Michel van der Aa transcends himself in opera Blank Out
As soon as soprano Miah Persson enters the stage, we hear a loud, electronic crack. Is a branch breaking here, one of composer Michel van der Aa's (Oss, 1970) favourite sounds? Or is it a stone crashing into another after all? Boulders play a major role in his latest opera Blank Out; at the end they crush with thunderous roar
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