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João Ricardo Pedro on living on after missing: 'I want to repay my debt'

On 11 September 1985, the biggest train disaster in Portuguese history took place. Near Alcafache, an international express train collided with a local barge. Nothing was ever recovered from dozens of passengers. They were totally charred in the scorching inferno. Portuguese writer João Ricardo Pedro, in his stunning novel Underway, reconstructs how one of those missing people ended up in that place where... 

Cornelis de Vos, portrait of Abraham Grapheus (detail, author's photo)

Southern neighbours at the Mauritshuis: you'll never look at portraits the same again

You know that? That sometimes you look at the caption longer than at the painting? And then especially at who the artist is, because we don't usually know the person portrayed anyway? The Flemish portraits in the exhibition Zuiderburen at the Mauritshuis intelligently turn that around. But first, more on the Mauritshuis' extensive collaboration 

This is the record for now and the rest of the year

It seems like line soup to declare an album Plate of the Year after about six months. However, Felicia Atkinson's 'Hand in Hand' is at least the album of the past few months and of this moment. And the best part is: it will also effortlessly keep you entertained for the rest of the year. Whispering 'Record of the Year' is... 

Marta-Minujin-Parthenon-of-books-Friedrichsplatz-Kassel-2017

Documenta 14, guilt, atonement and shame: How to chase fans into the curtains?

Of the 100 days in which Kassel is transforming itself into 'the world museum of contemporary art' this year, as it does every five years, 20 days have already ticked away. This has certainly not happened silently. The formula that artistic director and chief curator Adam Szymczyk and his staff have unleashed on Documenta has brought a large number of fans to their feet. For me. 

Celebrating Kylian

Everyone is celebrating Jiri Kylian's 70th birthday in full. Except NDT.

Even abroad, it is noticeable that Jiří Kylián's work is not showing at NDT. Even though the so-called embargo is expiring and this is his anniversary year. No Kylián past three years The Financial Times reported. Laura Cappelle describes a fine performance by Nederlands Dans Theater in Paris and concludes that Kylián's work is not among the... 

Why it's good that the Holland Festival gets this general manager #HF17

Annet Lekkerkerker is one of the few women in the cultural sector for whom the glass ceiling is no longer an obstacle. That she is now, after several years as 'business director', formally becoming top woman of the country's most important performing arts festival is wonderful for more reasons. She is not only the first woman at that high position. Her appointment also makes clear why... 

Franui: Consolation and cheers band from Tyrol surprises with true-life songs #HF17

Florian Boesch is at the front of the stage, around him are his bandmates. On big screen behind the band, a chair slowly melts away. Boesch has hands casually in his pockets. With a smile, the violinist initiates a horlepie-like tune. Wie leiblich und frölich, Zu schweben, zu singen, Von glänzender Höhe, Zur Erde zu blicken! By the clutches... 

The Tempest Society: Too bad Jesse Klaver wasn't in the audience #HF17

Struggle is by far the word that falls the most in the video triptych 'The Tempest Society'. The struggle for a dignified existence, the struggle for papers, the struggle with a system that does not want to give you rights. Refugees struggle with these issues day in and day out, year in and year out. In this video triptych, Moroccan-French director Bouchra Khalili (Casablanca,... 

Mouse on Mars kit everything up with botox muzak. #HF17

The Shadow of Ideas (De Umbris Idearum ... The Acousmatic Memory Palace) is the title of one of the pieces played by electronica duo Mouse on Mars with Ensemble Musikfabrik. The shadows are indeed shooting against the scrap of the Muziekgebouw. Ideas, however, have not yet formed. Nudges to do so roar loosely through the space. Transported elsewhere Akoesmatic music... 

danse de nuit, Boris Charmatz / Musée de la danse. Photo: Boris Brussey.

danse de nuit, on cartoons and other violence in our lives, #HF17

On Anton de Komplein, it is less cosy than on the roof of Parking 58 in Brussels, where I saw danse de nuit earlier. Above South-East, the moon is hidden behind a thick haze, the square feels big and empty so without the market. The performance by choreographer Boris Charmatz/Musée de la Danse, also today and tomorrow,... 

Tip from The Hague Mauritshuis: 'This is how you present a herring!'

One benefit of the Museum Year Card not easily mentioned is the uninhibited free access to clean and comfortable restrooms in the centre of major cities. 'Fifty-plus urinals with MJK' an experienced museum porter called this group of visitors, who, by the way, are very welcome: every pull with the scanning gun means extra cash. Big advantage: you get to see something extra. A second or... 

Radio Philharmonic Orchestra & Great Broadcast Choir: ecstasy in concert

Traditionally, the AVROTROS Friday Concert marks the festive end of the season with a joint concert by the Radio Philharmonic Orchestra and the Groot Omroepkoor. On 9 June, American star conductor David Robertson leads them through Maurice Ravel's compelling ballet Daphnis et Chloé in the final concert. In addition, the orchestral work L'Ascension by his compatriot Olivier Messiaen and a selection of... 

On botox, nightmares and humour: 8 life questions to Tatiana de Rosnay

The novel Her Name was Sarah (nine million copies sold) made Tatiana de Rosnay world-famous. In Paris, she even wears a wig when she does not want to be recognised. That she struggled with anorexia she kept secret for years. [bol_product_links block_id=”bol_592be29ab4765_selected-products” products=”9200000075700087,1001004010207707,9200000077515228,9200000011255053″ name="a4m" sub_id="de rosnay" link_color="003399″ subtitle_color="000000″ pricetype_color="000000″ price_color="CC3300″ deliverytime_color="009900″ background_color="FFFFFF" border_color="D2D2D2″ width="549″ cols="2″ show_bol_logo="0″ show_price="1″ show_rating="1″ show_deliverytime="1″ link_target="1″ image_size="1″ admin_preview="1″] Eight life questions... 

(Un)heard Spring: 'Waking up again, Xenakis is nothing like it.'

Each month, in the (Un)heard series, I present extraordinary sounds that do not go unnoticed and unsung. In this episode: Plan Kruutntoone, Horse Lords, Luc Ferrari, Anemone Tube, Jaap Vink and Kraftwerk in 3D. Plan Kruutntoone - What Do the Hands (LP on esc.rec.) "woke up again. xenakis is nothing like it. shoving myself and stuff in search of safety. how... 

Sheila Hicks, Escalade Beyond Chromatic Lands -2016-2017- Arsenal-End-wall

Venice Biennale emphasises soft forces in art

The 57th Venice Biennale brings the world together and the art world to Venice. This year, the biennial art event is bigger than ever. Here you will find out what is 'trending' in contemporary art. Everyone thinks something of this event and we live in a time when everything and everyone is held up to the yardstick: 'Have you been there?.... 

Grażyna Bacewicz: 'A composer doesn't want to repeat himself'

In Poland, her name appears on street signs and school buildings, and statues of her can be found in public parks. Grażyna Bacewicz (1909-1969) was the first Polish woman to achieve international success as a composer. Her work can even be found on one of the Royal Concertgebouw Orchestra's CD anthologies. Yet she is still virtually unknown here in the country. Unjustly so, as she wrote... 

View on the Acropolis and Partheon, Athens (photo author)

Documenta 14: You have 100 days to discover Athens

Every five years, the art world is turned upside down. Then it is time for the fourteenth Documenta. At that time, the German city of Kassel turns into a veritable Mecca for art connoisseurs and art lovers, snobs and connoisseurs. And, of course, tourists looking for that other Efteling. This year's Documenta has a sizeable Dutch contribution. But there is more: for the... 

Entrance to the Gemeentemuseum. Photo Studio Vollaerszwart

How the citydresser gives everything Mondrian colours, and why the museum is fine with that

On Piet Mondrian's birthday, 7 March, the municipality of The Hague offered its residents a colossal decorated cake. It is part of a very active campaign around 100 years of De Stijl. While the Gemeentemuseum is presenting three substantive Stijl exhibitions this year, The Hague is going all out with Stijl imitations and plastered shop windows. A contradiction? Less than it seems, because this citydressing... 

Ascent, Fiona Tan, video artwork of cinematic allure

Fiona Tan delivers a feature-length video artwork with Ascent

The video artwork 'Ascent' is one of Fiona Tan's most recent works. Ascent is a feature-length video artwork: 1 hour and 17 minutes[ref]A work resulting from a special commission from the Izu Photo Museum in Japan[/ref]. You may already be familiar with this artist's work[ref]The now 50-year-old Fiona Tan is "no ordinary Indian girl", born in Pekan... 

Photographer Ed van der Elsken liked to colour outside the lines

If he could have, photographer Ed van der Elsken would have preferred to have a camera built into his head, to capture the world twenty-four hours a day. What he did manage to make are countless beautiful photographs, films and books. The Stedelijk Museum in Amsterdam shows his rich legacy at the major exhibition The camera in love. He was... 

What I learned from Jan Wolff, the late director of Muziekgebouw aan 't IJ

During the big January cleaning in my private museum, I rediscovered the book released in 2007, on the occasion of the Music Building on the IJ, which opened two years earlier. I had forgotten that it came with a CD with four pieces on it. The fourth piece is a recording of the opening speech given by Jan Wolff [hints]former director IJsbreker, more than twenty... 

Director Olivier Assayas: 'Filmmaking can be learned in a few weeks' #iffr2017

The Jurriaanse zaal in de Doelen is the setting for a Masterclass by French filmmaker Olivier Assayas (1955), an old friend of the International Film Festival Rotterdam. His is the following typical quote: 'Filming the face of an actor is, in my opinion, the most powerful thing cinema is capable of. If the frame is right, if... 

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