Writer and television presenter Arjen Lubach has been a fan of Norwegian writer Johan Harstad for years, whose mega-thick Max, Micha & the Tet Offensive has just been published in Dutch. He even visited him in Norway. Lubach: 'I was afraid we were so much alike that we had nothing to say to each other.' That turned out to be giant. Logical, then, that he...
The SER report published on Friday 21 April rubs it in nicely: the cultural sector is on the verge of collapse. It is even worse than a year ago. This shows that the patience of a PvdA culture minister over the past four years has not helped. Indeed: Halbe Zijlstra's multiplier of misery is doing its job entirely as expected....
A submitted message puts your organisation in direct contact with all Culture Press readers[ref]Status April 2017: 5900 on facebook, 16,130 on twitter, 2000 in the mail, 26,000/month on the website[/ref]. Just like a regular message, your message comes along in the news stream, and newsletters. It is also shared on facebook and we connect you there with every...
Leisure is the mother of philosophy. -motto of British philosopher Thomas Hobbes, seen in Klokgebouw during STRP17 An app called "Die with me" that, as soon as your smartphone is at five per cent remaining power, automatically connects with other Die with me users. An app game called "Airb'n'bhost", where you have to choose who offers the airb'n'b interior from three portrait photos each time. The most fun:...
Some doubt whether virtual reality is a suitable medium for feature film. The Dutch makers of Ashes to Ashes, The Night Watch and High Five show that it can be done.
On a cold rainy afternoon, I cycle to the Brakke Grond to ask Bert Hana about his motivations, as befits a beer. First, I visit the IDFA DocLab, which features his VR installation 'I Am Not Home Video', which we have talked about before. Bert Hana is perhaps every art critic's dream, as...
At the Magazine Media Café at the Amsterdam debating centre De Balie, journalists, publishers and freelancers discussed the phenomenon of distributed content. What is it and what can you do with it? Distributed content: a new online phenomenon Distributed content is actually reverse publishing. You offer content (stories, photos, video) where the reader is, instead of the reader...
'At the time, under the influence of the populists, we perhaps went too far in our attack on art subsidies.' So declared Jeroen Hatenboer, VVD member and culture alderman of the municipality of Enschede, during the annual Paradiso debate at the end of the Uitmarkt 2016. In the context of the current cabinet's sorry campaign, quite an interesting footnote, and entirely appropriate in the upcoming...
Friday afternoon, 5 August 2016. The weather is nice. In the intercity to Den Bosch, I read a book I couldn't finish on holiday. I can't manage it this time either: Den Bosch is always closer than you think. Again, the walk from the station to the Joseph Quarter takes less time than Google Maps indicated to me. That came...
In his recent collection Achter het verdwijnpunt, death plays an important role. Poet Frans Budé lost no fewer than four poet friends in a short time and honoured them in verse. The 70-year-old poet himself still writes as avidly as in his younger years: in addition to an occasional collection on the Maas, to be published in May, he wrote poems for the upcoming exhibition...
'In the new season, we go back to normal,' Pierre Audi said on Monday 15 February during the presentation of the new season of The National Opera. He does, however, continue the forward-looking Opera Forward Festival, which was set up to mark its 50th anniversary. There are also quite a few new own productions on the roll, including the world premiere of...
On Friday 15 January, we conducted a first experiment with the platform 'blab.im'. During festival Winternachten, we reported live, via the internet. We did so in English, because most of the viewers we had were English-speaking. We could see that. That is already the most striking difference between something like Blab.im, and ordinary television. Blab.im in the Netherlands is still...
The fastest, and most beautiful, way to cycle through Leidsche Rijn is along the Groenedijk, and then all the way to the end. Pedalling 20 minutes from Utrecht Central Station, there recently, and for 2000 years, lies Castellum Hoge Woerd. It is a newly built idea of a Roman fort that guarded the ancient border of the Roman Empire here, along...
The power of data The arts sector in general is little 'tech savvy'. Sure, nobody can do without a website and a Twitter account will hardly be lacking anymore either. But there are few examples of groups, theatres or artists making the most of the power of digital. Setting up a good 'client relations management system' (crm) with profiles of all visitors or buyers, to keep those...
Libraries are mostly negative in the news. Branches have to close, members walk away and there is an ongoing debate about their right to exist. But in Amersfoort, the library is on the rise. Over the past year, visitor numbers have risen sharply. An advance confession: I am a nostalgic library visitor. As a little boy, I used to borrow The Shipboys of Bontekoe, Eagle's Eye and...
He has been given many labels. From (post-)minimalist to hardcore modernist and from neo-romanticist to neo-spiritualist. 'I don't pay attention to them anymore,' says composer Erkki-Sven Tüür (Estonia, 1959). Yet he responds somewhat surly when I ask in an email what he thinks of such descriptions: 'You either like my music or not.' Via Skype, he answers eight...
They couldn't have picked a better time, there in Groningen. Because who do you call, when an overambitious theatre director has just blown the coffers of the once illustrious Grand Theatre dry, a Supervisory Board has been napping and then 22 people have been sacked because the money has run out? Then you're looking for someone with experience of that. Preferably...
The misery in Groningen is a bit bigger than we thought. Meanwhile, the Grand Theatre appears to be at least 250,000 in the red. And counting. Money that the theatre subsidised by the city of Groningen owes mainly to artists. Choreographer Dunja Djocic, for instance, had received €90,000 in subsidies to create performances at the Grand for 2 years. Theatre-maker Andreas Denk had received...
Radio Netherlands World Broadcasting no longer exists. The subsidy was withdrawn because no one in the VVD knew what it was: shortwave. And because the PVV, which was also in government at the time, finds everything scary that contains the word 'world'. Bad for those who miss calls from the ANWB emergency centre at breakfast for the Alpenkreuzer, even worse for...
Art ends its 70th anniversary as a 'Leftist Hobby' in 2015. There is not much more to predict for this year. Art goes back to the bourgeois status it held since the start of the industrial revolution. 1: Art was never left Art, of course, has never been 'left'. Subsidy may have come from the thinking tubes of social and Christian democrats, but art an sich...
Always start with the good news. The Information Department of the Ministry of Education, Culture and Science did a very good job in 2014. They sent one jubilant press release after another into the world. While there was actually hardly any good news to report. About culture. But because there are a lot of lazy journalists, good news often goes in a...
For most artists, it is an ideal. Being represented by a gallery. Writers have their sights set on a contract with a publisher. Musicians eye labels eagerly and theatre-makers queue up for an impresario. Creators have a love-hate relationship with such intermediaries. Because while the average creative professional would be willing to spare a toe in exchange...
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