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The real @hollandfestival special #3 about Bowie. And Bausch. How the recent dead keep us alive.

Nothing defines us like our taste. And especially taste in music. We find that music taste defines exactly who we are and can easily distinguish us from people who have distinctly different, and therefore lesser, tastes. Pinkpop, a pop festival with several world-famous headliners, experienced this. Each world star plays to their own audience, which schi... 

How Wiek Hijmans makes the electric guitar socially acceptable

Wiek Hijmans (b. 1967) is tirelessly promoting the use of the electric guitar in contemporary composed music. He also likes to be influenced by jazz and rock in his own pieces. On Electric Language, his latest CD, he presents music by eight composers alongside his own Victus. Six pieces were composed especially for him. The disc appeared on the label... 

Podcast: Would the Netherlands ever be ripe for Science Fiction? @Hollandfestival provides context with Octavia E. Butler

Of course, we have Chriet Titulaer. But it kind of ends there. And to say we took those very seriously, back in the day? No. The future, and fantasising about it, is not really a thing in the Netherlands, at least not with the big publishers and broadcasters. A writer dealing with science fiction will never join a big... 

Fritz Lang vs George Benjamin at @hollandfestival: a fresh tired death.

The Holland festival has a tradition of combining film with live music. Whether it's the post-punk band Mogwai at Mark Cousins' Atomic Cinema or a live accompaniment to a silent film, something magical usually happens. That was certainly the case at the screening of Fritz Lang's Der Müde Tod (1921), accompanied by composer in... 

Panic is contagious, sex is not. About my anxious hours during and after Sex and Anxiety at the @hollandfestival.

Panic. On the tram between Leidseplein and Amsterdam Centraal, I suddenly lost the Dutch translation of 'string quartet'. So I typed 'violin quartet' into my facebook update, trying to make a connection between a blow job and Ligeti. Joking, perhaps, but there was something much deeper behind it, in that tram, after the music and theatre event 'The String Quartet's... 

Our only unique @hollandfestivalspecial #2: inspiration and constriction in the first week #hf18

Our Thea Derks sat watching a traffic light for a few hours on Thursday 7 June and observed that the music was better. It happened during the opening of the 2018 Holland Festival. In the tradition of Ruth Mackenzie, the opening was of mixed reception, and that is actually a good thing. Even at a time when the Amsterdam Arts Council is in a... 

Hyena by Georg Friedrich Haas: how Mollena Williams-Haas kicked off her alcohol addiction #HF18

The Holland Festival presents Hyena, in which Mollena Lee Williams-Haas recounts how she kicked her alcohol addiction. Her husband Georg Friedrich Haas wrote the music to accompany her blood-curdling account. She is accompanied by Klangforum Wien and conductor Bas Wiegers, who also performed the world premiere two years ago. Hyena can be heard once at Muziekgebouw aan het IJ on Wednesday 13 June.... 

Richters Patterns @Hollandfestival: Traffic light jumps to red, traffic light jumps to green

Music and images, it remains a tricky combination. Do you see a picture with music, or do you hear music with a picture? That question was not answered unequivocally at the opening concert of the Holland Festival. The slowly changing colours of Gerhard Richter's canvases were matched by Marcus Schmickler's slowly fading sounds. While Richter's Patterns soon became boring,... 

Ruth Mackenzie's latest Holland Festival promises to be just one of the most exciting

Here it is. The one and only interactive Culture Press Holland Festival Special. A special that has already been deployed over the past few months, and will be added to in the coming month. During the festival, we have regular reviews and reports, and podcasts. A new edition of this Special will appear every week. On Mondays. And then you can also subscribe via... 

A tense conversation about anxiety and sex early Sunday morning: The String Quartet's Guide to Sex and Anxiety @HollandFestival

It feels like a variation on a scene from a farce. On stage: Birmingham REP's public relations officer, a journalist flown in from the Netherlands for the premiere and the director's assistant rushed in. Location: an upmarket hotel in the heart of Birmingham. Time: Sunday morning a little after ten o'clock. The subject: sex and the all-encompassing concept of anxiety. Go! The big absentee is director Calixto... 

Hope for the Metropole Orchestra. Thanks to News Hour.

Minister Ingrid van Engelshoven will 'do something' for the Metropole Orchestra this autumn. She made this known in a letter to the House of Representatives today. Literally it says: 'I will include the solution to the Metropole Orchestra's problem in my consideration around the deployment of the 2019 coalition agreement funds tranche. My consideration in this regard is that in the coalition agreement,... 

Maya Fridman: Prokofiev's Fire Angel with hard rock attitude

Russian-Dutch Maya Fridman (Moscow, 1989) plays classical and contemporary music as well as rock, jazz, folk and flamenco. Communication with the audience is now her main aim. So why limit yourself to a particular style or genre? The Cello Biennale website rightly describes her as a 'musical jack-of-all-trades'. She scored highly in 2016 at this... 

Gesualdo project at @hollandfestival by De Warme Winkel: 'We want to anoint and flog the ears' #HF18

Say 'Carlo Gesualdo' and you say 'heavenly music', and 'cruel disposition'. This Renaissance composer's name is inextricably linked to the gruesome double murder he committed on his wife and lover when he found them in flagrante delicto. Who else but The Warm Shop could make an appealing performance of this thought Tido Visser, artistic director of the Netherlands Chamber Choir. So. 

Film concert featuring West Side Story, Bernstein's indictment of discrimination

Leonard Bernstein would have turned 100 this year. The AVROTROS Friday Concert puts his most popular piece, West Side Story, on the programme on Saturday (!) 26 May. The Radio Philharmonic Orchestra will play the electrifying music full of ecstatic melodies and vital dances live at the integral screening of the original 1961 film. The whole thing is conducted by the young American conductor 

Composer Marijn Simons: 'Everything is about timing'

Although the press picks it up only sparsely, not only the NTRZaterdagMatinee pays much attention to Dutch composers. Indeed, they are also well represented in the AVROTROS Vrijdagconcert (formerly De Vrijdag van Vredenburg). In 2014, for instance, Joey Roukens wrote The building of the temple to mark the reopening of TivoliVredenburg. Two years later, the season opened with Atlantis by Robin... 

Everyone is welcome at Pitfest. 'Bands playing at our place should be especially hard, or dirty and grimy.'

The Drenthe village of Erica was rocked on the last weekend of April by the cosy noise festival Pitfest. And that attracted a motley mix of people. I walked around there for a day. A golf cart zooms across the roundabout of the 4-star resort in the outskirts of the Drenthe town of Erica. To the right of the tarmac are tightly mowed golf courses, to the left is a plot of land... 

Merlijn Twaalfhoven on SPOT-Live: 'Outside the Randstad lies a huge source of inspiration'

'I have knocked on the door of the Congress of Performing Arts a few times in recent years on my own initiative, really from the idea that we can do a lot more as venues in the Netherlands. But yes, every time I was there, people got enthusiastic, but does it stick?' Composer Merlijn Twaalfhoven is happy that he now serves as 'curator' of SPOT Live, the new... 

A fertile repertoire landscape.

Performing arts policy greatly determines what can be seen and heard on Dutch stages. It underpins government funding of theatre and music. This policy pays a lot of attention to the quality of performances, but it hardly discusses the choice of pieces played, let alone what kind of repertoire landscape... 

Annelies van Parys: 'No more beautiful symbol of love than a flower'

In 2014, Annelies van Parys (1975) composed her first opera, Private View, for Asko|Schönberg and Neue Vocalsolisten Stuttgart. It was awarded the FEDORA - Rolf Liebermann Prize for Opera shortly afterwards. The Stuttgart singers submissively asked her to compose a new piece for them. Songs of Love and War/An Archive of Love will premiere 20 May at Operadagen... 

Cellist Maya Fridman: 'The best thing about making music is communicating with my audience.'

Cellist Maya Fridman was born in Moscow in 1989, where she emerged as a child prodigy. Even while still studying at Schnittke College, she won first prize at the International Festival of Slavic Music. In 2010, she came to the Netherlands, where six years later she graduated Cum Laude from the Conservatorium van Amsterdam. Fridman naturally places contemporary... 

Michel van der Aa in the spotlight of Nieuw Amsterdams Peil

On Thursday 19 April, composer Michel van der Aa takes centre stage at Muziekgebouw aan 't IJ. Besides his own music, the adventurous Nieuw Amsterdams Peil will play pieces by kindred spirits chosen by him. Special guest is Wende Snijders, who composed a number of songs with Van der Aa. She will also solo in the world premiere of the integral cycle... 

Debussy's music blossoms subtly and powerfully between Lidy Blijdorp and Julien Brocal

To have an Ode to Debussy begin with one of his last compositions is a fine choice. Cellist Lidy Blijdorp and pianist Julien Brocal perform this programme to mark the centenary of the composer's death. Last strength Debussy suffered from cancer for the last six years of his life. This disease made his life unbearably hard. Yet three years later he... 

Sedje Hémon conjured music from paintings

The name of Sedje Hémon (1923-2011) will not immediately ring a bell with everyone. She was one of the first artists to work in a multidisciplinary way, basing compositions on her own paintings. Her painting scores were recently shown at Documenta 14 in Kassel and Athens, but her music has not been performed for almost four decades. The Hague-based ensemble Modelo62 puts Hémon... 

Guy Coolen on Operadagen Rotterdam: 'We call ourselves a bluff festival'

'If Mohammed doesn't come to the mountain, the mountain will come to Mohammed,' they thought at Operadagen Rotterdam. Earlier this year, the Enschede-based Nederlandse Reisopera gave a press presentation in Carré. This time, the Rotterdammers travelled to the capital. Artistic director Guy Coolen and dramaturge Tobias Kokkelmans told a select club of journalists what the audience could expect from 18-27 May,... 

City of Birmingham Symphony Orchestra plays Fires by Raminta Šerkšnytė

The City of Birmingham Symphony Orchestra is coming to our country. On Monday 9 April, they will give a concert in TivoliVredenburg Utrecht under their young chief conductor Mirga Gražinytė-Tyla. They will play music by Wagner, Debussy and Beethoven, a fairly standard programme at first sight. But fortunately, Lithuanian Gražinytė-Tyla brings a piece by her compatriot Raminta Šerkšnytė. Who wrote Fires... 

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