakening. With two wonderful standouts, by choreographers Tom Weinberger and Kenzo Kusuda.
For the sixth time in its history, the Tour de France will start in the Netherlands: on Saturday 4 July, the cyclists will start their three-week war of attrition under the Dom in Utrecht . A day earlier, the Britten Youth String Orchestra kicks off its own Tour de France, in home town Zwolle. In one week, the young musicians will give seven concerts in La...
Yes, it can be done! Less is more! I heaved the last sigh on Wednesday 13 May in response to the production Benvenuto Cellini by Hector Berlioz, which Monty Python director Terry Gilliam made for the National Opera. Immediately the same evening, I was caught off guard at the premiere of The Peach of Immortality by Rieks Swarte at the Toneelschuur in Haarlem. It concerns a...
Berlin's Gorki Theatre won a prize this year: it was named the best theatre in the German language area by the German-language press. The company won the award partly because it employs many actors of immigrant origin. With its performance Der Untergang der Nibelungen, which can be seen in this year's Holland Festival, the group also thematises the...
Monday 18 May 2015 he will be cremated in Utrecht: Ton Hartsuiker, tireless champion of new music in our country. In recent years, his health was ailing; he would narrowly miss his 82nd birthday. He was active as pianist, music educator, conservatory director, administrator and radio presenter. Even after his retirement in 1998, he did not consider quitting his...
Yep, I'm running behind, because just now I finally saw (in parts) the King's Day concert! But hey, good music has no expiry date and for now this concert will be online for a while. What a party! Some of my favourite musicians participated. Faithful readers of Culture Press know that violinist and composer Oene van Geel is definitely one of them. He brought along Zapp4...
Even before the final notes of Benvenuto Cellini had sounded, the audience erupted in loud cheers and cheers last night (12 May). So Monty Python director Terry Gilliam's team pulled out all the stops to make this first opera by Hector Berlioz an unforgettable experience. That his dadaesque staging evokes memories of the joke-and-roll approach of the...
The fastest, and most beautiful, way to cycle through Leidsche Rijn is along the Groenedijk, and then all the way to the end. Pedalling 20 minutes from Utrecht Central Station, there recently, and for 2000 years, lies Castellum Hoge Woerd. It is a newly built idea of a Roman fort that guarded the ancient border of the Roman Empire here, along...
Ton de Leeuw lived in Paris for the last decade of his life and studied with Olivier Messiaen in his younger years. On 21 May, Cappella Amsterdam will present four of his French-language choral works in the Muziekgebouw aan 't IJ. The programme also includes works by his student and friend Daan Manneke and the young French composer Laurent Durupt....
At Amsterdam's Stadsschouwburg, Hans Kesting will once again play the title role of Shakespeare's Othello, in a legendary version by top director Ivo van Hove, already 12 years ago. A stone's throw away, at De Balie, is the equally impressive actor Kenneth Herdigein in David Mamet's play Race. Why connect the two? Hans Kesting, the...
There was once a celebrity (pianist, composer and conductor Reinbert de Leeuw), a biographer (Thea Derks) and a riot. De Leeuw was against the publication of his biography Reinbert de Leeuw: man or melody and made no secret of it. In the TV programme Zomergasten (Summer guests), he even dismissed the dissertation-like standard work as an almost endearing puff piece. Meanwhile...
The 1970s have for some time been the target of what we shall conveniently call the up-and-coming generation. And so we are talking about the 1970s as the glory years of hippyism, the jubilant times of the left-wing church and everything else that, with the knowledge of today, is dirty and dirty. They were the years when...
Nederlandse Reisopera, Gluck: Orphée et Eurydice (opera), 1 May to 6 June Dazzling debut by director Floris Visser at the Nederlandse Reisopera. Rather than showing a centuries-old opera about an even much older myth, he exposes the core of Gluck's opera. It results in a heartbreaking performance about mourning and the inability to accept that your loved one is no longer there....
The power of data The arts sector in general is little 'tech savvy'. Sure, nobody can do without a website and a Twitter account will hardly be lacking anymore either. But there are few examples of groups, theatres or artists making the most of the power of digital. Setting up a good 'client relations management system' (crm) with profiles of all visitors or buyers, to keep those...
After all the misery surrounding HET Symfonieorkest, the premiere of Orphée et Eurydice last night (1 May) at the Wilminktheatre was a breath of fresh air. Defying all worries, the Nederlandse Reisopera realised a shimmering performance, which was rightly rewarded with a minute-long ovation. With magical colour fields, slow-motion movements and mysterious shadow play, director Floris Visser brought the timeless love drama to life. A must-see for...
Is that possible? Picture-less film? Sure, just see-or better-listen to Chapman for President by the Eef van Breen Group on 2 May during LISFE: a cinematic sound project based on a personal story. An encounter with political refugee Chapman gave trumpeter, singer & composer Eef van Breen new eyes, ears and the idea for this film without images....
Tonight, the Nederlandse Reisopera premieres a new staging of Gluck's Orfeo ed Euridice, opera of all operas. With this masterpiece, the German composer put an end to Baroque malpractice in 1762. Not only were the libretti impossible to make sense of because of the endless series of subplots, but also the case was duly...
A girl stands waving and around her a rain of soap bubbles descends, so many that it almost seems as if the girl is taking off. She stands swaying and her ecstasy and tears of joy slowly turn to deep despair and disbelief. What she sees cannot, cannot be true, because it destroys everything she is - to what she...
With its latest retrospective If We Ever Get To Heaven, EYE again convincingly and confidently presents itself as a museum that looks beyond film history. This was already evident in previous exhibitions such as Expanded Cinema, which showcased visual artists working at the intersection of film and art. Now William Kentridge has been given the honour of...
On Sunday afternoon 26 April, I was a member of the press jury at the final of the Prinses Christina Competition in Lucent Danstheater in The Hague. Definitely not a punishment, as all six finalists performed at top level, no matter how young and inexperienced they were. Time and again, the organisation proves that all the gloom about the future of classical music is nonsense: this year too, there were...
Only those who live in a locked hut on the moors will have missed the fact that jazz drummer John Engels will soon turn 80. He has been a guest on television programmes like VPRO Vrije Geluiden and the special jazz edition of De Wereld Draait Door, and will be honoured on his birthday 13 May with a celebratory concert at the Bimhuis. Also published was the small-scale biography...
Mea culpa and action 'It only happens when you fall on your face.' This quote by artist Job Koelewijn in De Volkskrant has hung on my toilet door for years. One of the biggest mistakes you can make as a journalist is not checking facts. And OuiJAYes that mistake I have thus made: this writing creative did not check the facts....
The only thing really old-fashioned about La Dame aux Camélias is the cheering applause, as if you were in Milan's Scala. And it's not even premiere night. Director Ted Brandsen did a hit with this classic with the Dutch National Ballet. We have proof of it. With Periscope.
Festival Rumor 80, an irregular regular in Utrecht at three different locations each time, will show choreographer Marc Vanrunxt's new work Real, So Real this Friday at Theater Kikker. Starting point is Three Voices, a 1982 composition by Morton Feldman. A wonderful Flemish collaboration by Kunst/Werk and ChampdAction. Dancer Marie De Corte and singer Els Mondelaers shine in Real, So Real. The...
The opera Poland in Plan Zuid will premiere at the Liberal Jewish Community in Amsterdam on Sunday 19 April. Composer Caroline Ansink and librettist Olaf Mulder based their work on Daniël Vermeulen's (pseudonym) memories of going into hiding in Brabant and his subsequent reunion with his mother in Amsterdam in 1945. Three questions for Caroline Ansink. Why...
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