Anything for which people enter a stage.
You have to dare to do it: name an opera after the main organiser behind the mass deportations and extermination camps of Jews in World War II and then not perform him as a character. Composer Alejandra Castro Espejo and librettist Bo Tarenskeen did it: their opera Eichmann, a production of the Diamond Factory, will premiere at the Muziekgebouw aan 't IJ on Wednesday 9 December. Adolf Eichmann was...
This year was a celebration of two composers from two seemingly completely different planets. The Estonian Arvo Pärt (b 1935) turned eighty, the Frenchman Pierre Boulez (b 1925) ninety. One is unparalleled among a wide audience for his eloquent 'tintinnabulist style', the other is applauded by a select group of insiders for his avant-garde compositions, which the general public, however, experiences as incomprehensible...
Always nice when someone sets up a committee to solve all the problems. The Dutch theatre sector did just that a few months ago. Led by former minister Guusje Ter Horst, Rinda den Besten (former Utrecht alderman), Sadik Harchaoui (Forum) and Ryclef Rienstra (VandenEnde Foundation) examined what could be better in the relationship between theatre and the...
By 1970, Karlheinz Stockhausen (1928-2007) had run out of 'intuitive' compositions in which the performer had to choose his or her own path from a series of written instructions. Like Intensity, for example, whose score consists of this text: Play the individual notes with such dedication until you feel the warmth radiating from you. Play on and keep them on as long as you can....
The National Opera, Hänsel und Gretel (opera) It is the best-known fairy tale opera of all time. Not surprisingly, as Humperdinck's adaptation of Hansel and Gretel is overtly rooted in folk music as in almost Wagnerian orchestration. It was bound to be a success. Richard Strauss conducted the world premiere; Amsterdam features International Opera Award Winner Lotte de Beer's version. She moves...
Franz Liszt (1811-1886) was revered in his own time as a true devil's advocate, whose virtuoso piano playing set many a woman's heart racing. But above all, he was an innovator, whose ambition was to "hurl a spear into the infinite space of the future". The Concertzender highlights life and work for two hours on Wednesday, 2 December
From Dutch Symphony Orchestra with international ambitions back to provincial orchestra with as yet nothing at all. Now, except for the ironclad original name. It could be a commercial for Telfort. In between are many lost lawsuits, the grotesque protest name *****Symphony Orchestra and the equally garish HET Symphony Orchestra. It is the ultimate capitulation of the once by just about everything and everyone...
Debby Petter's performance 'Bed & Breakfast' at Theatre Achterom in Hilversum had just ended. Director Gerlofke Hekelaar addressed the audience, as it had been the very last performance. After 45 years, the Achterom Theatre Foundation will cease to exist. Another theatre going under due to cuts in the cultural sector. But is lack of money the only...
A damning report by organisational consultancy Berenschot, the voluntary or involuntary departure of director Harm Mannak, repeated bickering in the State Assembly and panting reports of high salaries for directors and artistic directors, all the way to the national newspapers. It marks the chaos at HET Symfonieorkest and the lack of any form of direction, not only at the orchestra itself,...
Mrs Cornelys' Entertainments. Under that remarkable title, baroque company New Dutch Academy presented a concert in a theatrical setting. The Hague's Korzo Theatre turned into a society evening. Visiting a much-discussed lady from 18th-century London. It was a feast for the eyes and ears. New Dutch Academy has a changing line-up in addition to some permanent members. The Academy keeps itself - the name...
There is usually no 'master plan' behind the best and worst things in life. Of course, 25-year-old Adele's 'come-back' has been carefully orchestrated, from the tentative release, to the title of the first song, the wave of spontaneous covers around the world and the announcement not to go on spotify (for now). In fact, the orchestration is so obvious that...
What titles come to mind when you hear the name Arvo Pärt? Sonatina opus 1; Symphony no. 1; Perpetuum mobile, or Fratres; Für Alina; Spiegel im Spiegel? My guess is the second set, because it was with pieces like these that Pärt conquered the world in the late 20th century. Audiences flocked in droves to immerse themselves in his sonorous sound world, but...
Music students are generally conservative. When I studied musicology in the 1990s, we could go to the concerts in new-music temple the IJsbreker for only five guilders. I eagerly used this opportunity to hear the very latest notes by living composers like Pauline Oliveros and Sofia Gubaidoelina for a trifle. I never saw a single fellow student there. Still I am...
When the car park of the Zuiderstrandtheater is full at a pre-premiere, you know something exciting is happening inside. And that's right: Isabelle Beernaert and her ensemble present the new production Under My Skin. Dance like an Instagram account: popular, photogenic and ephemeral. Woman Actually, dance is like a Pinterest account. Because that seems to be mostly for women. And there is a lot of...
Composer and pianist Jeroen van Vliet - as 2014 Boy Edgar Prize winner - was commissioned to draw inspiration from Leo Cuypers' Zeelandsuite (1977) for new work. He put the band together and, in the tradition Cuypers and his men, played at various Zeeland venues. As then, everything was recorded. On CD and (award-winning) DVD this time. Last May, I was...
I hesitated for a while whether to report on the theatre workshop offered to Syrian refugees by Koon Theatre on Monday 9 November, as part of Dancing on the Edge. During the workshop, the refugees prepared a short presentation to be shown in Stadsschouwburg Utrecht on Friday 13 November, prior to the theatre performance Above Zero. The reason...
No war scares or torturous refugee issues tonight 5 November, but getting unexpectedly intimate on stage with a strange woman. That could happen to you during Dancing on the Edge. The congenial, biennial festival featuring artists from the Middle East and North Africa can be seen in several cities until 14 November. Once started by race entrepreneur and dancer Gary Feingold, the...
Failing directors stay put, the Supervisory Board disqualifies itself. No other conclusion is possible after reading the counter-expertise commissioned by the province of Overijssel and carried out by Berenschot. The provincial millions intended to make the orchestra subsidy-independent have not only evaporated, but show a negative balance in every area. Every estimate was too optimistic,...
At Amsterdam's Brakke Grond, the Dancing on the Edge festival (DOTE) opened yesterday with an evening that immediately showed what the span is all about. The first performance, Blank, engaged directly with the audience. The second, and official opening performance, Plastic, was more about the dynamics between the performers themselves and with the soundscape. With her opening speech
Terezín, 1944. In the most deplorable conditions imaginable, Victor Ullmann completes the opera Der Kaiser von Atlantis. The camp authorities forbid a first performance after a few rehearsals. The unmistakable allegory on Hitler and his downfall leads to one of the rare forms of censorship in the camp, which the Nazis showed as an example to the Red Cross....
In the wings of Nederlands Dans Theater, the new generation of dance makers is ready. Medhi Walerski and Johan Inger are both former dancers of the company and have previously created pieces there. In NDT2's Shearing the Wolves programme, they each surprise with a world premiere full of intense, pure dance. In comparison, an older work by house choreographers Sol Léon and...
Unemployment is rife in Tunisia. Young men there now clean plastic from the streets and beaches, as a heavily underpaid job. It led theatre-maker Meher Debbich to a surprising insight: 'Old ideas are like plastic. They don't decay. They have to be disposed of, for recycling. Otherwise we will perish in them.' He tells me about this in the interview below
This text was initially spoken as a column commissioned by the Netherlands Chamber Choir (April 2015- premiere at Theatre De Harmonie Leeuwarden). Trip to Scandinavia is a variation on that in three parts. Now with animation. Also watch episodes 1 & 2.
Next week sees the start of festival Dancing on the Edge. Unlike its name suggests, this festival, with performances in The Hague, Amsterdam, Utrecht and Rotterdam, is not only about dance, but also about film, theatre and politics. The 'Edge' it is about, the festival looks for in its theme: an urgent artistic dialogue with the Middle East. More needed now than...
In the 1970s, Reinbert de Leeuw stormed the popular charts with recordings of Erik Satie's early piano music. He managed to strike exactly the right chord with his ultra-rare performances of pieces like Gnossiennes and Gymnopédies. The albums sold like hot cakes and were awarded gold and platinum records. Two decades later, he recorded them...
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