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Young dance makers meet and develop talents in travelling dance workshop Europe in Motion

 Europe in Motion is a travelling talent development programme and acts as a battleground and meeting place for young choreographers. What is urgent in dance is discussed for a week to encourage dance makers in their artistic development. This second edition, with partners Dance4 (Nottingham), iDans (Istanbul) and Imagetanz (Vienna), ends in Utrecht. Springdance previously featured dance from high-tech laboratories in Israel (Batsheva Dance... 

Two young female choreographers fulfil promise with Batsheva Dance Company at Springdance Festival

With two performances, "The Toxic Exotic Disappearance Act" and "House", Batsheva Dance Company shows impressive, sublime dance mastery and fresh dynamics. But also restlessness, searching and confusion. The era of happy, harmonious dance is over. A lecture on dance, prior to the performance, emphasises that contemporary dance need not compulsively oppose other dance movements. This artistic... 

Inertia and extreme duration make Ibrahim Quraishi's "Wild Life Take Away Station" a mysterious still life

Upon entering, Wild Life Take Away Station has been going on for four hours. Two performers - Diego Agulló and Ria Higler, a young man and an old woman - stroll through the Central Museum's project studio like drowsy zombies. They are pale and muscle-naked, apart from their weird slippers and wigs. The two lie sprawled across the sofa,... 

Springdance Journal: "Dutch dance is very well behaved compared to what we have seen here"

Our team agrees: Springdance really took off on Saturday. With Ibrahim Quraishi's installation 'Wildlife Take Away Station' for sure. Reviewer Daniel Bertina made his own recordings, which will appear in his review. And it was even more tasty for him at '(M)imosa. Twenty Looks or Paris is Burning at The Judson Church (M).... 

Ruben Brugman interviews Russel Maliphant on the Rodin Project

"I love it when movement moves people," says British choreographer Russel Maliphant in this interview after the performance of The Rodin Project. In the Hekman foyer of Utrecht's Stadsschouwburg, our colleague from Danspubliek.nl put the creator ven the Rodin Project through his paces. It is interesting what Maliphant has to say about the first part of... 

Zelfs verstilde Ivo Dimchev maakt razende indruk met “I-on” tijdens openingsavond Springdance Festival

Ivo Dimchev is als performer zo snel en wreed in zijn schakelingen tussen botte bravoure, kinderlijke lol, erotische impertinenties en snijdende eenzaamheid, dat je er als toeschouwer normaliter niet meer tussen komt. Zodra Dimchev zijn publiek in de klauwen heeft, kan het hem alleen nog verbijsterd volgen.  “I-on” is opnieuw een ogenschijnlijk losse verzameling acties. Alles speelt zich af rond een… 

Opening Springdance explores the two extremes of what the festival has to offer

Experts in particular were upset with the official opening performance of Springdance 2012. "The Rodin Project" by Russel Maliphant was special for that reason alone. Rarely has there been so much talk about an opening performance, especially since it is also Springdance's last opening performance. The 30-year-old festival of innovative dance and performance is ceasing to exist. Partly due to pressure from subsidy cuts from... 

Een scène uit ''The Rodin Project'' van Russell Maliphant.

Maliphant neemt Rodin als rijke inspiratiebron voor dans, maar maakt teleurstellende opening voor laatste Springdance Festival

Het festival opent teleurstellend met ‘The Rodin Project’. De beeldhouwer Rodin mag dan een uitdagende keuze zijn, helaas beperkt choreograaf Russell Maliphant zich tot het imiteren van sfeer en uiterlijke plaatjes. Rodin werkte vanuit een uitgesproken idee over materie. Hij was op zoek naar hoe vormen en bewegingen zich uit materie losmaken. Met zijn menselijke gestalten en hun gebaren liet… 

The Cultural Press Bureau goes full on for ten days with The Dodo at Springdance

 It may be a crisis and the cultural winds may also be blowing from the wrong right corner, but that doesn't stop The Dodo from flying. The festival day newspaper we launched two years ago as a new commercial product is ready for another 10 days of Springdance. We're going to review a lot of performances, and compare even more. And we're going to make a journal. It... 

'It felt a bit like the first time sex: way too direct, rushed, overactive and largely based on insecurity': Ivo Dimchev in battle with Franz West's wearable art

"What the fuck should I do with this?" was choreographer and performance artist Ivo Dimchev's (1976) first thought when confronted with the artworks of Austrian artist Franz West. After Dimchev's solo performance Some Faves (2010) in Vienna, West, a multi-awarded creator of bizarre sculptures and objects, sought contact with the choreographer. He asked him to make an improvised video based on his... 

‘Soms slaat het verlangen niet gezien te worden om in een overdaad aan exhibitionisme.’ – Yasmeen Godder over The Toxic Exotic Disappearance Act

Ze heeft het druk gehad. Hoogzwanger werkte Yasmeen Godder (Jeruzalem, 1973) aan haar eerste choreografie voor Batsheva Dance Company. In een maand tijd stampte ze onder de vleugels van Batsheva haar nieuwe voorstelling The Toxic Exotic Disappearance Act uit te grond, en beviel tussendoor van een gezonde dochter. Voor de derde keer presenteert de Israëlische choreografe Yasmeen Godder haar werk… 

Too full or not too full at subsidy theatre

Hein Janssen (Volkskrant) wrote a column in response to a couple of performances with BN stars in the subsidised circuit in which he argued that subsidy was not meant for that. The association for actors thought this was reason enough for a debate. We made a short film to go with it. We formatted it in storify, a feature that allows you to put tweets and other social media messages together and... 

De Dodo gaat opnieuw Dappere Dansers in de gaten houden

Dit jaar wordt Springdance voor het laatst gehouden. Na bijna 30 jaar werd het tijd voor iets nieuws, al was het alleen maar omdat de wind in Den Haag opeens van rechts komt en dat is bad for business. Als je tenminste vernieuwende kunst wilt laten zien. Daarom fuseert Springdance in de loop van dit jaar met het andere Utrechtse… 

Their carnival is already more fun, too. Brazilian arts budget grows by 10% a year.

Brazil has 10% more every year for arts, sports and entertainment, plus an extra 600 million this year. If we in the Netherlands ever start growing the economy again, we can choose between the Chinese and Brazilian models. In China, growth goes mainly to puissant wealthy entrepreneurs, and wealthier citizens buy mass-produced luxury goods. For... 

Wednesdays winner of Dutch competition Go Short

Last night the awards for best short films were presented at festival Go Short in Nijmegen. Winner of the Dutch competition is Woensdagen by Aaron Rookus, a small feature film that approaches the heavily charged subject of sexual abuse in the most subtle way. What begins as an emotionally stunningly well-struck impression of eight-year-old Kris' weekly outing... 

How two orchestras sold an international revenue model as regional

Recap: There are too many orchestras in the Netherlands, the government thinks, and so a few have to go. Or merge. Now that forced merging doesn't seem to go very heartily. But you can make money out of it. In Gelderland and Overijssel, this leads to bizarre scenes. It would have been comical if it hadn't cost so much money.

To bring in an extra five tonnes, the Netherlands Symphony Orchestra and the Gelderland Orchestra are pulling together. And with success: the provincial governments of Overijssel and Gelderland are absorbing the state's subsidy cut. However, it now turns out that the plans used to rake in that bailout are dubious. Politicians have hardly looked into it. Questions about the business plan came mainly from the PVV in Overijssel, but in Gelderland that same party enthusiastically agreed to the injection of millions after a - remarkably damning - counter-expertise.

Orchestras in eastern Netherlands go slating

Nearly thirteen million The Gelderland Orchestra (HGO) asked for the province of Gelderland. It got three-and-a-half. Just enough to absorb the reduction in the state subsidy for the next two years and to work towards a new organisational structure and a new revenue model, as described in a very ambitious business plan, which...... wait a minute. We have already written about this, haven't we?

Increase in 'wish headlines' in arts news around grant applications

The last opportunities for grant applications for 2013 and beyond closed today. Numerous mergers have been announced, new collaborations, high-profile relocations (Amsterdam in particular is emptying out). Many arts media now also carry news about those plans. News that is often presented as fact, while in almost all cases these are wishes. Applications are even fewer than ever... 

Theft of art on streets rises 20%

Copper is expensive, and bronze, the material from which many statues on the street are made, is largely copper. And if it's on the street, you take it with you. Even if it is bolted down. Rodin's Thinker in Laren was sawn down and partially melted down, and the same happened to Simon Carmiggelt and his wife. At Boris van der Ham's request,... 

Free: Festival diary Writers Unlimited 2012

They were great days, the four days we reported on Writers Unlimited (v/h Winternachten) in The Hague. We saw a new self-confident generation of writers from Africa, experienced debates and - in the foyer of The Hague's Theater a/h Spui - played for VJ during the salsa dancing class. Daniël Bertina and Wijbrand Schaap did their best to attend as many... 

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