'I once performed in front of a hall somewhere in the middle of nowhere, with a lot of old people. The performance was announced as cabaret. But my work does not fall within one particular genre. Because of the designation 'cabaret', the audience had expectations that I did not meet. People wanted a fun, entertaining evening. My performance was rebellious, energetic. I jumped all...
I attended the try-out of Metropolis #1 at The Hague's Theater aan het Spui and a week later - because I couldn't believe my eyes the first time - I also went to the premiere. Rarely did I see something so blood-curdlingly exciting on stage. But unfortunately for the wrong reasons. A lot of a-musical notions Metropolis is the...
Called The Winter Collection, it is a five-day mini-festival full of surprises. Utrecht-based Theatre Kikker has now made it a tradition to provide some real surprises every year around Sinterklaas. 10 performances by young creators, from video art, to rowdy dance performance, from a silent monologue to post-dramatic cyberpunk, enough to give any theatre lover a wake-up call....
These days we are bombarded to death with opinions on the pros and cons of multiculti. Depending on their political preferences, people are either very enthusiastic or very negative about the increasing 'colourisation' of our society. The gamelan ensemble Gending, the Doelen Kwartet and Het Geluid Maastricht decided to take the bull by the horns. They based Kill the West in Me on feminist letters from...
High up in a posh flat, Lavalu (stage name of Marielle Woltring, Cleveland, Ohio, 1979) recently gave a try-out of her new programme at Eindhoven's FlatFest festival. For the first time now, she will tour without a band, solo with piano, in small venues where there is a good grand piano. On that Sunday afternoon in Brabant, it soon became clear that somewhere, something was...
Speaking of diversity, within the dominantly white theatre audience, it is also full of bubbles. Over the past two weeks, for instance, I have just let it dawn on me how little overlap there is between the audiences of the two art theatres in my city, Utrecht. At least: for a while I sort of immersed myself in the world of...
The plofnies came totally unexpectedly. The family father behind me, out with wife and presumably reluctant adolescent son, burst out after about 10 minutes into the performance. Just when a deafening silence had descended over the sold-out Theatre Carré. At least four people, including myself, were shocked to the core. A sneeze had never been this loud before, but as quiet as during...
A fearsome roar announces the emergence of action-hero Chuck. And there really is no one who can come on so cool in a cart, half all-terrain vehicle and half golf cart, as Ko van de Bosch. With his too-long, too-grey hair in a ponytail and too-brown body in a black-leather motorbike suit, he immediately epitomises youth at...
The National Theatre plays Jeanne d'Arc by Friedrich Schiller and simultaneously retakes Johann Goethe's Tasso. Joris Smit plays in both plays, even the title role in Tasso. We talk to him about German romantics, Sallie Harmsen, the new-fangled National Theatre and the importance of going down on your face. Tasso and Jeanne, Goethe and Schiller. Is German romance...
'Not only work has disappeared, but also knowledge and craft - the whole perspective is disappearing. While the Netherlands as a dance country was renowned in the world precisely because it had the luxury to research, to build, to stimulate.' Ronald Wintjes, the brand-new director of De Nederlandse Dansdagen, worries. What about the future of dance?....
'Let me lament my fate in tears. And let me long for freedom.' What would my preference be: book, film or play? That question fascinated me when it turned out that Toneelgroep Maastricht had adapted Arthur Schnitzler's book Droomnovelle and Stanley Kubrick's film Eyes Wide Shut based on it into a new play. Actually, it was not a fair...
While things are rumbling in the Amsterdam dance and performance world due to a total lack of solid support for development and experimentation (see Alarm Letter), choreographer Ola Maciejewska is showing the impressive Bombyx Mori at Veem House of Performance this weekend. Maciejewska is a fine example of a talented maker who has taken refuge elsewhere because of the crumbling art climate in the Netherlands. After...
Festival Musica Sacra concluded on Sunday 18 September with a riveting performance of Gottfried Heinrich Stölzel's Brockes-Passion. Conductor Peter van Heyghen led the Flemish ensemble Il Gardellino through the colourful work of this relatively unknown contemporary of Bach with great dedication and precision. With his lively rhythms, glowing arias and wonderfully beautiful chorales, Stölzel thrusts his contemporary into the...
Thursday 15 September saw the kick-off of arts festival Musica Sacra in Maastricht. While I was in a traffic jam, Bobby Mitchell played the eighth and final movement of Frederik Rzewski's piano cycle The Road, who himself was present. It also marked the conclusion of last year's festival, which was dedicated to 'the road', the journey made by pilgrims ...
Last year, arts festival Musica Sacra was all about 'the road', inspired by the many pilgrim routes that lead to holy places. This year, Maastricht is all about the 'sacrifice of love'. At first sight, an anachronistic theme, which seems at odds with sentiments in our current society. The aggression against asylum seekers, the ruthless pursuit of profit by...
September, the month of the Dutch Theatre Festival and the Fringe Festival full of old and new performances you must see. But a lot is also happening in the rest of the country at the start of the new theatre season. Five must-sees. Toneelgroep Maastricht, Eyes wide shut (theatre) 'The new Shakespeare' he has been called, I already called him 'devil's advocate'. Fact...
First there was Arthur Schnitzler's book. Then Stanley Kubrick's film. And now the play. From 27 August, Toneelgroep Maastricht plays Eyes wide shut. After his wife confesses her sexual fantasies, a man searches feverishly for his own deepest hidden desires against the backdrop of carnival celebrations. "I always wanted to make psychologised drama once," says Servé Hermans, artistic director of...
At the end of this month, Toneelgroep Maastricht will present 'Eyes wide shut'. The play is an adaptation of Stanley Kubrick's film of the same name. The latter was in turn inspired by Arthur Schnitzler's 'Droomnovelle'. The book was published 90 years ago and caused quite a stir. Sexual charge Over the years, quite a few literary studies have been devoted to Dreamnovelle. But what has...
The Performing Arts Fund announced the awards for the 2017-2020 period. What does this mean for the dance sector? Pluralism and 'bleeding through'. While everyone is on holiday, the Performing Arts Fund announced the grant awards for the performing arts for the 2017-2020 period. And it was reiterated: the fund is facing a previously initiated budget cut of 30 per cent. That would...
Three dancers and three dance productions have been nominated for Swans 2016. On Friday 7 October, Daphne Bunskoek and Art Rooijakkers will announce who the winners are during the Nederlandse Dansdagen's Opening Programme 2016 in Maastricht. But you can already draw a few conclusions from the list of nominees.
"For someone to interfere with an artistic interpretation, I find that quite hefty. Let me put it this way: you have this prime minister in Turkey... To interfere with something artistic, I find that rather hefty." This was stated by Emil Szarkowicz, musician and cultural editor from Limburg, in a broadcast by regional broadcaster L1 yesterday, Reason being the negative opinion of...
In his recent collection Achter het verdwijnpunt, death plays an important role. Poet Frans Budé lost no fewer than four poet friends in a short time and honoured them in verse. The 70-year-old poet himself still writes as avidly as in his younger years: in addition to an occasional collection on the Maas, to be published in May, he wrote poems for the upcoming exhibition...
The cinema industry in the Netherlands is aiming for new construction and is convinced there is still a lot of growth potential. But it won't happen without foreign capital. That is why the new multiplex in Alkmaar is now called Vue.
45th Film Festival Rotterdam, the first under new director Bero Beyer, gets off to a strong start with Beyond Sleep, after W.F. Hermans's Nooit meer slapen.
Only Maastricht, Den Bosch and Enschede were able to enjoy Menotti's Amahl and the Night Visitors. Far too little for an opera that has only been seen in our country twice before (in 1988 and 1965) but has everything it takes to win a young audience for the genre ánd is the December opera par excellence. Especially when the mini-opera is so...
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