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Dobrinka Tabakova writes double concerto for Lucas and Arthur Jussen: 'It shimmers with energy'

The AVROTROS Friday Concert cherishes mainstream masterpieces as well as less heard and new repertoire. In the 2017-18 season, no fewer than five (world) premieres are on the programme, three of them composed by a woman. - Come and see that among the national orchestras. Friday 17 November will hear the brand new double concert Together Remember to Dance by British/Bulgarian Dobrinka Tabakova. She composed it on... 

Majid Karrouch: flowers, Dutch design and the Berber hijab

His work has been featured in renowned fashion magazines worldwide. Majid Karrouch is currently one of our international calling cards in the creative Industry. I sought him out in his studio, which is as extraordinary as the images he creates. SCENE 1: #Ont encounter A while ago, I was first introduced to the exceptional work of a hidden Moroccan-Dutch fashion talent via Instagram.... 

5 Bargains the cockerels left behind at major auction houses

It was ball again just before summer at Christie's, Sotheby's, Phillips and Bonhams. Contemporary art auctions are the showpieces of see-and-be-seen. And the place to throw loads of money. For the happy few, in other words. Or better: a pissing contest for men (mostly - really - men) who get the measure of hedge funds and mega-corporations. Score-driving, in other words;... 

No man can escape Nottrots Thundering Time. (Theatre with built-in escaperoom)

'Can I ask you: do you know what time is?' Greg Nottrot's question cannot be straightforward, as I am the only spectator. MIjn spot is uncomfortable: a chair sinking into fresh gravel on the curious Utrecht plain christened 'Berlinplein' by city developers. I witness an early rehearsal of De Denderende Tijd. In that... 

'World famous outside the Netherlands'. Top piece of 'veduta painting' to Amersfoort

Amersfoort's Museum Flehite has purchased the gouache (a painting made with opaque watercolour) View of Amersfoort by 17th-century painter Caspar van Wittel at Christie's in London. The purchase price for this Amersfoort masterpiece, including taxes, was over 200,000 euros. Van Wittel was born in Amersfoort and, after an apprenticeship with Withoos, left for Italy at the age of 21, where he worked as a... 

Alain Platel sets all of Carré on edge with overwhelming Nicht Schlafen #HF17

The plofnies came totally unexpectedly. The family father behind me, out with wife and presumably reluctant adolescent son, burst out after about 10 minutes into the performance. Just when a deafening silence had descended over the sold-out Theatre Carré. At least four people, including myself, were shocked to the core. A sneeze had never been this loud before, but as quiet as during... 

Rito de Primavera, José Vidal & Cía., Festival de Marseille. Photo: Fabian Cambero.

Rito de Primavera: spectacular, but also a mountain of kitsch, unworthy of the Holland Festival

Rito de Primavera, seen at the Holland Festival early this week, is a group choreography for fifty young dancers. Choreographer José Vidal has loosely based himself on Sacre du printemps, Stravinsky and Nijinsky's 1913 piece for the Ballet Russes. Fragments of Stravinsky's music have been transformed into 4-quarter beetz by DJ Jim Hast, while Vidal has added the ritual aspect of the sacrifice, essential to the many versions made throughout the 20th century (in addition to the oe...

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Rufus Norris makes theatre out of Brexit: 'Theatres are the echo chamber of the leftist bubble'

The wind blows harder there than elsewhere. The light is greyer there than further afield. London's south bank, for years 'the other side' of the English capital's posh city centre, has been the subject of several waves of renewal in the last century. It began in 1951 with the construction of concert hall 'Southbank Centre', followed in 1976, after years of wrangling, by the building in the same... 

The Britten Youth String Orchestra is 10 years old. Conductor Loes Visser: 'I'm still learning every day'

Already during her studies, Loes Visser (1959) formed the Alpha Chamber Orchestra. In 1990, she initiated the Adamello Ensemble and, seventeen years later, she founded the Britten Youth String Orchestra, with which she is now celebrating its second anniversary. What drives her and what are her best experiences? Chamber orchestra "I founded the Alpha Chamber Orchestra because there was a need",... 

At Boijmans, pay special attention to Leonora Carrington (and go crazy for surrealism)

Museum Boymans van Beuningen in Rotterdam hosts the largest exhibition in Europe of Surrealists. Famous names like Salvador Dali, René Magritte, Max Ernst, Man Ray, Paul Delvaux and Roland Penrose. But also lesser-known gods like the outstanding Leonora Carrington and Francis Picabia. In 1970, the world-famous surrealist Salvador Dali visited the Boymans museum in person.... 

All about Nothing. Danish premiere of youth opera Intet by David Bruce

From a country where a giraffe is dissected for children as a holiday attraction, you don't have to expect a sugary pink Disney opera. And so Intet (= Nothing) is not. Think Lord of the Flies, place of action: a peaceful Danish village. Also think Søren Kierkegaard - because philosophy. Also by no means a buffoon. The story Intet is based on the eponymous... 

On getting older, love and loneliness: 6 Life Questions to Stefan Hertmans

His two internationally successful novels Oorlog en terpentijn (War and turpentine) and De bekeerlinge (The convert) take Stefan Hertmans around the world. But the social side of life it clashes with his desire for solitude. Six life questions to Flemish author Stefan Hertmans. 'When I am alone, I find myself.' 1. What is your recurring dream? 'For fifty years, I have had to... 

My 2016, and why it scared me to death. (A list)

Five art experiences will always stick to this bizarre year for me. And one thing really scared me. Whether the worst is now behind us? At least the most extraordinary is still on view until 5 February 2017. A chronological overview of what was unbelievable, unthinkable, inconceivable, unbelievable and perhaps untrue. Much of it, by the way, will be in 2017... 

Wilbur Smith: 'Everything I touch turns to gold and crystal'

More than 120 million books have sold bestselling author Wilbur Smith - two thousand Wembley stadiums full. His steady recipe - violence, magic, mystery, adventure, hunting and sex - has kept his readership enthralled for more than half a century. To keep his output high, he has recently started working with co-authors. Only the 'Egypt novels', which include his new book Pharaoh, he writes himself.... 

The Harvest of the Month: Grandes, Hulst, Otten, Smith, Winterson, Noorduijn and Vanden Bosch, Van Mersbergen and Van Zomeren

The cost of crisis Small heroes is the title of the new novel by Almudena Grandes, one of Spain's greatest writers. And little heroes it is all about: the novel is actually a collection of interrelated stories about people like all of us, only these people all live in Madrid. Rich and poor, young... 

Hugh Aldersey-Williams: 'Ignorance about the tide puts us at risk'

Sea monsters, devouring whirlpools and seductive sirens - the primal power of the sea has been a source of awe, fear, fascination and myth for humans for centuries. In millions of years, the tide will no longer exist, but until then, we still have plenty to do with its beauty and dangers. In The Tide, published last month, the British ... 

Ballet dancer Andrew Greenwood: 'Healthcare needs dance'

'What is the relevance of dance?' Since the The Relevance of Dance conference in March 2016, this question has been haunting my mind. Above all, I want to know why more people should dance. Therefore, I decide to put the question to inspiring and progressive dance teachers. The second one I question is Andrew Greenwood, who six months ago... 

Netherlands' largest war memorial aims to become symbol for refugee reception

The Belgenmonument in Amersfoort is the largest war memorial in the Netherlands. Construction started a hundred years ago. It was recently restored, but no longer has a function. New meaning is being sought. Architecture centre FASadE organised a design competition for this purpose. The aim: to give the Belgenmonument renewed meaning as a memorial but also as a symbol for the reception of contemporary displaced persons. The jury led by... 

What's behind Wim Pijbes' directed departure from the Rijks?

For now, an unusual state of affairs in the field of cultural governance. Unsatisfactory also because of the many questions it raises: Wim Pijbes rather unexpectedly announces his departure as chief director of the Rijksmuseum on 1 March 2016, opting for a director's position at a new private museum (Voorlinden) owned by billionaire Van Caldenborgh on 1 July 2016. Equally unexpectedly,... 

Photo 1. Betty-Woodman-LIVERPOOL-FOUNTAIN-artwork-in-public-space-2016

Liverpool Biennial: a grab bag that occasionally leads to wonderment

"Things happen, and then they happen again, but not the same way, not quite; such is the logic of the biennial. And then there are things which have never happened before, and which happen now and in a time that seems somehow out of time, or takes our 'now' out with it." [hints]"Things happen, and then they happen again, but not.... 

Mark Haddon: 'Without death there is no fiction, nor any value in existence'

It came anything but naturally, writing his collection of short stories The Pier Collapses. Mark Haddon, made famous with The Miraculous Incident with the Dog in the Night, novels come a lot easier. 'I've been trying to write short stories for a long time, and I knew I should be capable of it, but I never succeeded. It was like a... 

Harrison Birtwistle: from shocking to guttural musical theatre

In his youth, Harrison Birtwistle (1934) was one of the Angry Young Men of English music, now elevated to the peerage and going through life as 'Sir Harry'. He trained as a clarinetist and composer at the Royal College of Music in Manchester, where he was annoyed by the conservative climate. Together with John Ogden,... 

This is more than a review of the opening of the Holland Festival

On Saturday 4 June 2016, I attended the royal opening of the Holland Festival and was able to attend no review write about, because I was sitting in the front row of the Amsterdam Stadsschouwburg. As the stage was elevated, I was looking against a black wall, above which only the front actors were visible. The back and lower half of the stage were completely eluding me.

Me wrote that on, and the Holland Festival generously offered me the opportunity to go and see the performance again, from a better seat. At the same time, the organisers told me that the first three rows of the Stadsschouwburg would be compensated at this performance. So I went to Amsterdam one more time, on Monday 6 June.

Before the performance, while not eating a blackened hamburger in theatre restaurant Stanislavski, I heard from the neat people at the little table next to me that the front seats were offered at a sharply reduced rate, and that people like them who had already bought tickets had the choice of thus getting a partial refund or going on the waiting list for a seat with better sightlines. Whether they eventually managed to get one of the spots with better visibility, I don't know. The performance

Scenefotos_Bromance_Foto_Sanne_Peper

Stagehands, stay away from that theatre!

The longer I walk around in the theatre sector, the more I find out that this so-called crisis in the performing arts is not down to the people who make theatre, nor to the people who come to see it or not. Good will is omnipresent. The only real cause for a breach of trust between actors and audiences that I can point to is the nineteenth-century invention we call 'theatre'. Let me explain.

Theatres were rather intimate soci...

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