Things we do for members and partners.
What idiot could come up with that, one of the attendees wondered: that you can make electrical circuits by combining the DNA of an algae with that of a hamster? Just a question that comes to mind when walking around the exhibition Biodesign, on show in Rotterdam from 27 September to 5 January (2014). And then there's...
Did we report here earlier how the patriotic booksellers are doing their best to bring you to haunt the gates of hell if you 'purchase' an ebook, the reading itself also turns out to be a minefield. One of our followers recently purchased an ebook from the largest online bookseller in the Netherlands (at least until That club from America entered). Her brand new Kobo reader however, proved to be no match for this book. Whereas with all other digital books the device effortlessly refreshed the epaper, turning a page in the book took ''Forgive us' by A.M. Homes well over half an hour, and that was a bit too much slow reading for this lady.
It cannot have been a difficult choice. The feature film Borgman by Alex van Warmerdam had already made it through to the Cannes competition earlier this year. Now this dark, wry-comic thriller has been chosen as the Dutch entry for the 86th Academy Awards (the Oscars) in
According to NRC Handelsblad Culture cuts became fatal for 'only' 11 theatre institutions. In doing so, they assume groups that actually dissolved themselves. In their overview, however, they overlook the companies that voluntarily dissolved themselves by merging with another company. In addition, there are a number of institutions that disbanded before the new round because it was already clear that they would not receive any money. If we do count those, we come to at least 34 companies. That is already 25% of what was on offer before the cuts.
Piet Oudolf, the Dutch garden artist who changed the face of New York changed, is best known in the Netherlands as an ennobled plant book author. After many big cities worldwide, Rotterdam is the first city in the Netherlands to have a public garden designed by the now 69-year-old designer. And it immediately becomes clear what we have been missing in our 'public green space' for all these years. Quite right, then, that Oudolf received the Prince Bernhard Culture Fund Prize gets awarded.
Tonight and tomorrow night, the Royal Concertgebouw Orchestra kicks off the fourth season of the AAA series, with film music under the title 'Suspense'. But not everyone will immediately associate composers like Bartók, Lutyens and Schoenberg with cinema.
This month, Reinbert de Leeuw celebrates his seventy-fifth birthday. Not only do television, radio, internet media and written press devote extensive attention to the no small achievements of this champion of contemporary music, but he is also being honoured with his own festival, 'Reinbert 75'. This will be organised
Jet Bussemaker believes in Daan Roosegaarde. She confessed this on Sunday 1 September during the traditional Paradiso debate. She admired his courage to imagine the unthinkable and his drive to come up not with opinions but with proposals. Her message to the arts sector, again almost fully present in Paradiso, was clear: stop complaining, start doing something.
"I don't have a theatre background, but I know what I like." These words from Cammy Mai Tran are typical of a trend among young theatre-makers. They find the walls between different art disciplines to be oppressive. Increasingly, we see them walking right through those walls. And when the blow is over, new inspiration swirls richly over them.
Pet van de Luijtgaarden has a thing for collections. So he collects them. But being an artist, he also wants to say something with those collections: 'I am mainly concerned with society. I think we are going down because of overproduction and to show that, I want to go right over the top.'
Wonderful quote in the Volkskrant, also copied by the ANP in the message feeds on Ann Goldstein's departure as artistic director of hert Stedelijk Museum in Amsterdam. Or vice versa. Just read carefully:
Three-quarters of pilot episodes for series in the US do not lead to a sequel. For House of Cards, the series with which the on-demand and streaming video channel Netflix final breakthrough in America, no pilot episode was made. Major broadcasters refused the series without pilot to make, but Netflix immediately saw that there would be a large enough audience for it. That was
From facebook gesponst: those who wondered why there was art again. Or why it costs money. Those people are there .
Series of videos now.
The Theatre Voucher has been more popular than its publisher suspected. Theatre-goers have certainly used this performing arts book voucher more than expected over the last decade. One and a half million euros more. As a result, the Foundation for the Promotion of Theatre and Concert Attendance SPTC has faced negative assets since 2011.
Festival Boulevard in Den Bosch sold 55,000 tickets this year, 5,000 less than in 2012. The festival, which this year was held from 1 to 11 August, did attract more crowds for the free offerings on the festival square. This brought the total number of visitors to the festival this year to 145,000, 5,000 more than in 2012. As the venue occupancy is still nice at 85%, the drop in ticket sales will mainly be due to a smaller offer of performances.
We are far from having all the info, but we have enough by now: the Bureau Promotie Podiumkunsten (BPP), funded by the Association of Theatre and Concert Hall Managements, is quitting as of 1 October. Reason unknown, but surely the malaise in the cultural sector, and especially the performing arts, will have something to do with it.
'Eutopia comes from the Greek and means as much as 'Good place'. With this installation, I want to make people think about what that is: a good place.' Architect and visual artist Filip Berte worked on his 'Good Place' for seven years and the result can now be seen in Utrecht's Zijdebalen Theatre.
Dancer Ellen Edinoff died in her hometown of Amsterdam on Tuesday at the age of 70. Ellen, together with her husband Koert Stuyf, formed a unique dance couple in the 1960s-'70s that reactions in extremes. The Dutch dance world came of age partly thanks to them.
Despite the crisis, parents invest eagerly and heavily in their offspring's musical development. This is the finding of the Utrecht Centre for the Arts (UCK). Their talent development programmes are running well. "Parents are now more consciously choosing to spend money on this than ever before. They also come along to lessons more often and let their children start at an increasingly younger age," says cello teacher Floris Dercksen.
Young choreographers Cecilia Moisio, Giulio d'Anna and Melissa Ellberger have been nominated for the Prize of the Netherlands Dance Days Maastricht 2013.
"I am very curious about the audience's reactions. People always have an image at a festival. They come, expecting to experience all sorts of things. What you get here is the terrain, an exploration and a story that emerges as a result. The main energy that exists on and around this terrain is, "I get to go on it, and what's there? On that energy, I want to build on."
For more than a decade, Alkmaar film theatre and stage Provadja - one of the oldest Dutch film houses - has been struggling with housing that is far too cramped. Plans have been made for over a decade and last night the city council voted on relocation. And thus chose an option that Provadja's board, staff and volunteers had already categorically rejected. Namely
Isn't avant garde dance too lofty? Is it still viable in these harsh cultural times? I Like To Watch Too aims to clear up this misunderstanding. The festival brings experimental dance closer to the public than ever.
The collaboration between pianist Tomoko Mukaiyama and choreographer Nicole Beutler in the performance 'Shirokuro', seen last week at the Holland Festival, provides a beautiful perspective on two piano sonatas by Galina Ustvolskaya. 'Shirokuro' means black and white in Japanese. Despite strong visuals and impressive co-protagonists on stage, the Russian composer's absolute music is never explained and therefore retains its sheer power.
"Let's move on people! I would like to introduce you to Frans van Montfoort. One of the very first buskers in old Hoog Catharijne and almost a living statue." Guide Ton van den Berg, today in the guise of his alter ego Koos Marsman, slaps Van Montfoort on the shoulder. "Good to see you again boy."
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