'Ultimately, of course, it ends up on my plate,' sighed Jet Bussemaker, minister of culture in cabinet Rutte II, the other day. She was speaking at the presentation of a research report into the functioning of supervisors in the cultural sector, in Amstelveen at the end of April. Because, she summed up: if supervision fails, there is no one but the minister to repair the damage.
The Cinéma Arabe festival (from 19 April) is showing a rich palette of new work from the Arab World. Interview with director Hany Abu-Assad who sets a new tone with The Idol. And he has plans for a film about William of Orange. 'That will be my parting gift to the Netherlands.'
This write-up may begin somewhat strangely, but the end is going to evoke very different images: All sorts of things are set in motion internally when I find myself in the smallest room of my house. This is because - besides nice, sweet cards from friends and family - there are clippings hanging on the door, theatre guides, newspaper sections and smart magazines lying around. So...
On Monday 14 March, Theatre Rotterdam will present its plans for the upcoming arts plan period. On Thursday 10 March, Bianca van der Schoot already told about it during a public meeting with a class of Utrecht theatre scholars. What became clear from her story is that she has little desire to start bringing world repertoire with the old Ro theatre share in Theatre Rotterdam. She has a lot of...
Mothers and daughters: is there a closer bond? Their lives are an extension of each other. Mother treads the same path her daughter will later follow. She is a friend, to whom one can always fall back. But under the skin, a suffocating power struggle rages in which they hold and attack each other. Jealousy and competition gnaw at the domestic idyll. Escape is impossible. It is a...
When such a broad-minded prof (composer, poet and more) as Hamel, along with allies, offers his thoughts on a subject close to my heart, I can't help but run to the bookstore (fortunately, one of them ordered without my purchase guarantee, because hey, imagine if it turns out to be a dry fact summary)....
The raw in Something Raw can mean all sorts of things. The first thought might be something rough, as in the effect of sandpaper on skin or the havoc left by an elephant in the china shop. But rough is a derivative meaning. Raw first of all means unprocessed and fresh. There is a certain hope in the combination of rough and raw: artists who like...
The cinema industry in the Netherlands is aiming for new construction and is convinced there is still a lot of growth potential. But it won't happen without foreign capital. That is why the new multiplex in Alkmaar is now called Vue.
With the revamped, more compact Tiger competition, IFFR aims to show what the festival stands for. Nurturing new talent with a voice of its own. Is the Tiger roaring again?
45th Film Festival Rotterdam, the first under new director Bero Beyer, gets off to a strong start with Beyond Sleep, after W.F. Hermans's Nooit meer slapen.
Arab Camera film festival in Rotterdam opens on a light-hearted note from an unknown film country. In From A to B, three rich kids from the Emirates learn to stand on their own two feet.
At Amsterdam's Brakke Grond, the Dancing on the Edge festival (DOTE) opened yesterday with an evening that immediately showed what the span is all about. The first performance, Blank, engaged directly with the audience. The second, and official opening performance, Plastic, was more about the dynamics between the performers themselves and with the soundscape. With her opening speech
Next week sees the start of festival Dancing on the Edge. Unlike its name suggests, this festival, with performances in The Hague, Amsterdam, Utrecht and Rotterdam, is not only about dance, but also about film, theatre and politics. The 'Edge' it is about, the festival looks for in its theme: an urgent artistic dialogue with the Middle East. More needed now than...
As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,...
The India Dance Festival received just a little less attention from the national media this weekend than the Amsterdam Dance Event. Something that theatre director Leo Spreksel of The Hague-based Korzo Theatre was a bit worried about on Sunday. Because for three days now, his halls have been so muddy that he even turned away visitors who came all the way from Switzerland....
Ze is een van de belangrijkste hedendaagse auteurs van Finland, maar in Nederland hebben nog maar weinig mensen van haar gehoord: Leena Lander[hints]Meer op Wikipedia: https://nl.wikipedia.org/wiki/Leena_Lander[/hints]. Hoog tijd dat daar verandering in komt. Wij vroegen haar vertaler Marja-Leena Hellings waarom u haar net verschenen nieuwe roman Zondagskind zou moeten lezen. De nieuwe roman Zondagskind van Leena Lander (1955) vertelt het verhaal…
With Henry by Itamar Serussi, Scapino Ballet Rotterdam makes an exciting statement. After all, the kickoff of the anniversary season is not a corny look back at 70 years of dance history, but stands in the middle of the present and looks ahead. Scapino does so with a relatively unknown choreographer delivering his first full-length work, in an unusual dance style. Mars Not entirely unknown is Israeli Itamar Serrusi. He is...
From today, the documentary performance Tagfish tours the Netherlands. The Belgian theatre collective Berlin has been making finely crafted theatre installations since 2004, playing on the border of documentary and fiction, television and theatre, current affairs and eternity. Tagfish is ostensibly about the perils surrounding the redevelopment of a piece of wasteland near Essen. Die Zeche Zollverein already had a monumental...
The first weekend of October saw the Netherlands Dance Days (NDD) take place in Maastricht. As Ruben Brugman reported, important prizes for the dance world are awarded there. But the Dance Days seem mainly intended to promote Dutch dance, more than being a critical evaluation or artistic boost. At the Dance Days, no pithy speech on the State of Dance as...
From confrontational brutalism to the flowing lines of Frank Gehry and from timeless London to the Paris of Eric Rohmer. Some of the selections from the Architecture film festival that starts on 8 October in Rotterdam. We take a dive into the programme in advance. In its existence, the AFFR has managed to hold its own against other thematic...
Bero Beyer, the new director of the International Film Festival Rotterdam, announces initial plans for edition 2016.
'Rachmaninov's melodic gift is impressive and makes the composer very popular'. This is how Valery Gergiev pithily sums up the quality of Rachmaninov's music. The Gergiev Festival that centred around this composer this weekend emphatically sticks to the popular works: the piano concertos and symphonies . Yet it omits many compositions that could have given these works more framework....
Actually, Sergei Rachmaninov (1873-1943) was a bit of an oddity, an anachronism. He bit into the composition style of his great example Pyotr Ilyich Tchaikovsky, who died in 1893. When contrasting Rachmaninov with some of his contemporaries (Dmitri Shostakowich, Sergei Prokofiev, Igor Strawinsky and overseas Charles Ives, George Antheil and Edgard Varèse), it is only right to notice...
How next for boards in the cultural sector? Supervisory boards are under considerable pressure following publications about possible failed supervision at Rotterdam's Wereldmuseum, Grand Theatre in Groningen and recently again from Rotterdam's Het Nieuwe Instituut. Previously, similar reports appeared about De Utrecht Games and the Groninger Museum, among others. In practically all cases, the cases involved a Council...
Citroën lovers always got warm feelings at the sight of Rotterdam's new central station. Because indeed, that shark's mouth, with or without beach balls in front of it, is somewhat reminiscent of the iconic French car brand's logo. Well. As it turns out, the comparison goes further. Back deep in the 1960s, there was a Citroën pavilion in Monte Carlo in southern France. Citrophile...
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