HNT brings virtual child brothel, a life without consequences
Art should challenge. The National Theatre explores the limits of virtual child pornography with The Nether: can you live 'without consequences'?
national theatre
OFFICIAL 2021 DUTCH DRAMA JURY SELECTION IS KNOWN!
From Thursday 2 to Sunday 12 September 2021, the Netherlands Theatre Festival will show the best productions of the past theatre season. The Netherlands Theatre Jury, headed by jury president Hadassah de Boer, selected the eight best theatre productions of the moment. Today, the jury announced its selection. The full selection can be seen during the upcoming edition of the festival
The three-quarters empty hall gives more intimacy than a full hall. HNT always plays; warming and confusing
What impressions, what images stick? Why am I enjoying this so much? The performances during the corona crisis deliver great gratitude: that I get to experience this, that actors, writers, directors and collaborators are faithful to perform for me for weeks or even months on end. The declaration of love is mutual.
National Theatre plays on simply brilliantly
Thank God the theatres are reopening to more audiences and The National Theatre is still playing for a while, for instance with the infectious Every Brilliant Thing with Tamar van den Dop or Bram Suijker. At the Theater aan het Spui on Wednesday 1 July, Tamar van den Dop in the afternoon and Bram Suijker in the evening played their first Every Brilliant Thing. It is,...
Cultural big earners: jump through your karma for once
My story about cultural big earners turned out to be the talk of the town in the cultural sector. Not publicly, i.e. mainly behind the scenes, I was approached. One of the few people who did speak out publicly was Henk Scholten. On Facebook, he responded to a column by journalist Aukje van Roessel about the questions raised by The Hague city council
Forget KLM and Booking: even in the subsidised arts, directors are big earners.
Just like in the world outside culture (call it capitalism), in the cultural sector itself you also see a huge payment gap between creators and 'the plush'. Only you can't talk about that taboo without being seen as a traitor.
The sneaky demolition of the National Theatre during Corona: This is just the beginning.
Albania's National Theatre, recently declared a protected monument by Europa Nostra, was unexpectedly destroyed on Sunday, 17 May, after two years of protests. Early in the morning, when it was still dark, the bulldozers came. A sudden wave of policemen wearing mouth caps chased activists and artists out of the theatre and formed a cordon around the audience....
'I want to become more and more like Charlie'. The life insights of actress and writer Romana Vrede
Last month, De Arbeiderspers published Romana Vrede's novel De nobele autist, based on life with her son Charlie, who has a mental disability and autism. Conversation on what she learned from him and other life events. 'Not Charlie is crazy, the world is crazy.' 'Normal' is not normal 'When my son Charlie was a 2-year-old boy in...
Culture ministry's support package is a joke. Why a culture strike is needed. And easier than ever.
Slowly but surely, the absurdity of the rescue measures for the cultural sector is sinking in. The national museums will not have to pay rent for three months for a while, but will have to pay it back retroactively once the crisis is over. Entrepreneurs can get extra support worth 4,000 euros, provided they have business premises outside their homes. Actors, directors (also freelance journalists, by the way) and artists...
Tears and pancake flour - Noël Fischer a week after Trojan Wars cancellation
Director Noël Fischer, artistic director of HNTJong, Het Nationale Theater's youth club, learned a week ago just before the first try-out that she and Trojan Wars would not be allowed on stage for the try-out, nor for Saturday's premiere. No ordinary performance but a marathon performance with three parts, with fodder for the mind (music) and the...
'I have no problem at all if spectators want to see Anthony and Cleopatra. But for me, it's about something else.' Tiago Rodrigues writes theatre for dancers.
Anthony and Cleopatra is exactly the kind of repertory piece that people look forward to during the Holland Festival, or any other prestigious stage. Director and writer Tiago Rodrigues manages not so much to deflate that grandiose expectation as to reduce it to the intimacy of a duet and a play with extremely basic theatrical gestures. His two actors are dancers, an experienced choreographer duo
'I'm not the discrimination police.' Romana Vrede on her role in Gloria Wekker's team on SPOT-LIve.
'How do I make the world a little more beautiful? That's what I ask myself in everything I do.' Romana Vrede, award-winning actress with Het Nationale Theater, 'table lady' on De Wereld Draait Door and Summer Guest, likes to look positively into the world. So will her contribution to SPOT-Live, the performing arts symposium taking place in Rotterdam on 28 May, be optimistic...
Eric de Vroedt (Het Nationale Theater)curates at SPOT-Live: 'Let's talk about love.'
'What we so often forget is to just talk about our love for theatre.' Eric de Vroedt, artistic director of The National Theatre, wants to talk about substance for once. And then with the entire performing arts sector. Soon there will be SPOT-Live, the renewed Congress of Performing Arts, and there he wants to talk about love. 'Quite by chance, it happened a month ago....
Shout out! The big fill-in for the new arts plan.
The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural...
Lower House gets less say on arts subsidies. (If the minister gets her way)
Some people read Christmas stories over Christmas, others the interview supplements of newspapers, and a few do so with policy documents. So, quite a few people have read our Culture Minister's 'Advice Request' in the past few days. I, at least. Those who 'officially' cannot have done so are the members of the Culture Council, because the whole package came...
Why a code is not going to change anything about unfair practices in the arts
Dutch youth theatre has been awarded the Prize of the Dutch Critics this year. Quite rightly so. That youth theatre of ours is of superior quality, diverse, dares to tell stories and look outside its own navel. It is more than a pity that, as an adult without a child, you don't come into contact with that theatre so often. Many an adult would fervently...
PODCAST: Theatre Festival 2018 opens with punishment.
1On 6 September 2018, Chokri Ben Chika left his sense of humour behind in Belgium. He trekked to the Amsterdam Stadsschouwburg with a filled jerry can and committed a criminal offence. He threatened a Rabo Hall filled to the brim with an indistinguishable fake weapon. He said he admired the anonymous Tunisian who, with his self-immolation ...
Podcast: Sometimes it's also just allowed to be about love, in The Hague. Although: in spectacle Ondine, nothing is ordinary.
'You simply cannot, as a big company, just bring journalistic theatre.' So says Jeroen de Man, who now directs the watery spectacle performance Ondine at the National Theatre. 'A bit of diversity is just fine.' So not everything in The Hague has to be as socially relevant as The Nation of Othello. Sometimes it can also just be about the...
SPOT-LIVE takes you into the minds of leading, original and exciting creators and thinkers. 15 May 2018, Stadsschouwburg De Harmonie Leeuwarden
What happens when original and exciting makers and thinkers shape the SPOT-LIVE programme? If a leading philosopher, theatre-maker or musician is allowed to fill the stage with debate, what would it be about? If they were allowed to inspire you with work that touches them, what would they showcase? Get inspired by three curators who will share with you their views on...
Really Happened is No Excuse, or: How playwright Sadettin Kırmızıyüz gets passed left and right by De Luizenmoeder
I attended the try-out of Metropolis #1 at The Hague's Theater aan het Spui and a week later - because I couldn't believe my eyes the first time - I also went to the premiere. Rarely did I see something so blood-curdlingly exciting on stage. But unfortunately for the wrong reasons. A lot of a-musical notions Metropolis is the...
'Actually, the romantic relic Platonov has been snowed in for about a hundred years. And now he comes back, and he walked into the wrong room'
Platonov, Theater Utrecht's latest show, premiered on 2 March and is an instant hit: rave reviews in all major newspapers. Artistic director and director Thibaud Delpeut bases his version of this archetypal Chekhov play on the translation made by actor Jacob Derwig in 2000 for 't Barre Land. This equally legendary play fitted...
Sadettin Kırmızıyüz creates theatre series 'Metropolis'. 'If you think, this can't be true, assume: this is true.'
It all starts at Orange College, of course. A fictional school with very real problems. For Sadettin Kırmızıyüz, the place where he commissions the opening part of Metropolis, a series that should eventually count four episodes. It is one of Het Nationale Theater's biggest projects over the next four years, in close cooperation with Kırmızıyüz's own company:...
ITA is a hopeless name for an art house. But there is no alternative for Amsterdam's city theatre
Toneelgroep Amsterdam and Stadsschouwburg Amsterdam will continue together as 'Internationa(a)l Theater Amsterdam' (ITA). Not to be confused with the just-removed Internationaal Danstheater Amsterdam. I find the name 'ITA' rather chilly. Maybe as cold as Toneelgroep, but at least that still contained the word 'group'. That has something cosy about it. ITA is something like ING. Great ambition and no roots. For a moment...
'Playwriting is flourishing,' says the Language Union. Time for an exploration among playwrights.
On 6 December 2017, the Taalunie Toneelschrijfprijs was awarded to poet, writer and playwright Ilja Leonard Pfeiffer. With his play about Bram Moszkowitcz, titled 'The lawyer', he was the preferred original work among 47 submissions. According to the Taalunie, Pfeiffer's play 'balances magisterially on the fine line between tragedy and comedy, realistic drama and meta-thought, slapstick and emotion....
At last: a piece with real vision from the Culture Council
'Successive interventions have stripped, juridified and amended the BIS and the state funds. But more importantly than that, trends and developments in and around cultural life are making new demands on the cultural system. It is out of date in several respects.' So says the Council for Culture in its 'reconnaissance' published today. In it, the contours of the future...
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