Star Wars, Lord of the Rings, The Hunger Games... Would young people still be interested in history? Writer Anke Manschot believes so. On the eve of Children's Book Week, which starts today, her exciting and gripping historical book The Leap of Normandy, the world's first children's novel about D-Day, was published. Five questions for the author. Historical juvenile novel During a holiday in Normandy,...
The Netherlands Film Festival has tinkered considerably with some programme elements. New is the scintillating competition Forum of Directors with films that explore boundaries.
More titles available for Dolby Cinema. Mission: Impossible 5 and other Hollywood blockbusters will be shown in this format.
Metropolis at Holland Festival: 4 ways to look at the future.
Stable, stable, stable. That refrain sounded again and again at the announcement of the cinema industry's annual figures at the New Year meeting in Tuschinski. Hajo Binsbergen, vice-chairman of the Netherlands Association of Film Distributors, informed that in 2014, with the high number of 30.8 million visitors, the passage to the cinema was almost the same as 2013. The Dutch market share was with again...
Vice we all already know. It is the terror of any medium, online or otherwise, that focuses on youth culture, because with a global network and hefty US dollars, there is no getting around it. Live Nation we already know too. If you attend concerts at least once in a while, chances are good that...
78 Million euros is the turnover lost by the film and DVD industry in the Netherlands due to illegal downloading. This was recently revealed in a press release announced. Yesterday, it was also one of the topics at a discussion afternoon organised by Film Producers Netherlands (FPN) on copyright developments.
"The only one who still dares to go for the elite". On the way to the car park under the Passengers Terminal Amsterdam, the retired newspaper reviewer who once had a page on music sighed at the feeling of his part of society. It was after the press conference where the programme of Holland Festival 2014 was presented. He was talking, as we sank deeper and deeper, about Pierre Audi, the artistic director of that Holland Festival, who this year announced his last - and most glorious - programme ever.
Interesting things are happening these days. The digital revolution is beginning to have traces of a real revolution. No one has yet set themselves on fire, as in Tunisia, but more and more people are taking to the virtual streets to overthrow the old powers: after the record companies, which let themselves be overwhelmed by people downloading, and the newspapers, which let themselves be overwhelmed by people searching freely for information, it now seems to be the turn of book publishers.
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