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Richters Patterns @Hollandfestival: Traffic light jumps to red, traffic light jumps to green

Music and images, it remains a tricky combination. Do you see a picture with music, or do you hear music with a picture? That question was not answered unequivocally at the opening concert of the Holland Festival. The slowly changing colours of Gerhard Richter's canvases were matched by Marcus Schmickler's slowly fading sounds. While Richter's Patterns soon became boring,... 

The Netherlands is festivalised. And why that is a very good thing. Collaborating festivals come out with a pamphlet (and ask for money)

Grandpa tells. In 1989, a committee of experts chose a different theatre course in my city, Utrecht. The just-risen festival Theater aan de Werf would get more money, the marching theatre would disappear from 't Hoogt and the rest would have to take care of the newcomer with fewer days of programming. Then we took to the streets against the so-called 'festivalisation',... 

Why Wierd Duk often does exactly what he fights himself.

Uproar. A widely recognised and by his own admission always attacked opinion maker with a slight preference for strong men in Russia and America has discovered that art is leftist and elitist. Indeed, Wierd Duk, Russia expert since he spent a few years running around Moscow for various media outlets, writes in the Telegraph that art is often left-wing kitsch[ref]N[ref][/ref]Wierd Duk has since revealed... 

Merlijn Twaalfhoven on SPOT-Live: 'Outside the Randstad lies a huge source of inspiration'

'I have knocked on the door of the Congress of Performing Arts a few times in recent years on my own initiative, really from the idea that we can do a lot more as venues in the Netherlands. But yes, every time I was there, people got enthusiastic, but does it stick?' Composer Merlijn Twaalfhoven is happy that he now serves as 'curator' of SPOT Live, the new... 

Who pays the artist? Lower House hears about shocking reality in the arts in roundtable discussion

Whether the artists performing on DWDD got paid for their performance. Esther Ouwehand of the PvdD did not know. She was not the only one, at the roundtable session on Wednesday 25 April on the labour market in the cultural sector. None of the MPs, fund managers, trade unionists present knew. So we asked on facebook and twitter how it was even done.... 

Culture Council: 'The roots of the literary sector are being gnawed at'

In the week when defenders of the Dutch language are flying into each other's hair over whether or not a schoolgirl should read Multatuli in the original language, the Council for Culture comes out with its advice for the literary sector. Already in the first chapter, it reads: 'those who start reading at a young age become more language literate, start liking reading more.... 

Guy Coolen on Operadagen Rotterdam: 'We call ourselves a bluff festival'

'If Mohammed doesn't come to the mountain, the mountain will come to Mohammed,' they thought at Operadagen Rotterdam. Earlier this year, the Enschede-based Nederlandse Reisopera gave a press presentation in Carré. This time, the Rotterdammers travelled to the capital. Artistic director Guy Coolen and dramaturge Tobias Kokkelmans told a select club of journalists what the audience could expect from 18-27 May,... 

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Subscribe to our free newsletter. Because you can! Here's why. Holland Festival, Poetry International, a summer full of art. And meanwhile, a whole new arts system is being put together. The Netherlands is eager to get outside, experience music, experience art and eat food trucks empty. And flipping the subsidy system. It is a... 

Minister at presentation of vision letter: 'number of arts productions may have to go down'

Culture minister van Engelshoven says it is inevitable that the number of productions in the arts sector will go down. This is necessary to make the labour market for the arts sector healthy. She stated this in an interview after the presentation of her vision letter at Rotterdam's Maaspodium. 'You see that a lot has been produced in recent years to... 

Success as a choice is one of the most dangerous fallacies of our time. The social implications of this fallacy are immense.

Late last year, the organisers of an alumni evening for research master's students asked me to defend a thesis from my current position as a cultural leader. It had to be about my position as a literary scholar by telling them about my professional path since graduation. I could frame this article hopefully and hopeful and elaborate on the competences that the... 

Sadettin Kırmızıyüz creates theatre series 'Metropolis'. 'If you think, this can't be true, assume: this is true.'

It all starts at Orange College, of course. A fictional school with very real problems. For Sadettin Kırmızıyüz, the place where he commissions the opening part of Metropolis, a series that should eventually count four episodes. It is one of Het Nationale Theater's biggest projects over the next four years, in close cooperation with Kırmızıyüz's own company:... 

Nuance! VVD The Hague won't cut 50 million from culture budget for 'political abuse' after all

This post has been updated following a response from VVD The Hague. Yesterday I wrote: But so that was misunderstood. Today the VVD called. A transcript of the conversation can be found below: With Frans Schuyt fraction chairman The Hague VVD. I think two things have been mixed up. You have the programme in the budget, Culture and Library, of 102 million,... 

Culture Council wants review of system, but cautious 'Theatre Sector Opinion' is licence for arbitrariness by House of Representatives

Today, the Culture Council comes out with one of the weaker advices in its existence. The Netherlands' highest cultural advisory body showed vision, leadership and boldness earlier this season with the 'Verkenning' and the 'Sectoradvies Muziek'. The exploration called for a reversal of subsidy flows, with urban regions taking the initiative. In the advice for the music sector, it broke... 

Playwrights and cultural exploration (3): 'Contemporary musical, a new tradition among writers?'

On 25 January 2018, the Musical Awards were presented with, as we are used to, many translated reruns and calibrated repertoire. Also notable was the appreciation for new Dutch work. Many a writer will have been cheering on the sofa when 'Was Getekend, Annie M.G. Schmidt' won the awards. Does that bode well for the future? Can today's (small)... 

Why it's good that the Holland Festival is putting the focus on Africa, rather than opting for a single artistic director.

William Kentridge and Faustin Linyekula. Remember those names, if you didn't already know them, because they are going to help shape the face of Holland in the coming year. They have been appointed by the Holland Festival as 'associate artist'. In doing so, the festival puts the phenomenon of 'artistic director' out of business. A necessary choice at a time when the price for that kind of figure is faster... 

Good news for Urban artists in need of money. Three cultural funds are proposing eight 'Matchmakers'. (But at least 12 are needed)

Opinions differ on the size of the pot of money waiting for them, but 'urban' makers in particular do not yet know how to find their way to our art subsidy system. That is why the three cultural funds that deal mainly with performing arts have appointed ambassadors in a number of Dutch cities. These 'Matchmakers' should narrow the gap between The Hague and 'the region'.... 

Why a universal basic income is necessary for the survival of the arts

A hopeful experiment has begun in Finland. In the Netherlands, too, they are trying to get something off the ground, although the government is thwarting the plans for now. Why is unclear. Because even big-capitalists like Elon Musk (Tesla) and Mark Zuckerberg (Facebook) are now saying it: a Universal Basic Income (UBI) is the only way we can advance our society, and with it our civilisation... 

Performing Arts Fund subsidy leads to more performances for fewer audiences

Currently, the amount a performing arts company receives in subsidy depends on the number of times it plays. The Performing Arts Fund, which is responsible for that subsidy, has now investigated the effect of this. That research shows that companies are increasingly struggling to sell performances of a single production. This causes companies to... 

The current distribution of grants across genres and institutions

Culture Council: 'No more distinction between high and low art' (and much more)

Musicians are no longer allowed to perform for a pittance. At least, not if the club they work for, or perform in, receives a subsidy. In a sector opinion released today, the Culture Council argues that the structural underpayment of workers in the creative sector is no longer sustainable. 'If that means fewer programmes can be made (or that there... 

At last: a piece with real vision from the Culture Council

'Successive interventions have stripped, juridified and amended the BIS and the state funds. But more importantly than that, trends and developments in and around cultural life are making new demands on the cultural system. It is out of date in several respects.' So says the Council for Culture in its 'reconnaissance' published today. In it, the contours of the future... 

Minister Ingid van Engelshoven (centre) superior in first culture debate (Photo: screenshot livestream Lower House)

House: 'Minister van Engelshoven has passed baptism of fire'. (Why the VVD needs to find a new culture spokesperson)

The debate on the 2017 culture budget on Monday 13 November was a breath of fresh air. Not because there was suddenly a lot more money coming out of any top hat, but because there was a minister with vision. And with room to express that vision. After seven years full of pushing and pulling and rejected motions, cash shift operations and bicycle bell trading, there was finally... 

Suddenly feeling the urgency at Dancing on the Edge

As soon as I, as an art consumer, begin to suspect arbitrariness in the artist or his creative process, I drop out. Incidentally, this observation now surprises me. After all, I am no fetishist of form, nor am I a canon junkie, and I am not qualified in any of the standard artistic disciplines. Not a composer, not a performing musician and not an actor. Neither filmmaker nor director, nor a lyricist graduate.... 

10 million back. Van Engelshoven means business.

Of course, this is really actually better news than what was already in the coalition agreement. The extra 10 million fought for last year for performing arts institutions that were good enough but fell below the saw line because of running out of money will get structural money added. Good news for a few clubs that would really be out of business otherwise, like Orkater. The good news... 

4 reasons why 'cultural entrepreneurship' and subsidy don't mix.

Afterwards, it actually dawned on me what had gone wrong at No Man's Land. The event, a sort of combination of networking drinks, symposium and mega workshop was set up from the best of intentions. Initiated by The Cooperative, the club not to be confused with The Cooperative. The latter De Coöperatie is based in Amsterdam and is an alliance of freelance... 

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