The Holland Festival is the Netherlands' leading festival, showcasing the best of what is being made internationally and nationally on the bigger stages.
Then suddenly there is a very different audience in Amsterdam's Muziekgebouw aan het IJ. Gamers. Or rather developers. And hardcore new-music aficionados. 'I only come for Maze,' said my neighbour petulantly. He came for the music ensemble. Not for the games, that is, not for the computer graphics. And maybe not even for Claron McFadden. That famous, hyper-pliable opera singer who appeared in...
That George Benjamin is this year's Holland Festival court composer makes perfect sense. And I say that as a non-expert. After all: the way contemporary classical music is often written and talked about scares laymen like me. Would I ever have enough knowledge to appreciate those gourmet sounds? On Saturday night, I made my first live acquaintance...
After the smashing finale of Ishtar by Dima Orsho, the audience stands up as one and erupts in an ovational applause. I am almost stunned by the loud cheers and shouts that overwhelm the members of Hewar and the Gurdjief Ensemble. Bewildered, I look around me: surely there would be another song? But no, there...
Pizza Napolitana is not going to taste the same again. After all, mozzarella can be anything. We owe this enrichment of our lives to De Warme Winkel, the anarchic theatre company hired by the Nederlands Kamerkoor to enhance their Holland Festival programme. We knew it. And you can go and check that out for yourself, because after that...
First of all, the chairs have to leave the auditorium of the Muziekgebouw aan 't IJ. Then some discomfort, those two hours that Octavia E. Butler's The Parable of The Sower lasts. At least it would make for some shared sorrow, and possibly some awkward swinging. Because the way things were going, that first night of Toshi Reagon's debut at the Holland...
A sizable group of women, their skin all shades of brown, white and black, their breasts and chests hopping briskly to the beat of stepping and running movements on the spot, swirls around its own axis upon entering the auditorium at the Brakke Grond. Legacy is an intimate performance that moves loosely up and down between concert, performance,...
Nothing defines us like our taste. And especially taste in music. We find that music taste defines exactly who we are and can easily distinguish us from people who have distinctly different, and therefore lesser, tastes. Pinkpop, a pop festival with several world-famous headliners, experienced this. Each world star plays to their own audience, which schi...
Neues Stück 1 Seit sie - Ein Stück von Dimitris Papaioannou is a long title for an overwhelming piece, which Tanztheater Wuppertal is bringing to the Holland Festival this year. Nine years ago, on 30 June 2009, a month before she was to turn sixty-nine, Pina Bausch died suddenly. The world-famous and highly influential choreographer of experimental, haunting and unparalleled dance theatre left behind a...
It is the spatial arrangement that immediately impresses in The Way You Sound Tonight, choreographer Arno Schuitemaker's ninth performance. There are roughly 25 seats too few. The last Holland Festival visitors to walk onto the Rabozaal stage during the premiere have to find their own place on the still-scented wooden floor. Pijpela Schuitemaker has, to my...
Of course, we have Chriet Titulaer. But it kind of ends there. And to say we took those very seriously, back in the day? No. The future, and fantasising about it, is not really a thing in the Netherlands, at least not with the big publishers and broadcasters. A writer dealing with science fiction will never join a big...
The Holland festival has a tradition of combining film with live music. Whether it's the post-punk band Mogwai at Mark Cousins' Atomic Cinema or a live accompaniment to a silent film, something magical usually happens. That was certainly the case at the screening of Fritz Lang's Der Müde Tod (1921), accompanied by composer in...
Panic. On the tram between Leidseplein and Amsterdam Centraal, I suddenly lost the Dutch translation of 'string quartet'. So I typed 'violin quartet' into my facebook update, trying to make a connection between a blow job and Ligeti. Joking, perhaps, but there was something much deeper behind it, in that tram, after the music and theatre event 'The String Quartet's...
Our Thea Derks sat watching a traffic light for a few hours on Thursday 7 June and observed that the music was better. It happened during the opening of the 2018 Holland Festival. In the tradition of Ruth Mackenzie, the opening was of mixed reception, and that is actually a good thing. Even at a time when the Amsterdam Arts Council is in a...
The Holland Festival presents Hyena, in which Mollena Lee Williams-Haas recounts how she kicked her alcohol addiction. Her husband Georg Friedrich Haas wrote the music to accompany her blood-curdling account. She is accompanied by Klangforum Wien and conductor Bas Wiegers, who also performed the world premiere two years ago. Hyena can be heard once at Muziekgebouw aan het IJ on Wednesday 13 June....
What a grandiose invention to think of breakdance as martial arts dance! In a sense, of course, it has been so from the beginning. Young people in New York's poor neighbourhoods developed their spectacular dance techniques in the 1980s. These were a means for them to express themselves in their own unique way. This was a necessity of life in a society that...
Steve McQueen is an artist who narrates big and difficult subjects in a physically tangible way. Hunger strike, sex addiction and our discomfort with male sexuality, slavery. These are the things we would rather not see anymore, not want to discuss and certainly not want to feel. In his feature films, McQueen manages to strike a balance between the aesthetic and the physical ...
Music and images, it remains a tricky combination. Do you see a picture with music, or do you hear music with a picture? That question was not answered unequivocally at the opening concert of the Holland Festival. The slowly changing colours of Gerhard Richter's canvases were matched by Marcus Schmickler's slowly fading sounds. While Richter's Patterns soon became boring,...
Here it is. The one and only interactive Culture Press Holland Festival Special. A special that has already been deployed over the past few months, and will be added to in the coming month. During the festival, we have regular reviews and reports, and podcasts. A new edition of this Special will appear every week. On Mondays. And then you can also subscribe via...
With 'The Way You Sound Tonight', which will have its world premiere at Holland Festival 2018, choreographer Arno Schuitemaker takes the next step in his creative development. He describes his performance as an 'acoustic ballroom'. I speak to the 1976-born dance maker, who once studied at Delft University of Technology, about his work and his motives. 'In the trilogy 'WHILE...
In Kata, the latest work by French breaker and choreographer Anne Nguyen, hip-hop men transcend the clichés of hip-hop. Toughness, untouchability and the usual frontal relationship with the audience are exchanged for indirect gestures, delayed effects, diagonals and laterals, double entendres and irony. Nguyen, herself an adept practitioner of capoeira, ming chun and breakdance, challenges her dancers to show their...
No love without power relations. And certainly not when that love takes place in a royal bedroom. That bedchamber is now the setting for a tragic love triangle between a king, his lover and his wife in Lessons in Love and Violence, the third opera by English composer Georges Benjamin and playwright Martin Crimp. The Elizabethan drama Edward II...
It feels like a variation on a scene from a farce. On stage: Birmingham REP's public relations officer, a journalist flown in from the Netherlands for the premiere and the director's assistant rushed in. Location: an upmarket hotel in the heart of Birmingham. Time: Sunday morning a little after ten o'clock. The subject: sex and the all-encompassing concept of anxiety. Go! The big absentee is director Calixto...
Say 'Carlo Gesualdo' and you say 'heavenly music', and 'cruel disposition'. This Renaissance composer's name is inextricably linked to the gruesome double murder he committed on his wife and lover when he found them in flagrante delicto. Who else but The Warm Shop could make an appealing performance of this thought Tido Visser, artistic director of the Netherlands Chamber Choir. So.
Germans and humour. I have a bad experience with that. Will largely be because I don't get the finer nuances of the language, especially if it is meant for laughter. So it's not that the German sense of humour is wrong. In fact, sometimes something can just happen in German theatre that makes you laugh. I want...
'Never, never would I make a performance about my mother, or about myself. Jamais.' Caroline Guiela Nguyen, child of 'a marriage between a Vietnamese mother and a 'pied-noir' (Algerian colonial) is not into personal stories. The theatre-maker captured audiences' hearts at last year's Avignon Festival with the play Saigon. This moving, deeply human play...
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