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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Bill T Jones is larger than life. Why Holland Festival 2020 will be a lot more topical than previous editions.

There are people who have a voice with which you can quiet a crowd in a whisper. Bill T Jones, choreographer and this year's associate artist of the Holland Festival, is one such person. Apart from that beautiful, heavy and full voice, he also has a presence with which he can quiet the cogs with a single hand movement. But all that would be nothing if... 

Five stars. Or more. Why we need heroines like Tina Turner. 

What. Have. We. Terrible. Much. Too. Learning. If there is 1 thing the musical Tina makes clear, it is that. Especially at the stormy premiere, Sunday 9 February, a few hours before storm Ciara blew the last bubbles out of the Utrecht champagne glasses. An almost completely white auditorium, in Black Tie, that is, with only a few people from... 

Song festival-gate update: fee for spectacle orchestra even lower

Those who want to be musicians have to bleed. Earlier, we reported that the highlight of the Dutch edition of the Eurovision Song Contest was going to be performed by professional musicians and conservatoire students who would receive 100 euros a day for it. Outrageously little, when you know that full days of work were going to be involved anyway, for eight days. Well: it's even worse than... 

The self-employed are to blame for everything. Now also for the downfall of regional arts journalism.

In april 2020 stopt de Persgroep, tegenwoordig DPG Media omdat dat internationaal beter bekt, met regionale kunstbijlages in zijn kranten. Geen kunstreportages en interviews meer, nauwelijks recensies. Lokale boekwinkels verliezen hun podium in alle Nederlandse regio’s, want de uitgever van Volkskrant, Trouw en AD heeft een regionaal monopolie. Het bericht, gebracht door een verslaggever van het Eindhovens Dagblad, viel op… 

Miss Ballet is a pleasantly deranged mess, and an ode to fantasy

Much has already been said about Almere, that it is ugly, for instance, or too car-oriented. There are also few cities in Europe where the four-lane roads extend as gloriously to the shopfront as in Almere. I'd like to add a note of praise. Coming from the station, walking across an artificial dune of car parks and fast-food chains, skimming past... 

Into the bookstore with a shopping basket. Booksellers are grasping at the straw called behavioural change.

Last December, we had no internet and no TV/netflix for a week. The Customer Disconnection Department of KPN, formerly XS4All, had not understood that a broken cable in our neighbourhood could have had anything to do with it. One of the funny effects of these fibre-less days was, I finished reading four books. Something I normally do only on... 

Dutch Edition Of Eurovision Song Contest Is Underpaying Musicians. (And existing orchestras are left out)

We got some confusing messages last weekend. The reason was the festive announcement of the organisation of the Eurovision Song Contest that a special symphonic happening would take place at the finals in Rotterdam. Third year and master students of the Rotterdam Conservatoire, part of Codarts, as well as young professional musicians were invited. A 'fee' would be available for... 

Eurovision Song Contest had the Metropole Orchestra, but chose students.

Where is the Metropole Orchestra? A unique orchestra, the only one in the world that can pull off the complete repertoire from classical to pop and jazz? The orchestra that used to accompany the Dutch acts at the Song Festival when everything was still live? The orchestra, which as recently as December was on tour with our new Song Contest candidate,... 

What is the remplaçanten-cao and why is it so bad that the NPO applies it to the Eurovision Song Contest?

[update: they get even less, see post below] We received confusing news last weekend. The occasion was the festive announcement by the organisers of the Eurovision Song Contest that a special symphonic happening would take place at the final in Rotterdam. Invited were third-year and master students from Rotterdam Conservatoire, part of Codarts, as well as young professional musicians. For the performances... 

(update: Song Contest response and nuanced message) Playing with the Eurovision Song Contest Orchestra? From 100 euros per day

In the first version of this post, we assumed 100 euros for 8 days. We turned out to be misinformed. The application of the remplaçants' collective agreement, mentioned in the explanation by the Song Festival, gives a bit more leeway, although its hourly and daily rates are still controversial. But 1,000 euros for eight days is now apparently the going rate.... 

'Naked violin in search of a bow' - Maarten van Rossem opens 'Moesmania' in style. (with sound recording)

'All that remains for me to say is that I think it is a fantastic painting and that I find it downright criminal that the Heineken family is unwilling to display the painting in a public place. It shows what an incredible thug the Heineken family is.' Dixit Maarten van Rossem at the end of his speech at the... 

Photo: Sanne Peper

From Fleabag to Game of Thrones à la Hollandaise, Alum does us all a favour with The Dutchmen.

In the days when Europe was still a loose collection of city-states and duchies, where groups of men, for want of football, went on raids a few times a year to burn houses and rape women, a language emerged in the marshlands of the Rhine delta. We know this because plays were written in that language, which is among the earliest preserved... 

Boreal at the top: our best-read posts of 2019!

A week before the end of 2019, Culture Press' membership stands at nearly 150, up from 40 exactly a year ago. A growth of more than 300 per cent is quite extraordinary. So we have demonstrated that we matter to a rapidly growing group of decision-makers in the cultural sector. So good that they are happy to contribute to... 

Deelder is Dead. Nadeche Pyka lives. Why People Say Things is the best literary festival in the Netherlands.

Jules Deelder instilled in me a love of poetry. He was there when I was in need of something other than the big-people poems that weren't about me, as a would-be punk. That was almost forty years ago now. He's just died, and heaven is also going jazz-ish. Last night, while the night mayor of Rotterdam... 

Why measuring leads to knowing less and measuring even more. On the futility of trend reports and indices

They have learned something at Boekman. The foundation, which since this year has had the honour of managing the culture index, understands that trend graphs say precious little. We have observed this several times on this site, and the researchers now confirm this wholeheartedly. So this year the club is doing things differently. For the past few months, sixty wise men and women have been... 

Why a sooty coat should always be explained. (Without tour guides, ushers and interpreters, art loses any raison d'être.)

Art has always needed explanation. Even 'easy' art, even 'art that sells itself'. Art has needed that explanation ever since the first caveman found out that her sooty smudges on the cave wall looked very much like a bison. Actually, this is why it is wrong to speak of 'explanation' and 'need'. Art and story are one, since the... 

Threatened theatre directors speaking: 'It literally hurts me when I hear that something like this is going to be abolished.'

'I didn't know you could also be digitised away in this sector, but so you can.' Susanne Visser and Annemiek Lely sounded the alarm on Saturday 7 December. Their jobs as ushers at theatre performances are in jeopardy. Companies would rather keep people engaged through podcasts, and such an usher only costs money. On Monday, December 9, we obtained... 

'At many theatres, you don't have to arrive if you don't bring your own audience.'

I spoke to Peter Pluymaekers, artistic director of Theatre Group Zep, about what it is like to make theatre for vmbo students. The occasion was the not-so-jubilant performance of Cleopatra. Listen to the podcast on anchor: 'I'm always a bit reluctant to do Shakespeare. I find him difficult, and young people often find him corny. I felt the same about the... 

Promotion critical interview with Amersfoort alderman hampered by Facebook

In the ongoing series of interviews with leading figures from Amersfoort's cultural sector, I interviewed D66 alderman Fatma Koser Kaya. It turned into an animated conversation. Strangely, De Stadsbron, Amersfoort's local journalism site, was not allowed to promote the interview from Facebook, the editors announced yesterday. It is unclear why. Here is an excerpt, the whole story of course on De Stadsbron: 'I believe... 

'It is crucial that people who mature here - also as artists - can stay connected to Amersfoort'

For De Stadsbron, Amersfoort's journalistic background site, I chart the cultural sector of the Keistad. On that site now, an interview with Friederike Weisner, director of Theatre De Lieve Vrouw. 'According to Weisner, the lack of a university or college ensures that the need for knowledge is visible: 'You will always have to be innovative as a city. There ... 

Why I am suddenly hugely in favour of live music in any theatre performance.

I went to Rotterdam Zuid to see Shakespeare. The play was called Cleopatra and someone had tried to turn it into a feminist manifesto. That is something like making a rhinoceros jump through a hoop: the British bard relates to feminism as Thierry Baudet relates to Greta Thunberg. So it had not succeeded, and the reviewer of... 

'The decision to underpay freelancers is incomprehensible and a blot on the record' - 'Leaders in Culture' call for fair payment of freelancers

'How many more talented creators do we have to lose to other sectors because they cannot reconcile the undervaluation with the quality of their product? People choose eggs for their money in the long run, when children need to be fed or mortgages paid. The sector is hollowing itself out if we don't take better care of our talent.' Thirty leaders in the cultural sector speak out 

Performing arts happy with Chamber's clamour

Modest cheers in the performing arts world. A motion tabled on 18 November by Corinne Ellemeet (GroenLinks), together with PvdA, CDA and D66, forces minister Van Engelshoven to investigate the consequences of the cuts to the Performing Arts Fund before the subsidy is distributed. The House approved this on 26 November. Wonderful, you might say, because if clear... 

Patrick Nederkoorn: 'We have everything in order and don't excel at anything.'

For De Stadsbron, I interviewed Patrick Nederkoorn, comedian but in a previous life also politician, about his city, Amersfoort: You had a decisive role in politics here for eight years. In your programme, you reckon with that a bit. You argue that you were very much on form, and sometimes sold content where later you didn't... at all. 

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