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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Incubators we already had, but where was the incubator? Is Art-up Incubator the salvation for cultural Holland?

Fifty years ago, some tomatoes and smoke bombs flew through Amsterdam's Stadsschouwburg. This will be commemorated on 4 November at ITA, the former Stadsschouwburg, with a gathering for which, according to the many e-mails I receive, not all tickets have been sold yet. Meanwhile, voluminous essays are appearing in the trade magazine and many are wondering whether there might not be another tomato... 

OK Boomer. The Diversity & Inclusion Code is going to change the art world. Or had it changed long ago?

From 42 to 18 pages. Actually, that says it all about the new Diversity and Inclusion Code that saw the light of day on Friday 1 November. After all the wooliness and ifs and buts of the original Cultural Diversity Code, the new thing is a miracle of clarity. Is perhaps also necessary, in these times of identity wars, where on the left and... 

Why the magnificent annual figures of the theatre and concert hall managements make it clear that the system must be turned around. 

Things are once again going insane for Dutch theatres and concert halls. Every year, the directors, gathered in the VSCD, manage to come out with truly fantastic figures in the autumn. This year too, the cheers are unrelenting. Everything is growing. The number of jobs, and the number of volunteers, for example. (both up by 3% in... 

If no one comes up with a Plan B... 

On 23 October, website Theaterkrant.nl wrote a piece on the future of the performing arts. A future that is black and gloomy when you, as a creator, count on growth, or even survival at all. In short: so much money is going away from the Performing Arts Fund, that from next year only between 50 and 60 applications can be honoured, in... 

Lazarus in Dutch premiere: it's Valentine's Day!

Before I say anything substantive about Lazarus, Sunday 13 October the musical premiere for people who never go to musicals, a few misunderstandings the world over. First of all, the album Blackstar, which David Bowie released three days before his death on 11 January 2016, is NOT the soundtrack to Lazarus, his musical that was released a month before his death.... 

Opinion researchers: Amersfoort, see artists more as business cards!

Amersfoort is investing in culture again. This is very good news after a period when cuts dominated. So now it becomes extra interesting what the city will do with the extra money. Some research is already under way. Last week, another study was added from an unexpected source. The main outcome: Amersfoort could be a bit prouder... 

European Cultural Foundation seeks new imagination on anniversary.

'Nothing can make up for the past. But the real, enduring power of the past lies in how it affects our present and our future. What we can do is shape a future history in which we consciously and determinedly carry with us only the best of our past.' Not keep rooting, but cognitive behavioural therapy for the whole of Europe, you might... 

'Too much arbitrariness in heritage law'. Pechtold committee wants us to take our cultural heritage seriously.

We treat our cultural heritage too casually. This is evident from the report 'Reserved and Involved', presented on Monday 30 September, drawn up by the Pechtold committee at the request of minister Van Engelshoven. In 110 pages (with pictures), it says that the current design of the Heritage Act leads to arbitrariness and uncertainty. This means that unsavoury situations like... 

In the end, we all go. Why Boukje Schweigman's 'Fall' is irresistible. 

Boukje Schweigman's world is exciting, but never deadly. Whether she makes an experiential performance in a beautiful location during a summer festival, or takes a more artful approach in the plays she makes for theatres: you only see nice people. Even in Val, her latest. In it, we see a lot of nice people falling. Falling deep, sometimes.... 

PODCAST! Why so modest? Modest Fashion celebrates exuberant covering as a new fashion trend.

Since a still-famous, superbly dressed theatre deity declared me unfit for a future in his theatre in 1991 because of my shabby wardrobe, things have never really worked out between me and fashion, although these days my wife guards me from making too big a mistake. Not a very good starting point for a report on a fashion exhibition in Schiedam, but go ahead.... 

The flip side of Fair Practice: Kunstenbond in impossible split after 'relaunch' Utrecht Centre for the Arts

'Poignant to see how a lack of decisiveness, clarity and leadership - at both the Utrecht municipality and the management of the KLA - could lead to a split and even rupture among employees.' Karin Boelhouwer of the Kunstenbond is stuck with it, and she has a point. The Utrecht Centre for the Arts (UCK) recently went officially bankrupt. A major... 

'Art tax cuts and a cultural fund will be created as an incentive for homeowners to invest in works of art.' (How we think the throne speech should have read)

Members of the States General, This year about 72 years ago we had the first Holland Festival. After years of enslavement and tyranny, hope for a better future literally came from above, in the form of Maria Callas. Eyewitnesses who saw the lights in the Stadsschouwburg turn red that day would never forget that image. 72 years later, it seems... 

 'You know, why we used to call it The Golden Age?' Why new stories need old words.

The puppets will dance, the turnips are cooked and the shit has hit the fan. The Amsterdam Museum is replacing 'Golden Age' with the neutral '17th century'. A typical example of oikophobic repopulation and politically correct language purification, or a useful adaptation to a changing zeitgeist? Time will tell, but explosive it is. For me, it raises questions. That... 

At Leiden University, the end of patriarchy is shining. 

This weekend, there was some fuss on Twitter. Something about a Nazi comparison that didn't quite work out. Now there is quite often a fuss on Twitter because of a Nazi comparison that doesn't quite work out, but this time it concerned one of our cultural figureheads. Kees Vlaardingerbroek, artistic director of the NTR Saturday matinee and former head of programming at the Rotterdam... 

What is it with borders? In theatre play The Border, we learn where life is always better.

There has been quite a bit going on about borders, lately. That is what authors Floor Leene and Greg Nottrot have made a performance about, together with Wil van der Meer, Tijs Huys and Pascal van Hulst. Directed by Daniël van Klaveren, the Nieuw Utrechts Toneel (NUT) ensemble performs the play on the oldest border we know,... 

Ivo van Hove directed a top-notch broadcast of Zomergasten, with a wonderful lead role for Janine Abbring.

Janine Abbring has managed to pull the somewhat ramshackle institution Zomergasten out of the doldrums. She has fun, is excellently prepared, is genuinely interested in her guests and has managed to push the eternal battle element into the background without making the broadcasts less exciting. That battle element was always: does the interviewer succeed in 'breaking' the guest? Because. 

TipiToe Festival: Texel grounding for gliders and non-gliders in beautiful surroundings.

'I know what you're banging on about!' The tattooed athlete who is still chilling after her pole dance workshop playfully shouts it at her friend, who has landed a solid left direct on my boxing glove. 'Well and truly,' she calls back. She smiles kindly at it. I know I don't have to take her slaps personally.... 

Striking: Amersfoort subsidises sports event with culture money

Amersfoort has some catching up to do when it comes to culture. Festivals like Spoffin, for instance, have no money to pay real fees for performing artists. So they are there with the name recognition as a reward. The same is not true for tennis players, it turns out. Indeed, Amersfoort's alderman for sports decided to enrich this year's atp tennis tournament with a €50,000 subsidy to, for instance,... 

Art cannot be exclusive enough. At Festival Noorderzon, everyone can experience it for themselves 

Police sirens sound less frequently in Groningen than in a city like Amsterdam. When they sounded last Wednesday night, it was because residents of the premises behind the local art academy, Minerva, raised the alarm. Standing on the roof was not an owl, but an almost naked man shouting that he was going to rob the Coop. Mads Wittermans, the actor in question, had forgotten the... 

Social Fund Performing Arts turns out to be moneypit: assets halved in five years. Why is this bad news?

'If we continue at the current rate, the fund will be exhausted in the foreseeable future.' This can be read in the 2018 annual report of the Performing Arts Social Fund. Plenty of reason to sound the alarm, indeed. Is this yet another victim of the cabinet's cuts? Not really, it turns out. When you look at the documents in detail, you see mainly that... 

Bring on that fair! 7 established facts that make an ever-younger festival Boulevard unique.

Theatre Festival Boulevard is a highlight of the festival summer every year. Because there are no barriers and because it carries the casual atmosphere of the city in every fibre. But it goes even further. Here are my seven learning moments: 1: Boulevard is more accessible than the city itself Some people find it verging on the hysterical, but... 

Five quarters of an adolescent brain. Jetse Batelaan makes growing pains hilariously palpable at Theatre Festival Boulevard.

When you make theatre for children and young people, you tell stories to children and young people from your adult existence as an adult. You can do that. You can get funding for that. Artemis, previously named the second-best theatre company in the Netherlands here, is such a company. But, because this youth theatre company is led by Jetse Batelaan, Artemis likes to do things differently. Stronger... 

Impressive Minaret shows at Theatre Festival Boulevard that art survives disasters. (And check out what Miet Warlop pulls off with Dervishes)

Miet Warlop has exciting ideas, and carries them out. Now she is not unique in that. More artists do that. What makes Miet Warlop special is that it invariably leads to really special work. Take her latest creation, to be seen at Theatre Festival Boulevard, 'Ghost Writer and the Broken Hand Brake': she puts three people on stage and... 

Colson Whitehead writes gripping book on cruelty in US juvenile justice: 'The system is still intact'

With his slavery novel The Underground Railroad, American writer Colson Whitehead broke through worldwide. His impressive new book The Nickel Boys is once again about a gruesome page in recent American history. Torture, rape, even murder: at the Arthur G. Dozier School for Boys, it was the order of the day. For as many as 111 years, the... 

Why youth is the future and fake art does not lead to real art at Theatre Festival Boulevard.

Bossche Theatre Artemis is, after International Theatre Amsterdam, the best theatre company in the Netherlands. The company owes this to an illustrious past (Pauline Mol!!) and to Jetse Batelaan. This director recently received the prestigious Silver Lion at the Venice Biennale for his disruptive oeuvre. This consists largely of performances in which children take power, without... 

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