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Holland Festival

The Holland Festival is the Netherlands' leading festival, showcasing the best of what is being made internationally and nationally on the bigger stages.

Photo: Milena Abreu

Brazilian Chekhov adaptation is sensual and oppressive at the same time #HF15

Had Anton Chekhov lived now, he would have written for television. Not drama, and certainly not film. Indeed, innovative as the great Russian playwright was during his short life (1860-1904), he would now have done something with selfie sticks and contact microphones. The result would probably have been something like what Brazilian artist Christiane Jatahy has now created. She took the text... 

One Lulu is not the other

Eye organised a Lulu Marathon as part of the William Kentridge exhibition at the Holland Festival. Kentridge directed Alban Berg's opera Lulu. As part of that, Eye screened the two main Lulu films that inspired him. The first was Leopold Jessner's Erdgeist (1923) and the second was G.W. Pabst's Die Büchse der Pandora (1929). Two iconic Weimar... 

Distancing with Weijers & van Saarloos

Over 70% of the talking heads on TV are men, Simone van Saarloos told us in the introduction to her own talk show. Niña Weijers and she thought that surely something like this could be done better, without talking about glass ceilings and other women's topics. And so, in October 2013, they launched their sexist talk show series with guests from the arts, literature, politics and... 

Scene from Extremalism (Emio Greco and Pieter C. Scholten). photo Alwin Polana

Extremalism: liberating mass dance?

There is something crushing about the massiveness. Choreographers Emio Greco and Pieter C. Scholten have brought the dancers of the Ballet National de Marseille and of ICK Amsterdam to the stage in Extremalism, thirty in all. A huge 'corps de ballet'. Greco and Scholten and the dancers take root in classical ballet, but also break away from it. The classical footwork with... 

Gorky Theatre tramples on Nibelungen

Der Untergang der Nibelungen - The Beauty of Revenge at Berlin's Maxim Gorki Theatre on Wednesday, 10 June, with its duration of 2.5 hours - without intermission - did quite an assault on the sitting flesh. Granted, Wagner spared four complete operas for his version of the medieval Nibelungenlied and director Peter Jackson devoted three full-length films to the also... 

Cows: splashy 'Opera Misha'

It was a moving moment when director Cherry Duyns drove a frail Misha Mengelberg onto the stage on Tuesday 9 June, after the premiere of his opera Koeien (Cows). Dressed in a bright orange windbreaker and wearing a cap with an oversized visor, the recently turned eighty improviser and rudderless disruptor looked around uncomfortably: is this applause for me? Yet he visibly enjoyed himself and... 

Robert Wilson enchants with Krapp's Last Tape

For the first time in years, Robert Wilson is back on stage by himself and he proves what a sublime performer he is. In Samuel Beckett's play Krapp's Last Tape, he plays an old man looking back at his younger self. His older self is almost without language, but with cries, grimaces and gestures. Wilson manages to take the play to its bitter... 

24 Hours of Urbo Kune @HollandFestival Tonight wake and sleep with Morton Feldman's For Philip Guston

'Urbo Kune' is esperanto for 'common city'. Klangforum Wien presents 24 hours of contemporary music and ideas today at the Muziekgebouw, focusing on the future of Europe and ideas about the ideal capital of the United States of Europe. At 12:12 today afternoon, the event started with an incomprehensible statement from the roof. Mayor Van der Laan, Arnon Grunberg, Francine Houben alternate... 

Zeros, ones and the public; what is digital art?

The new format of the Holland festival puts the spectator first. Plenty of visible events, free performances and being in the middle of the city. It's director Ruth McKenzie's trademark. It is therefore not surprising that she does not shy away from the digital universe. After all, what better way to share than digital art? But what then is digital art... 

Manger by Boris Charmatz: spectators remain spectators

Manger, the new performance by Boris Charmatz and Musée de la Danse, gives spectators all the space they need. Where you line up to watch or just to listen, who or what you watch and for how long, is up to you. The Purification Hall on the Westergasfabriek site, majestically empty and echoing, creates a wondrous atmosphere in this for Charmatz'... 

Hatsune Miku: So did we all fall in?

It is one of the most pre-discussed performances of this Holland Festival. Newspapers, magazines and webmagazines dived en masse on The End featuring Japanese superstar Hatsune Miku. That she is not real. About all of us being fascinated by the virtual and technology. About her two and a half million Facebook friends. About the fans who have written more than 100,000 songs for her. About the costume designs... 

The Book of Sand: unprecedented computational speed invisible behind singing woman in layers

Inspired by stories by Borges, whose widow was present at the launch of the online interactive musical piece at the Holland Festival, The Book of Sand still looks most like an elaborate, very chic music video. Is that a bad thing? "Neither the book nor sand possess a beginning or an end." Borges' story, to which the title refers, is about... 

Todo lo que está a mi lado on Dam Square in Amsterdam (photo Wijbrand Schaap)

I shared the bed with an actress, and for a moment the world was quieter

A confession. There is no other way. So: yes. I was lying between immaculate white sheets in a comfortable bed with actress Lina Issa and it was beautiful. She whispered soft words in my ear, put a hand on my hand and it was very quiet around us. Thanks to that whispering, the noise of the big city fell away. Trams... 

Extremalism BNM ICKamsterdam © Alwin Poiana

Usury and Zen - Greco and Scholten bet high with premiere Extremalism @Holland Festival

Emio Greco and Pieter Scholten rehearse their new performance Extremalism in Marseille. The two dance companies under their direction, ICKamsterdam and Ballet National de Marseille, have merged for this occasion: 30 dancers on stage, six authors and designers in the auditorium, and the crew of technicians is also made up of Amsterdamers and Marseillais. They are working together on the biggest production that Greco and... 

Lulu and Kentridge's clothes

Lulu, the opera that Alban Berg left unfinished on his death in 1935, is considered an undisputed masterpiece, which is frequently performed. The opera is at the Muziektheater for the third time this millennium, but for the first time with the third act completed by Friedrich Cerha. South African artist William Kentridge will direct. He and the performers were honoured after the... 

Self-assembling in van der Aa's multiverse: The Book of Sand

A young blonde woman climbs a staircase in a round, windowless room and emerges into a desert. She runs laps around a red cloth, singing "everything's repeated many times". Or: the same young woman lies in the same windowless round room, but now in a different dress and with a curious machine. "everything's repeated many times". Or: the same... 

Scene photo La Fura del Baus, M.U.R.S. Photo Josep Aznar

La Fura dels Baus pushes you into a haunted house of play and seriousness in M.U.R.S.

Stepping into M.U.R.S. is a treat. This is the smart city, the city of our near future. Communication electronics and fun rule. It resembles a fairground or a huge disco. Exciting voices welcome you. You whirl in with the crowd. Everyone joins in. Your phone is in touch. Cheerleaders stand on a stage,... 

Turkish toppers play the roof off Carré: fresh wind through Holland Festival #hf2015

Stars, we don't really do that in the Netherlands. Our ground level does not allow diva behaviour. In our lowlands, you get a plus if you have stayed so nicely ordinary despite your success. Even if you stand in the Arena with your songs, like the Toppers, this weekend. How different it is in Istanbul. There, you are allowed to be shamelessly famous. Like. 

The seven performances you must see this Holland Festival

As Big as the Sky I am looking forward to Arnoud Noordegraaf's new multimedia project, As Big as the Sky, with sets by Ai Wei Wei. Noordegraaf is a master at blurring the boundaries between film and reality. His music is elegant and appealing and serves the story. As Big as the Sky, op... 

Holland Festival - Back to the future with Metropolis

During the Holland Festival, theatre company La Fura dels Baus lets us experience the city of the future with the interactive performance M.U.R.S. As an overture, HF has programmed the film Metropolis, Fritz Lang's magisterial 1927 dystopian vision, which rightly became known as the mother of all future films. Iconic imagery, biblical influences, Marxist dialectics and actually still surprisingly modern. New York,... 

Ritual dance around digital Calf: M.U.R.S. by Fura dels Baus at Holland Festival

Visiting M.U.R.S. without the app on your smartphone is a challenge. The performance by the infamous Barcelona-based theatre collective is a commentary on how people are unwittingly becoming part of a SMART society run by international corporations via all sorts of gadgets. Are you in or out? Is there actually anything to choose? M.U.R.S. in Barcelona According to Jürgen Müller, one of... 

'A drunken panda who wants to have a tussle' - The Loom of Mind on HF15

In The Loom of Mind, Icelandic folk singer Mugison, his bosom friend Pétur Ben, and Flemish baroque ensemble B.O.X. join forces. What does that sound like: melancholic Icelandic blues with 17th-century instruments? Like a stand-up storytelling concert performance? Or like a drunken panda who wants to have a game? How did you find each other? Pieter Theuns, lutenist and founder of B.O.X.: "I found Mugison... 

Jens Hillje of the Gorki Theatre Berlin (Photo Wijbrand Schaap)

Play 'Nibelungen' debunks modern Europe at Holland Festival

Berlin's Gorki Theatre won a prize this year: it was named the best theatre in the German language area by the German-language press. The company won the award partly because it employs many actors of immigrant origin. With its performance Der Untergang der Nibelungen, which can be seen in this year's Holland Festival, the group also thematises the... 

La Re-sentida (Chile) reckons with leftist church in Holland Festival 2015

The 1970s have for some time been the target of what we shall conveniently call the up-and-coming generation. And so we are talking about the 1970s as the glory years of hippyism, the jubilant times of the left-wing church and everything else that, with the knowledge of today, is dirty and dirty. They were the years when... 

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