Skip to content

Amsterdam

The IDFA is almost over. Time to take stock.

With one day to go, it's time to look at what stood out about the International Documentary Festival Amsterdam. The picture of the whole festival is diffuse, as befits a fest whose programme booklet is almost three hundred pages thick. There was, as always, a sea of films about abuses and current political issues, but there were... 

Top collection of Spanish masters finally in the Netherlands

The man's gaze turned upwards. He looks puzzled. Why is he hanging here now? Here, in Amsterdam? He comes from Spain, doesn't he? Then he hung in St Petersburg for years. This room, as deep red and imposing in size as the ''Spanish Hall'' in the Hermitage, by the way, looks an awful lot like the room where it hung for so long. Incidentally. 

Idfa viewing tip 27 November: Perhaps the weirdest and fiercest film of the festival

It doesn't often happen to me that just under 30 years after seeing a film, I still remember in what state I left the theatre. Supreme confusion it was. Was all this real? As a filmmaker, were you allowed to hit your interviewees? Was it staged? It was too horrifying to imagine everything really happening 

IDFA viewing tip 24 November: Tablas take over New York

Today's IDFA viewing tip is the kind of film I normally stay away from: a feel-good film that is stylistically neat, but nowhere innovative. And yet I went flat and with me the whole audience. Why? For the same reason that a group of men with tablas and sitar gets the Jazz at Lincoln Center flat. The combination of western... 

Turn on your livestream and get a pack of tissues ready

Next Friday is the day. Then, speakers in the fields of technology, economy and design will climb the stage in the Stadsschouwburg Amsterdam to talk about their 'ideas worth spreading'. This year's theme is 'the perfect trifecta', because if there is anything magical according to founder Jim Stolze, it is the interaction between audience, speakers and performers. Notable... 

Arvo Pärt's music: not always a warm bath

What titles come to mind when you hear the name Arvo Pärt? Sonatina opus 1; Symphony no. 1; Perpetuum mobile, or Fratres; Für Alina; Spiegel im Spiegel? My guess is the second set, because it was with pieces like these that Pärt conquered the world in the late 20th century. Audiences flocked in droves to immerse themselves in his sonorous sound world, but... 

IDFA viewing tip for Friday 20 November

For 500 years, Hieronymus Bosch has captured the imagination. His paintings remain enormously expressive, even though we may now have lost sight of the ecclesiastical context. In the run-up to the major retrospective that the North Brabant Museum is organising next year, a selection of Dutch art historians and curators will set out to examine Bosch's paintings. What... 

IDFA viewing tip for Thursday 19 November

Can there be beauty in an atomic bomb? Or in the explosion of a nuclear reactor? I don't think so, but I'm going to find out tonight. In Atomic Living, filmmaker/writer/presenter/producer Mark Cousins explores what that's really like, living in the atomic age. Because in addition to the horrors, we also have X-rays and other extremely useful medical applications. Once again, he uses... 

Conductor Jurjen Hempel: 'The students of Score Collective have an unprecedented technical ability.'

Music students are generally conservative. When I studied musicology in the 1990s, we could go to the concerts in new-music temple the IJsbreker for only five guilders. I eagerly used this opportunity to hear the very latest notes by living composers like Pauline Oliveros and Sofia Gubaidoelina for a trifle. I never saw a single fellow student there. Still I am... 

Welcome to the Jungle: a catastrophic clusterfuck at the Channel Tunnel

Maaike Engels (video artist and filmmaker) and Teun Voeten (war photographer and cultural anthropologist) made Welcome to the Jungle. A documentary about the utter chaos in the makeshift migrant camp near the canal tunnel in Calais, where some 6,000 people are now waiting in harsh misery for their chance to travel clandestinely to England. Welcome to the Jungle is a painful and bij... 

'Daphne' op de patio van museum Beelden aan Zee (foto auteur)

Everything is temporary, however beautiful - exhibition Iris Le Rütte at Statues by the Sea

Last spring, while looking at Catinka Kersten's newly installed sculpture on the patio of museum Beelden aan Zee, Iris Le Rütte's sculpture Daphne caught my eye. A woman who instead of a head and arms stretched branches to the sky. It is a scene from Ovid's Metamorphoses: the nymph Daphne, on the... 

Dancing on the Edge festival started with a sense of urgency.

At Amsterdam's Brakke Grond, the Dancing on the Edge festival (DOTE) opened yesterday with an evening that immediately showed what the span is all about. The first performance, Blank, engaged directly with the audience. The second, and official opening performance, Plastic, was more about the dynamics between the performers themselves and with the soundscape. With her opening speech 

"This piece already carries history with it"

Terezín, 1944. In the most deplorable conditions imaginable, Victor Ullmann completes the opera Der Kaiser von Atlantis. The camp authorities forbid a first performance after a few rehearsals. The unmistakable allegory on Hitler and his downfall leads to one of the rare forms of censorship in the camp, which the Nazis showed as an example to the Red Cross.... 

New: a Blab with playwright Nassim Soleimanpour.

Next week sees the start of festival Dancing on the Edge. Unlike its name suggests, this festival, with performances in The Hague, Amsterdam, Utrecht and Rotterdam, is not only about dance, but also about film, theatre and politics. The 'Edge' it is about, the festival looks for in its theme: an urgent artistic dialogue with the Middle East. More needed now than... 

Watch tip: We Are Jung, We Are Stark

It is not often that a film about an event in 1992 is so poignantly topical. That was when a group of some 300 right-wing radicals set fire to an asylum seekers' centre in Rostock. Miraculously, no one died then. But it did scar many for life. Among them was the director of Wir Sind Jung, Wir Sind Stark. Filmmaker and son of... 

Loïc Perela and Jan Martens: As a spectator, you are finally faced with a question again

As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,... 

Particular Dutch culture remains under the radar due to amateur status

The India Dance Festival received just a little less attention from the national media this weekend than the Amsterdam Dance Event. Something that theatre director Leo Spreksel of The Hague-based Korzo Theatre was a bit worried about on Sunday. Because for three days now, his halls have been so muddy that he even turned away visitors who came all the way from Switzerland.... 

Liesbeth Gritter creates 'through-composed' pop musical based on Top 2000

"It's all right." In how many songs of the Top 2000 does that phrase appear? Too many to mention. So now the task is to sing all those different "It's all right"'s in the melody in which every audience will recognise them. The four actors in 'Total Eclipse of The Heart' by Theatre Group Kassys fill a thick hour in this way.... 

DJ Eddy De Clercq: From 'Nichtenherrie' to Neerlands Export product

Eddy De Clercq, the Godfather of Dutch house and dance culture, wrote his autobiography, Let the Night Never End, together with Martijn Haas. A story about the birth of the DJ scene in the Low Countries, the rise of house music and nightlife with raging parties full of sex, dance, art, booze, swag and snuff. Against the backdrop of the advancing... 

henry

Scapino jubilees with Henry: dance that is true

With Henry by Itamar Serussi, Scapino Ballet Rotterdam makes an exciting statement. After all, the kickoff of the anniversary season is not a corny look back at 70 years of dance history, but stands in the middle of the present and looks ahead. Scapino does so with a relatively unknown choreographer delivering his first full-length work, in an unusual dance style. Mars Not entirely unknown is Israeli Itamar Serrusi. He is... 

Small Membership
175 / 12 Months
Especially for organisations with a turnover or grant of less than 250,000 per year.
No annoying banners
A premium newsletter
5 trial newsletter subscriptions
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Cultural Membership
360 / Year
For cultural organisations
No annoying banners
A premium newsletter
10 trial newsletter subscriptions
All our podcasts
Participate
Insight into finances
Exclusive archives
Posting press releases yourself
Own mastodon account on our instance
Collaboration
Private Membership
50 / Year
For natural persons and self-employed persons.
No annoying banners
A premium newsletter
All our podcasts
Have your say on our policies
Insight into finances
Exclusive archives
Own mastodon account on our instance
en_GBEnglish (UK)