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Writer Jonas Gardell: 'I slept with death'.

With the completion of the trilogy A Story of Love, Illness and Death, about the AIDS crisis in the 1980s, a heavy burden fell from his heart for Swedish writer Jonas Gardell. As one of the few in his circle of friends, he escaped the dance of death. Pure luck, he says. 'I slept with death.' Also, the last... 

Sierk van Meeuwen, Terrorist (source: zomerexpo.nl)

'Also nice. A hot chick with a kalashnikov.' Amateurs and pros in Haags Gemeentemuseum

The annual Summer Expo at Gemeentemuseum Den Haag is open to submissions from amateurs. But in the end, as many as 70% of the entrants turn out to have attended an art school, and even 80% of the selected entries were made by professional artists. With two guests, I visit the Summer Expo. Museum visitor Rob van Berlo picks his favourites. Gallery owner Nena Milinkovic I ask the same,... 

'Young people have become prudish.' Ronald Giphart on his novel 'Harem'

It is a lovely summer book: Harem, the new novel by Ronald Giphart. And for the first time in years, a good dose of sex appears in a book by the Utrecht-based writer. 'Just the other day at a reading I was announced by a librarian: "Ladies and gentlemen, here is the man who knows all about sex!" Interview so with... 

'Há, I got you!' Mira Feticu wrote novel about painting robbery from Kunsthal

It was dubbed 'the art heist of the century': the theft of seven famous paintings from the Kunsthal three years ago. The perpetrators turned out to be four Romanians with no clue about art. Writer Mira Feticu, originally Romanian, wrote a novel about it. Seven important paintings were stolen from the Kunsthal: a Van Gogh, a Picasso, two rare works by... 

Photo: Viktor Vassiliev

Russian Cherry Garden in Amsterdam: 5 important things learned #HF15

There was an air of more expensive perfume in the foyers than at a Dutch gala premiere. The women were younger and smoother, or had a better botox doctor than usual. The jewellery looked very expensive, as did the dresses. Russian sounded everywhere. It seemed as if Amsterdam's Stadsschouwburg had been moved for a while to PC Hooftstraat, a few hundred metres away.... 

Cullberg Ballet, 'The Return of the Modern Dance' (chor.: Trajal Harrell)

Cullberg Ballet welcomes audience to monomaniacal awareness dance #HF15

Two choreographers exploring how a dancer and the eye of the audience interact. Dance makers who rattle common ideas about identity and sexuality. Artists who confront us with the dreams of perfection and glamour that advertising and marketing throw at us. The famous Cullberg Ballet made a striking choice by performing choreographies by the... 

The dark side of Ibiza. Esther J. Ending on her new novel 'An island of its own'

'See, that's how it goes.' Esther Ending flips open a magazine containing an interview following her new novel An Island of Her Own, set on Ibiza, the island where she grew up. The article is not about her novel, but, unbeknownst to her, is part of a story about partying, drinking and drug use. [Tweet... 

Christian Hornsleth makes debut in Amsterdam

Hornsleth in Amsterdam: 'If they don't get the joke, fuck them.'

Christian von Hornsleth is exhibiting in Amsterdam, and there was an immediate small riot. An organisation that raises money against trafficking in women no longer wanted to receive a contribution from the proceeds of his exhibition in Amsterdam, because the artist, whose conceptual work often features porn images, would actually be an advocate of prostitution. Something Hornsleth himself vehemently denies. The... 

From Urban to softerotica: The remarkable career of Sam Taylor-Wood/Johnson

The critical commotion that has emerged around the film adaptation of E.L. James's book Fifty Shades of Grey seems to focus mainly on the good-natured tameness of the final product. Something that contrasts with the supposedly edgy nature of the book, where a virginal young woman allows herself to be sexually initiated by a rich SM yuppie. Film critic Antony Lane listed... 

Cocker's secret: booze and total absence of irony

'With a little help form my friends' may be his biggest hit. My eternal favourite Joe Cocker song is and remains The Letter. Not Cocker's vocal acrobatics here, turning the rather side-splitting Beatles song into a screaming victim's plea. In The Letter, the man who did mostly brilliant covers actually changes bitterly little to... 

Spaghetti 'Thyestes': classic roots work fiercely in a new preparation

In Rome, they have known what good food is for 20 centuries or so. Bloodletting is everything. Seneca, a Roman of the better sort, wrote plays in which bloodshed was elevated to an art. Audiences feasted on them, just as they feasted on Seneca's recipes in Shakespeare's time, 1,500 years later, and as we feast on Game of Thrones on TV now. It can't be gory, can't be cruel enough. We like that.

Simon Stone is an Australian wonderboy, at least in theatre. He mixes the casu...

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7 confusing reasons why the stage version of The Fountainhead rattles, but you should still go.

Topical again, now that Toneelgroep Amsterdam is reviving the play, my review from 2014. This week, the stage adaptation of The Fountainhead premiered. The book is terrible, the performance rattles, the actors win only narrowly. The content, however, creates even more confusion, which is why I won't stop you from going to see it. And Hans Kesting, of course. I put it this way.

Legendary director Peter Brook (89): Theatre is the field given to me

The Valley of Astonishment. Titles don't come much prettier than that of 'The Valley of Astonishment'. Theatre legend Peter Brook's tentative last play is coming to Amsterdam. The Holland Festival gave me and two journalists from Parool and NRC, respectively, the opportunity to talk to the already legendary director when he was alive. Pretty special, because the man who enchanted an entire generation of theatre-makers and audiences with performances such as the nine-hour Mahabharata in Avignon, is considered a deity among theatre connoisseurs and enthusiasts.

Sex and populism in the seventies. How Denmark lost its innocence.

Film tip for this week: Spies & Glistrup, a Danish shrill comedy with a dark edge about the heyday of an illustrious anarchist duo from the 1970s. Even for the broad-minded Denmark of the time, they were extreme. According to director Christoffer Boe, they left a lasting mark on Danish society.

Because yes, the good Danes had not experienced anything like this before. Simon Spies, made stone-faced with a holiday travel empire and always surrounded by beautiful May...

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Nymphomaniac Vol. I in Berlin: half an hour longer, still the same film, still just as good

Lars von Trier is present at the Berlinale, wearing a T-shirt with the Cannes logo and the text 'persona non grata'. This refers to the riot at Cannes after his failed joke about Hitler. Since then, he has said nothing to the press. So we see on the monitor in the press room on Sunday afternoon

64th Berlin Film Festival opens with Wes Anderson's eccentric tragicomedy Grand Budapest Hotel

Imagine an old-fashioned sophisticated comedy, but filmed with modern speed, in the colourful and baroque style of a richly detailed comic strip full of plots and escapes, rounded off with a perfume of melancholy. That's when you come close to The Grand Budapest Hotel, the new film by Wes Anderson (The Royal Tenenbaums, Fantastic Mr Fox, Moonrise Kingdom) The Berlin Film Festival (6 - 16 February) thus secured an opening with a festive yet unconventi...

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Show with substance is like good sex with a storyteller

 "A good book is a man seducing me is like sex with a stranger." Anne Provoost, the securely Flemish-talking essayist managed to shake up P.F. Thomése and Hermamn Koch for a moment. In a debate during Writers Unlimited, she made a plea for the not-true story, and did so in a metaphor that rather stirred the imagination. She quoted her own work "Fiction and Power" in which reading indeed becomes a rather physical affair:

"Your lich...

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No happy sex, but bitter sex #WU14

Sometimes a Writers Unlimited programme can catch you off guard. Last year, the late-night talk show on literary sex was a hilarious highlight - pun intended - of the festival. This time, the programme dropped Let's talk about sex bar little to laugh at.

Forget the connotations with Salt N Pepa. Indonesian Linda Christanty writes not about 'happy sex, but about bitter sex as a means of power, as a form of coercion and violence.' That made us quiet for a moment. 

2 nights of sex, booze and relaxed writers: a mini guide

Writers Unlimited is the most fun literary festival in the world. We can know, because we have been there twice now. Whether the comparison with all those 20 million other literature festivals in the world is entirely pure, we don't know. We do know that a lot of the writers who attend Writers Unlimited agree with us. At least during those few days and especially nights in January.

A few reasons.
1: Sex
On Writers Unlimited, at least one programme is always about...

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