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Philip Glass

Netherlands Wind Ensemble launches second tour of The Unknown Chaplin an ode to Chaplin's artistry, with newly composed music

After its successful tour last November, the Nederlands Blazers Ensemble will tour again with The Unknown Chaplin. The second tour - from 3 March to 22 March - will take in venues in Ede, Helmond, Tilburg, Den Haag, Amersfoort, Enschede, Amsterdam and Rotterdam. www.nbe.nl/programma/the-unknown-chaplin/ Six hilarious, humorous and melancholic silent films by the great universal genius Charlie... 

Serge van Veggel performs Opera Melancholica: 'Depression is a big social problem - a million people are on pills'

'My love for opera is rooted in my youth. Emotions you feel as a young person become almost tangible in opera. While listening, I often experienced a catharsis.' Director Serge van Veggel zooms in on depression and delusion with the production Opera Melancholica. Starting point is Philip Glass's The Fall of the House of Usher, presented as a form of 'anatomical... 

Tryptich by Bryce Dessner is just a little too perfect to really hit home

The Americans have a word for it: production value. By this you can indicate that a performance is technically perfect. The sound is right, the stage setting is excellent, the costumes are all right, the lighting brilliant and the actors, singers and musicians: top notch. Even the extras are at their best. So a show with high production value can rely on little... 

Krisztina de Chatel in Een uitzinnige beheersing

Truly something to look forward to. Krisztina de Châtel's emotions come unstuck in A frenzied mastery

'A frenzied mastery' is the name of the documentary that Manon Lichtveld and Bas Westerhof made about Krisztina de Châtel. The emotions really hit home when visiting their parents' home in Hungary. We met them in the Rabozaal of Stadsschouwburg Amsterdam. They were also filming. Bas Westerhof and Manon Lichtveld. Cameraman Leo van Emden and I followed Koert... 

Klaas de Vries finds neotonic heaven: 'I can't resist composing'

Dutch composer Klaas de Vries (Terneuzen 1944) pairs Stravinskyian clarity with southern sensuality. He harbours a love for poets such as Pablo Neruda and Fernando Pessoa, and his work excels in recognisable melodies and rhythms. 'However innovative, to be communicative, music must always contain a traditional element,' he said. On 28 and 30 November, Asko|Schönberg will play... 

North Netherlands Orchestra plays Canto ostinato

To his own dismay, Simeon ten Holt became famous as the composer of a single piece: Canto ostinato for four pianos. This composition immediately struck a chord at its world premiere in 1979. It still sounds just about every day somewhere in the world, in all possible line-ups. From 12 to 14 October, the Noord Nederlands Orkest will present a... 

MIRROR MIRROR van Conny Janssen Danst

For this one moment, you won't want to miss MIRROR MIRROR by Conny Janssen Danst

You can think of several reasons to go and see MIRROR MIRROR by Conny Janssen Danst at the RDM Submarine Wharf. But there is one in particular. Conny Janssen Danst is back in a former submarine hangar in Rotterdam with MIRROR MIRROR. That shed is located on the waterfront near the Rotterdam Academy of Architecture and an Innovation Lab. An industrial setting that also returns... 

Andriessen's The Matter opens World Minimal Music Festival

Wednesday 5 April kicks off the fifth edition of the biennial World Minimal Music Festival. For five days, the Muziekgebouw aan 't IJ will be filled with hypnotic rhythms, trance-inducing melodies and conjuring drones. Alongside well-known works by pioneers such as La Monte Young and Terry Riley are new compositions by Kate Moore and Bryce Dessner. There will also be performances by the Master... 

How I found love for opera in Sexyland. (And how you can too) #0FF17

A prelaunch of the Opera Forward Festival OFF [hints]From 18 to 31 March at De Nationale Opera (formerly the Muziektheater/Stopera)[/hints], among other venues, was organised last night at Amsterdam's new society Sexyland. I was impressed. Pretty surprising. Opera Nopera Disclaimer: the author of this one is not an opera director. The last two operas I saw were both by Philip Glass (the true... 

Sounding moths, ink drops and string mists in Cello Biennale

'He likes a joke,' says Fedor Teunisse of Slagwerk Den Haag, calling composer Brendan Faegre (1985) onto the Bimhuis stage. The young composer explains how the percussionists and the Biennale Cello Band should perform his Magical Quest for the Enchanted Armor. 'It's a game piece,' he says enthusiastically. 'The four percussionists and four cellists... 

Roaring, pounding big band overwhelms with conspiracies #hf16

A big band, a ticking clock, conspiracy theories and twelve-tonality. Mix that in a theatrical setting and it can go whooping out of control. Yet composer Darcy James Argue manages to make it a propulsive and energising whole, with help from director Isaac Butler and cinematographer Peter Nigrihi.

AUREUM van Medhi Walerski, still uit trailer

Young choreographers triumph in NDT2's 'Shearing the Wolves'

In the wings of Nederlands Dans Theater, the new generation of dance makers is ready. Medhi Walerski and Johan Inger are both former dancers of the company and have previously created pieces there. In NDT2's Shearing the Wolves programme, they each surprise with a world premiere full of intense, pure dance. In comparison, an older work by house choreographers Sol Léon and... 

Particular Dutch culture remains under the radar due to amateur status

The India Dance Festival received just a little less attention from the national media this weekend than the Amsterdam Dance Event. Something that theatre director Leo Spreksel of The Hague-based Korzo Theatre was a bit worried about on Sunday. Because for three days now, his halls have been so muddy that he even turned away visitors who came all the way from Switzerland.... 

Minimal Music Festival figurehead: 'I'm not a minimalist'

Wednesday 8 April kicks off the fourth edition of the biennial World Minimal Festival at Amsterdam's Muziekgebouw aan 't IJ. For five days, the capital will be dominated by the immensely popular music movement, which invariably attracts packed halls. Several parts of this instalment are already sold out, including the opening concert with special guest Terry Riley. There are still... 

1967, choreograaf Koert Stuyf en danseres Ellen Edinoff

5 reasons for the new Ellen Edinoff and Koert Stuyf Fund

A year ago, one of Holland's most legendary dancers died: Ellen Edinoff. She danced mainly in the 1960s and 1970s but there was always a hint of grandeur and mystery surrounding her and her husband, choreographer Koert Stuyf. Now a fund is being set up at the Prince Bernhard Culture Fund to support young dancers and creators of contemporary dance. 5 reasons why.

Aufführung der Komposition " Delusion of the fury " von Harry Partch in der Musiktheater Inszenierung von Heiner Goebbels mit dem Ensemble musikFabrik in der Jahrhunderthalle Bochum im Rahmen der Ruhrtriennale 2012-14 am Mittwoch, 21.08.2013

Seeing music (and not hearing it?)

Because of my fascination with the complex relationship between listening and watching, I decided to visit three performances at the recent Holland Festival and experience what happened when I tried to pay equal attention to ears and eyes. The first was "Delusion of the Fury" (1966) by American composer Harry Partch, the second a concert performance of Philip Glass's opera "The CIVIL warS" (1983), the third a performance of Franz Schubert's "Die Winterreise" (1827) in which twenty-four short films by South African artist William Kentridge were shown.

Ragged ritual defies permanent display: Germaine Kruip at the Stedelijk @HollandFestival 2014

"You know ma'am, that big red painting? Turn right before that". A young attendant shows us the way. At first glance, it's nothing. A man in semi-uniform, black trousers, white shirt, slowly turns on his axis. Sol Lewitt's mural, number 1084 from 2003, lends him the necessary decorum. Around the corner hang Barnett Newman and Andy Warhol. Would the man care? In this 'hall of fame' of conceptual art, the man's spinning stands out a little timidly. Some visitors remain standing, leaning against white walls or sinking down on the polished wooden floor. Those who take their time watch the spinning of the man and his fellow dervishes slowly take possession of the Stedelijk.

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