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Disaster at Grand Theatre mainly due to supervision failure

We took another close look at the news surrounding the near bankruptcy of Groningen's illustrious Grand Theatre. Yesterday, it became clear that that theatre is in serious financial trouble. Problems that the municipality does not want to solve simply by an extra injection of thousands of euros. And they are right. After all, the Grand's coffers are as leaky as a... 

Grand Theatre Groningen

Grand Theatre 'not too big to fail': bankruptcy looms for Groningen hotspot

The Grand Theatre in Groningen is dying. Yesterday, the city council of the northern university city decided that no more money should be poured into the theatre, which is in acute cash trouble. Bills from suppliers and independent artists have not been paid for several months, and financial reserves are more than depleted. We have received reports from artists... 

Bussemaker distances herself from her 'instrumental' art vision

Minister Jet Bussemaker fully embraces the report released by the WRR on Thursday 5 March. In that report, entitled 'Revaluing Culture', the Scientific Council for Government Policy makes an appeal to see culture simply as culture again. "In doing so, the WRR distances itself, and I support it, from the instrumental approach to culture. As if culture only has something to mean... 

Scientific Council for Government Policy advises: strengthen the cultural sector!

Use arts funding for research&development, attracting venture capital and crowdfunding with public money. In this way, according to the Scientific Council for Government Policy (WRR), the same public money can yield more. In an 'exploration' presented to the government today, this advisory board breaks a lance for more daring and commitment from the government to strengthen the Dutch cultural sector: 'Increasingly,... 

Reisopera's Pearl Fishermen: sober but effective

Even before the Noord Nederlands Orkest's final chord has fully sounded out, the audience in a well-filled Theater Carré stands up as one to cheer on the cast of Bizet's Parelvissers. We are writing 24 February 2015 and this is one of the last performances of this austere but effective production by the Nationale Reisopera. Tonight, this... 

From Urban to softerotica: The remarkable career of Sam Taylor-Wood/Johnson

The critical commotion that has emerged around the film adaptation of E.L. James's book Fifty Shades of Grey seems to focus mainly on the good-natured tameness of the final product. Something that contrasts with the supposedly edgy nature of the book, where a virginal young woman allows herself to be sexually initiated by a rich SM yuppie. Film critic Antony Lane listed... 

Free money from the bank? Why some get itchy about the Guarantee Fund

Last week, the Metaalkathedraal was celebrating. This 'creative breeding ground' in the picturesque no man's land between Utrecht and Leidsche Rijn can, thanks to a loan from a bank, grow into something that might become great fun for the neighbourhood, but also for people on the other side of town. The Metal Cathedral is an initiative of two artists. They... 

Neanderthals knew quite a lot about art

Nathaniël Mellors is one of the funniest artists whose work is on show at Art Rotterdam. No moving painting, no coarse-grained fluid slides and no Arnoud Mik either: Mellors' latest work: The Sophisticated Neanderthal Interview, is well-acted comedy about a serious intellectual subject: the art world. Building on the discovery that Neanderthals were not at all the primitive bat-wielding losers where... 

Much attention to Ingres' comtesse

3 outdoor opportunities for art lovers thanks to The Frick Collection at The Mauritshuis

Ingres, Cimabue, Memling, Tiepolo, Goya, Van Eyck, Constable. Pure top names in art history and many of them hardly ever hang in Dutch museums. But now they do. The Mauritshuis in The Hague is showing no fewer than 36 works from the famous Frick Collection in New York from 5 February. And that museum has never before lent so many art treasures. Therefore, the Mauritshuis has... 

Holland Festival throws open the doors and gets fresher than ever #hf15

Just over a month earlier than usual, the Holland Festival is presenting its new programme this season. There is every reason for this. With the arrival of Ruth Mackenzie as artistic director, a fresh wind is blowing through the festival. Annet Lekkerkerker talks about the changes in the video below. The presentation of the brochure - finally readable thanks to a new design - shows... 

It wasn't about weltschmerz, but it didn't make the sauce any less

Rarely have I seen two female artists at a table more different from each other than Dominique Goblet and Leela Corman. Two female comic artists, on either side of Peter Breedveld who is flown in every year as a connoisseur of the comic genre at Writers Unlimited. Corman, a comic book artist as well as a dancer, writes her stories in a fairly recognisable style. Impressive stories, historically, like her latest... 

We had coffee with the uncrowned king of Iranian war photography

Moshen Rastani (1958) grins broadly, looks at me penetratingly, gestures, and puts his hand on his heart. "What is happening now, here, between you and me, in this conversation. That's what matters to me. We meet face to face. We communicate. Through each other's faces, we can visit the other's secret world. Such a camera is just a tool to make that contact."

Rastani was thrown into photography by the outbreak of the Iraq-Iran war. He emerged as the uncrowned king of Iranian war and documentary photography with his beautiful, hushed black-and-white portraits. He also did reportage in Lebanon and Bosnia & Herzegovina, and captures everyday life in Iran in his ongoing Iranian Family Project. Together with eight compatriots and kindred artists, his work is now on show at Francis Boeske Projects.

2015 is not left: 5 reasons why art is becoming more exclusive

Art ends its 70th anniversary as a 'Leftist Hobby' in 2015. There is not much more to predict for this year. Art goes back to the bourgeois status it held since the start of the industrial revolution. 1: Art was never left Art, of course, has never been 'left'. Subsidy may have come from the thinking tubes of social and Christian democrats, but art an sich... 

10 viral stories from Culture Press for 235,000 real readers

Always start with the good news. The Information Department of the Ministry of Education, Culture and Science did a very good job in 2014. They sent one jubilant press release after another into the world. While there was actually hardly any good news to report. About culture. But because there are a lot of lazy journalists, good news often goes in a... 

Amsterdam art is doing great. Unless you are a (young) artist.

Two corpses. Despairing bystanders. A blood-red photo. The cover of the Exploration, released by the Amsterdam Arts Council, makes one fear the worst. A massacre has been committed. Even if it is a scenic photo of a performance by Toneelgroep Amsterdam. Or is it all different? Are only two dead, and the rest live on? Something about shows that on must go?.... 

The myth of cultural entrepreneurship: 6 reasons why it's not about money

Since the cuts, it has become a bitter necessity for many, cultural entrepreneurship. But what exactly that is, nobody knows at all. Even the government actually has no idea when talking about it. But, the government asks, so there must be an answer. In recent years, the Dutch art world has been flooded with self-proclaimed experience experts on cultural entrepreneurship.... 

La Bronkhorst and very young Van Noten dance Ende der Zukunft: bold initiative with ditto outcome

Dancer and choreographer Truus Bronkhorst initiated a collaboration between Antwerp-based Kunst/Werk and Tilburg-based T.R.A.S.H. The double programme and duet combines choreographies by Marc Vanrunxt and Kristel van Issum. Ende der Zukunft has become a wondrous staging of gaping gaps: of time of life, of artistic experience, but above all of artistic conception. Intergenerationality (oui, c'est un mot) concerns relationships that... 

A dress made from a mop. Chris Nauta breaks through with recycling fashion

Chris Nauta breaks through. The Amersfoort-based artist makes new clothes from old blankets, tents and other unlikely materials. She was prominent at Oerol and can count stars including Gregory Porter among her fans. 'My customers get a unique piece of art and reduce waste.' Chris Nauta is Central Netherlands' recycling artist. She makes winter coats from used blankets, brightly coloured bags from... 

In advance, 5 reasons why no one needs to apologise to Halbe Zijlstra.

According to the VVD, all artists and art lovers in the Netherlands should say 'sorry' to Halbe Zijlstra. Because they were so angry with him when he abolished 30 per cent of art subsidies without any underlying idea. After all, according to the Ministry of Culture, things were going fan-tas-tically with the arts in the Netherlands. Anyone who reads the press release the ministry issued yesterday on that... 

Glass pendant in the shape of a face (4th-3rd century BC)

By the way, that city did not need to be destroyed at all: 7 myths about Carthage debunked in Leiden

The bad news is: most myths about Carthage are nonsense. The good news is, the reality is at least as fascinating. Until 10 May 2015, the Rijksmuseum van Oudheden (RMO) in Leiden is showing the multifaceted history of a port city in present-day Tunisia, and once formidable rival of the Roman Empire. It simultaneously offers a glimpse... 

Google and facebook take over role of galleries, publishers and impresarios

For most artists, it is an ideal. Being represented by a gallery. Writers have their sights set on a contract with a publisher. Musicians eye labels eagerly and theatre-makers queue up for an impresario. Creators have a love-hate relationship with such intermediaries. Because while the average creative professional would be willing to spare a toe in exchange... 

Ruth Mackenzie takes on the future. The Holland Festival gets a more exciting boss than you thought.

The Holland Festival got a completely unknown new director in the person of Britain's Ruth Mackenzie. At least, to us. The flamboyant, artistically exceptional opera director Pierre Audi makes way for a woman who has presented herself mainly as a manager of festivals and cultural institutions, but whose ideas are anyone's guess. When she was presented, none of the... 

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