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MUSIC

Old or new, classic or modern, minimal or world. Pop. Tonal and atonal.

Fred Wondergem: 'There is always more that you don't see than what you do see.'

'When I look in the auditorium at a classical concert now, I do think: it's full now, but in 20 years eighty per cent will be dead. So the bottom has to be fed, and TivoliVredenburg does that well. They do it, for example, with Out of the Blue, which is a programme where you get great food and by a special host 

Forty times a year to TivoliVredenburg: 'You get everywhere if you love music, eh.'

Peter Vossen says he experiences live concerts on average twice a week. Not just in TivoliVredenburg, although he visited there almost 40 times last year. 'I also see a lot of free concerts on the streets and in cafés, of course.' Jazz is his great love, but he also attends soul, funk, Latin or pop concerts. Regularly, he can be found 

Three CDs you wouldn't have wanted to miss in 2018

The end of the year is approaching. So the lists fly around our ears again with 'most beautiful', 'best', 'most unforgettable', 'most moving'... fill in the blanks. I think compiling top-soaps is actually a typically male thing, but I'm not that bad. Here are three CDs you wouldn't have wanted to miss this year - in no particular order. Louise Farrenc: Variations for Piano Biliana Tzinlikova,... 

Why it's good that De Nederlandse Reisopera is coming to you with Die Tote Stadt.

In 1920, Erich Wolfgang Korngold experienced triumphs with his psychological opera Die tote Stadt. The work was performed in more than eighty cities at the time, with unanimous critical acclaim. The opera then disappeared from the stage for a long time but is nowadays performed again sparsely. So it is good that the Nederlandse Reisopera is bringing this almost forgotten piece back to the stage.... 

Music publicist Maarten Brandt: 'For one note from Mahler's Ninth, I would give the gift of Shostakovich's entire oeuvre'

Sounding Alchemy, is the name of the chunky volume recently published by music publicist Maarten Brandt (1953). It has 715 pages, including illustrations and an extensive index. In 98 articles, Brandt unfolds his views on music and music programming. He dedicated the beautifully designed book to his admired Marius Flothuis, programmer of the Concertgebouw Orchestra for many years. His heirs received a first copy during... 

The 5 concerts you don't want to miss at November Music

The female composer, she continues to stir minds. My article following Mathilde Wantenaar's world premiere of Damocles unleashed a fierce discussion on Facebook. 'Why should women be given preferential treatment?" an angry man asked. 'All that matters to me is quality, not whether a piece of music was written by a man or a woman.' He got icky about the m/f discussion, which... 

Jan van de Putte: 'My work is about conquering music'

Dutch composer Jan van de Putte (b. 1959) invariably crosses the boundaries of music. Hesitant starts, silence, wide gestures and explorations of our subconscious are as natural in his score as resounding tones. Last autumn, he published his four-part song cycle set to poetry by Pessoa, in which he aptly stammers the Portuguese poet. On 8 November, his latest composition, Cette... 

Camilla de Rossi in NTRZaturdayMatinee: three centuries late premiere

After years, my ranting about the invisibility of female composers is beginning to bear fruit. Thanks in part to the #MeToo movement, composing ladies are also finally being taken seriously and performed. The NTRZaturdayMatinee is even making them a spearhead of its programming this season. Last Saturday, it performed the world premiere of Salto di Saffo by Calliope Tsoupaki (1963). She composed this double concerto for pan flute, recorder... 

Composer Jan van de Putte makes Fernando Pessoa stammer

Jan van de Putte (1959) dedicated four compositions to the poetry of Fernando Pessoa. The complete cycle appeared last autumn on the double CD Bamboleamos no mundo ('we waddle through the world'). The composer strikes at the heart of Pessoa's elusive texts with equally meaningful music. Van de Putte is one of the most original voices in the Dutch musical landscape and defies... 

Reinbert de Leeuw showered with honours on his 80th birthday

Accompanied by Asko|Schönberg, Katja Herbers sings parts from Im wunderschönen Monat Mai, Reinbert's adaptation of classics by Schubert and Schumann. The poignant lyrics get a witty twist in the last song. In 'Röslein auf der Heiden', the 'victim' is not the fragile little flower from the original but Reinbert himself. "Und der wilde Knabe brach Reinbert auf der Heiden; Reinbert wehrte... 

Dusty Woo Hah! gets off to a slow start, but after that the audience is overwhelmingly eager

The hip-hop festival Woo Hah! nearly burst at the seams at its fourth edition last year. For its fifth edition, it diverted to the Beekse Bergen in Hilvarenbeek. We walked around there for a day. 'Make that circle bigger, make it bigger! Grooooter!' Speaking is Dutch chart topper Ronnie Flex. If you don't know him from his gigantic hits, then... 

The songs that slap you in the face rock hard in an unguarded moment

In 2016, I was unexpectedly struck by a Beatles classic. So what are the ingredients of perfect pop music? It is August 2016. I am standing with my friend at a ticket office in Liverpool, the British port city that is just as much an open-air museum. It is rather rubbed in on us that this city gave birth to The Beatles. In the harbour, tourists spend the night in a yellow submarine, equally... 

Lakedance is well organised: 'You don't have to walk around lost, nice and handsome people everywhere, no complaints anywhere, clean toilets!'

"In the Netherlands, we are actually on holiday," say Daphne (40) and Ilja (26), laughing. They are travel experts, with Japan as their core destination. "I visit a few festivals every summer, but whether I'm really a festival-goer? Not so much, I think." Seven years ago, Daphne was last to Lakedance, now she is "getting up to age" and got to go for... 

Amsterdam has the @HollandFestival. Ask yourself why that is. And whether that's ok.

Last week, while walking the dog, my neighbour Stefanie asked, "What is that anyway, this Holland Festival?", and I almost caught myself wearily going to explain that it was the most important performing arts festival the Netherlands and its environs and that everyone with a bit of education should know it. But I held back. And wondered: how... 

Geeks and mouse arms at the Muziekgebouw. The bar is high for @hollandfestival's new bosses

Then suddenly there is a very different audience in Amsterdam's Muziekgebouw aan het IJ. Gamers. Or rather developers. And hardcore new-music aficionados. 'I only come for Maze,' said my neighbour petulantly. He came for the music ensemble. Not for the games, that is, not for the computer graphics. And maybe not even for Claron McFadden. That famous, hyper-pliable opera singer who appeared in... 

The @Hollandfestival Proms are many, bold and full. Every now and then, that's quite nice

That George Benjamin is this year's Holland Festival court composer makes perfect sense. And I say that as a non-expert. After all: the way contemporary classical music is often written and talked about scares laymen like me. Would I ever have enough knowledge to appreciate those gourmet sounds? On Saturday night, I made my first live acquaintance... 

Bach and Moore, a sublime combination

Johann Sebastian Bach and Kate Moore in one concert programme. With this choice for the fifth episode of her 'Cello 020' series, cellist Lidy Blijdorp once again outdoes herself in originality. And the effect of this choice is phenomenal. Enhanced interaction Not only does she bring together works by two completely different composers, she further enhances the interaction by playing their... 

Hewar and Gurdjieff Ensemble @Hollandfestival: music unites two troubled peoples

After the smashing finale of Ishtar by Dima Orsho, the audience stands up as one and erupts in an ovational applause. I am almost stunned by the loud cheers and shouts that overwhelm the members of Hewar and the Gurdjief Ensemble. Bewildered, I look around me: surely there would be another song? But no, there... 

Gesualdo at the @hollandfestival: a hell of a match made in heaven.

Pizza Napolitana is not going to taste the same again. After all, mozzarella can be anything. We owe this enrichment of our lives to De Warme Winkel, the anarchic theatre company hired by the Nederlands Kamerkoor to enhance their Holland Festival programme. We knew it. And you can go and check that out for yourself, because after that... 

It's up to us to offer Octavia E. Butler's sower fertile ground in the @hollandfestival

First of all, the chairs have to leave the auditorium of the Muziekgebouw aan 't IJ. Then some discomfort, those two hours that Octavia E. Butler's The Parable of The Sower lasts. At least it would make for some shared sorrow, and possibly some awkward swinging. Because the way things were going, that first night of Toshi Reagon's debut at the Holland... 

The real @hollandfestival special #3 about Bowie. And Bausch. How the recent dead keep us alive.

Nothing defines us like our taste. And especially taste in music. We find that music taste defines exactly who we are and can easily distinguish us from people who have distinctly different, and therefore lesser, tastes. Pinkpop, a pop festival with several world-famous headliners, experienced this. Each world star plays to their own audience, which schi... 

How Wiek Hijmans makes the electric guitar socially acceptable

Wiek Hijmans (b. 1967) is tirelessly promoting the use of the electric guitar in contemporary composed music. He also likes to be influenced by jazz and rock in his own pieces. On Electric Language, his latest CD, he presents music by eight composers alongside his own Victus. Six pieces were composed especially for him. The disc appeared on the label... 

Podcast: Would the Netherlands ever be ripe for Science Fiction? @Hollandfestival provides context with Octavia E. Butler

Of course, we have Chriet Titulaer. But it kind of ends there. And to say we took those very seriously, back in the day? No. The future, and fantasising about it, is not really a thing in the Netherlands, at least not with the big publishers and broadcasters. A writer dealing with science fiction will never join a big... 

Fritz Lang vs George Benjamin at @hollandfestival: a fresh tired death.

The Holland festival has a tradition of combining film with live music. Whether it's the post-punk band Mogwai at Mark Cousins' Atomic Cinema or a live accompaniment to a silent film, something magical usually happens. That was certainly the case at the screening of Fritz Lang's Der Müde Tod (1921), accompanied by composer in... 

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