Paul McCartney - according to Philip Norman's biography (2016) - had discovered a nice extra source of income as an enterprising musician: the music rights of colleagues. He bought up the rights of others and the money flowed in. Friendly and naive, he tipped Michael Jackson to do the same and yes, to his shock, a few years later, music rights of The Beatles were...
In 2014, The Cutter published a review of De Wereld Draait Door. What not many people will know is that prior to that moment, there was a weeks-long battle behind the scenes over this publication. De Wereld Draait Door tried with all its might to stop the episode by not giving permission to quote the footage. Initially,...
It schmaltzes. It rattles. It is set in Brabant. And my name is underneath it, with 'free to' as a sham in front of it.
Creators in the cultural and creative industries affected by the Corona crisis will soon be able to appeal to the Rights Sector Support Fund. Agreement was reached on Wednesday 27 May on the establishment of the support fund, which has a budget of 10 million euros available. Members of the Authors' Union can also start appealing to the fund. Where will the support fund...
The heritage sector is not the sexiest sector of the Dutch cultural world. Even though nude exhibitions are flying around your ears this season, you're more likely to think of obscure museums, monuments, stamp collections, old stuff. This is how it happened that the Digital Heritage Netherlands Foundation could exist for almost 25 years without anyone in the 'more popular' arts (stage, film, literature)...
That libraries are doing badly was already known. But in the news about this, made public on 27 July by RTL, there is still something hidden that the editors themselves leave underexposed. Because who is paying the real price in the austerity operation? Indeed, the writers. The libraries settle that with a simple trick. They cancel the rent from their own...
It is easier than ever to produce and distribute your own videos. Every minute, more than 300 hours of videos are uploaded to YouTube. Is this gigantic amount still manageable? No. The video platform has become too big to continue to exist smoothly. By Nuno Blijboom There is no better source for cat videos, bullying vloggers and gaming youngsters
This Daan Roosegaarde is said to have made a huge fool of himself again. In any case, NRC Handelsblad reported that the man, who is under fire for not naming sources, has again committed plagiarism. For his contribution to the DWDD pop-up museum, a wildly successful thing by the world's fastest culture programme, he hung a whole row of seascapes in a room,...
They still exist. Writers who find it hard enough to write a book, and so are happy to leave all the rest to a publisher. They may complain afterwards about poor marketing, minimal payment and guidance, but have no idea how they could do it differently. Fortunately, it is becoming increasingly easy to do things differently...
The power of data The arts sector in general is little 'tech savvy'. Sure, nobody can do without a website and a Twitter account will hardly be lacking anymore either. But there are few examples of groups, theatres or artists making the most of the power of digital. Setting up a good 'client relations management system' (crm) with profiles of all visitors or buyers, to keep those...
The producers of film and television, who colluded with cable companies not to pay writers for their work, are coming up with a plan. Unwilling to agree to the creators' just demand to just do what the courts have ordered, they set up a fund. Into that, they put the money they feel should...
We reported earlier. Worldwide, the Netherlands is Crazy when it comes to protecting the creators of books, films, journalism, art, theatre, dance and so on. And no, IT IS NOT ABOUT SUBSIDY NOW. It is about an archaic legislation that does protect the middlemen but leaves the creators outlawed and disenfranchised. That middlemen are paid extremely well, have...
Should the free market be curbed to save Dutch culture? The issue facing the Dutch government is quite a big one. On Tuesday, Dutch 'makers' (artists, photographers, actors, screenwriters, translators, directors, freelance journalists, etc.) presented a pamphlet. The pamphlet outlines the idiotic situation the Dutch cultural and creative sector is in. No other country disregards...
Wijbrand Schaap: 'Next hot issue. Copyright is mentioned in a few passages of the Cultural Exploration. I am also affected by that in various ways. There is, of course, that new author's contract law, which is going to be discussed in the chamber one day, maybe. Nice about that is that the creator's position in that law has been strengthened.' Joop Daalmeijer: 'Rightly so.' Wijbrand Schaap: 'But.
By Melle Daamen 'What do you want then?' was a question I received quite often in response to my articles last year in NRC, in which I expressed my concerns about the state of the arts in the Netherlands and especially its future. I argued for a fundamental debate from within the arts sector itself, focusing on the future, including...
78 Million euros is the turnover lost by the film and DVD industry in the Netherlands due to illegal downloading. This was recently revealed in a press release announced. Yesterday, it was also one of the topics at a discussion afternoon organised by Film Producers Netherlands (FPN) on copyright developments.
Someone commented on Facebook that it looked a bit odd for a newspaper to hand out stars for a play based on The Diary of Anne Frank. Although I myself shudder to give out stars this early for a Godwin make, surely there is something to The Play and The Review. Indeed, reviews of The Play to The Diary seem superfluous. For how do you review such a play, with such a history? Isn't fuss about layering or no layering, adventurousness or no adventurousness in the direction even a little irreverent? So these are three issues, which led me to consider that maybe it shouldn't be possible at all. Anne review.
Je zult maar scenarioschrijver zijn. Of journalist voor een documentaireprogramma. Dan krijg je in Nederland dus geen cent meer voor je werk. Echt. De omroepen zijn al niet scheutig. Maar dan. Al het geld dat de kabelmaatschappijen verdienen aan de televisiekijkers van Nederland, verdwijnt namelijk in de zakken van een paar Amerikaanse bedrijven, die het weer delen met een paar omroepbazen, producenten en nog zo wat grootverdieners. Voor de mensen die dat allemaal bedenken en schrijven hebben al die bazen niets over. Zo wordt winst maken wel heel makkelijk.
You can still eat a raw egg in English, but you can no longer use the word RAW for almost anything to do with style. Therefore, the RAW Art Fair is to be renamed next year. Sources at the organisers of the Rotterdam Art Week Art Fair confirm that this may have avoided a dragging court case.
Er wordt op internet veel geld verdiend met de verspreiding van tekst en muziek, nieuws, foto’s en films. Dat geld komt binnen bij internetproviders, diensten als Apple, Amazon, Netflix en Spotify en bij de grote platenmaatschappijen en filmproducenten, die vrijwel altijd ook aandeelhouder zijn van eerdergenoemde organisaties. Zo goed als niets van dat geld komt terecht bij de mensen die al die films, composities en boeken of artikelen maken.
A while back, there was fuss in the Netherlands about the BUMA, the club that collects copyrights for musicians and publishers. Money had been lost in speculation and a director was engaging in nepotism. These cases do not appear to be isolated. At least, they are also mentioned in an overview of all known cases of abuse of power and corruption at collecting societies worldwide.
It was so nice, using the 1980s band Talking Heads' song 'Road to nowhere' to get your political message across. Now yes. Ex-Senator and Governor of Florida Charlie Crist thought he could get away with it, and he may have succeeded politically, financially he is going to lose out big time. The compensation amount has not been disclosed, but...
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