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Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.

Science shows: the story accompanying a work of art is more important than the art itself

It has finally been scientifically proven: a work of art does not stand alone. A work of art is only truly appreciated when the viewer is told that it is real art. British professor Martin Kemp conducted research with brain scans at Oxford University and provided proof that the way we look at art is "completely irrational". The research... 

Halbe Zijltra loves his job more than the ministry dares to show

That Martin Bosma, culture spokesman for the PVV, wants to withdraw the subsidy to Toneelgroep Amsterdam because that company plays works by 'enemy of the people' Tom Lanoye, was not even the most bizarre incident of the culture budget debate on 21 November 2011. More bizarre, too, than the PVV's demand for the establishment of a Colonial Museum celebrating the glory of 'Our Indies',... 

Arts Council 020 reacts to Culture alderman's austerity plan: 'Don't cut!'

You can throw your ass to the curb, as an art sector, but you can also do something else, while staring with your big rabbit eyes into the headlights of an oncoming balderdash monster. And what is that other thing, the Amsterdam Arts Council wondered? Cuddling to death, was the answer. When Amsterdam's alderman of culture unfolded her plan for the... 

Had the cabinet been a restaurant and the country's connoisseurs Johannes van Dam, Rutte could have closed the joint.

A nice side effect of the Giving Act is that it gives the tax authorities a vital role when it comes to determining what is art, and what is not. That was the outcome of the hearing on Tuesday 11 October in the House of Representatives. There, the MPs listened to people from the philanthropic sector and tax experts in turn. Outcome of the two... 

Can a piece of plastic be sad? Well in the theatre by Lotte van den Berg #dekeuze

Can a plastic rag be sad? It does in the hands of a puppeteer in a performance by Lotte van den Berg. With a few pieces of tape and a lot of well-aimed buttons, the plastic rag has been transformed into something with four limbs and a head. And the plastic rag mourns in its performer's hands dozens of similarly knotted... 

"1 billion loss? There are other figures." Halbe Zijlstra refers Berenschot report to trash.

At the end of August came the figures. And what figures they were. Due to the stacking of extreme cuts by government, provinces and municipalities, the abolition of the successful Work and Income for Artists Act and the equally successful culture card, plus the VAT increase on the arts, the Netherlands' cultural sector would end up missing out on €1 billion in revenue. Berenschot had estimated that in... 

We talk endlessly about climate change and then the lights go out. #decision

It is the most frequently asked question to actresses: whether it is difficult, crying on command. And invariably Carice van Houten or Halina Reijn then replies to Matthijs van Nieuwkerk or Jeroen Pauw that there are all kinds of tricks for that. For crying. Just think of something nasty, tiger balm, onions, and Vaseline. Now, however, it turns out there is something where even... 

15,000 burger buns set a fitting stage for typically Spanish Golgotha Picnic #International Choice

  Spain and God. The two have had something in common for a long time. And to outsiders, not always in a positive sense. Spaniards invented the Inquisition and converted the entire native population of South America to the eternal hunting grounds. When artists delve into the relationship between supreme being and Spaniard, it also quite often produces confrontational works. Take... 

Festival 'The International Choice' opens as it should: abrasive, confrontational and tad disturbing #thechoice

Strange how quickly history detaches itself from your memory. We here had gradually come to think that the camping riot in Cairo's Tahrir Square was some kind of summer of love. That everyone there was cramming roses into cannon shells singing together and that the whole world was just there to give each other love and hugs. Time for a lesson in rebellion.... 

Hot and sunny weekend at Soesterberg airbase: time for new experiment with The Dodo

With temperatures above 25 degrees, it will be a sweltering but also unique summer day, that 10th September. The Cultural Press Agency will be present that day and Sunday with four journalists at the former Soesterberg Air Base to report on festival De Basis. When you get there, you will make lots of nature, even more impressive war history and a theatre performance or two... 

The hottest day of this summer is dedicated to Festival De Basis at Soesterberg. Be there. #thebasis

With temperatures above 25 degrees, it will be a sweltering but also unique summer day, that 10th September. The Cultural Press Agency will be present that day with four journalists at the former Soesterberg Air Base to report on festival De Basis. When you get there, you will make lots of nature, even more impressive war history and a piece or two of theatre performances and visual... 

Argentine lives inexorably turn to destruction at Mariano Pensotti's hands

Turntables and theatre have something in common. Especially in recent years, theatre-goers increasingly run the risk of facing a so-called rotating stage. After Johan Simons made use of this technical style figure in his direction of Hiob at the Munich Kammerspiele and Christoph Schlingensief made the stage turn spectacularly in his swan song Mea Culpa, it is now... 

Rotterdam Theatre's International Choice has always been a personal choice

Last year, it was still about 'a sense of belonging': about the ability to feel at home somewhere, to know you belong somewhere. This year, the motto of the quirky Rotterdam festival De Internationale Keuze is almost diametrically opposed to that: parallel reality. Instead of one place offering warmth, the festival now says that place is there... 

Cackling fresh location artists prepare for Festival DE BASIS

With a few creative friends and a nice budget, romp around in a playground of many tens of acres of pristine nature. Surrounded by the remains of military might. It automatically makes you talk riotously. But that's how it goes sometimes. With art. So, to get right to the point: cuts are not always bad. For instance, divesting the... 

Theatre Institute Netherlands to continue as museum, perhaps in Arnhem

Clever, of course, but also perilous. Although - hanging over the abyss - there will be little else to do, but turn the TIN (Theatre Institute of the Netherlands) into a Performing Arts Museum. From 2013, because then the Ministry of Education, Culture and Science's money tap will close. In doing so, the institute will implement a rescue plan that will at least save the collection. Whether this will also save the... 

Cultural policy Rutte cabinet advised against by patrons and entrepreneurs; PVV absent from hearing on future of Dutch culture

Actually, there was only one compliment for the cabinet, which is in the process of cutting an average 30% from a sector that employs tens of thousands of Dutch people. At the hearing convened by the second chamber on Monday 20 June, only cultural sociologist Arjo Klamer was positive about the decisiveness shown by State Secretary Zijlstra. That he did subsequently think that... 

#HF11: They're going to make another big cut to the Russians at Toneelgroep Amsterdam

Cologne and Paris may not have been built in a day, but it took less than three days to fly to the moon. A warped comparison to say that a show that rattles three days before its premiere can turn out to be an unimaginable hit on the premiere itself. So something like that could happen with The Russians, the latest show 

#HF11: Japanese company canteen leads to hallucinatory tragedy of incapacity

In very different places, people can sometimes have the same idea. And even more sometimes, those similar ideas both lead to something wonderful. A couple of years ago, thanks to Brabant theatre Bis, mime company Kassys performed the beautifully sad tragedy 'Kommer', in which colleagues spent pointless time in a mourning room full of lease plants. Every gratuitous phrase was magnified by powerfully helpless gestures to the... 

#HF11: There is an old crippled servant haunting the Zuidas

Firs is his name. And he always arrives late. Because of the gout. Poor houseboy. Firs was created by Anton Chekhov. His masterpiece The Cherry Garden is about the boredom and lameness of the old rich, and Firs is the house servant who sees it all happening. Chekhov lets him die, at the end, when the departing house owners totally forget about him... 

"We still spend hundreds of millions on culture"

Stronger than ever in recent years, the influence of spin doctors on politics has been noticeable. While at first it was only the PVV, in the person of Martin Bosma, who introduced the American methods of 'framing', it is now also standing Cabinet policy. We all know the Henk and Ingrids, the hardworking Dutch and the head rag tax. And now there is the... 

#HF11 Young Hungarians in Leonce and Lena deserve our sympathy

Actors wearing sort of harem trousers and bamboo sticks on a nondescript playing surface. Some of you may think back nostalgically or with trepidation to the days when there were 'Akademies voor Ekspressie' in the Netherlands. Summits of socio-art. Sometime deep in the 1970s, that is. Maladype Theatre, from Hungary, fits seamlessly into that picture, which... 

#HF11: Isabelle Huppert alone on camera enchanting in shaky adaptation of Tramline Desire

They say of Isabelle Huppert, for years the most beautiful and mysterious appearance on the cinema screen, that she has the look of a dead zebra finch live. I had at least heard about that, but had never experienced it in real life. Until Friday night 3 June at Amsterdam's Stadsschouwburg at Un Tramway in the Holland Festival. And it's true... 

#HF11: As grand, as extreme and as haunting as Schlingensief's 'Mea Culpa' you rarely see theatre

Dying young turns out to be advantageous not only for skywalkers like Buddy Holly, Sam Cooke or Jesus. Even in a rather elitist world like that of German theatre, you can achieve star status through an early death. At least that happened to Christoph Schlingensief, the man who died of lung cancer in 2010. The man had already achieved stardom throughout the German-speaking world,... 

Playing with the Wooster Group: 'a totally new way of being on stage, of dealing with signals and the material of the show'

'Your audience will love it.' That was the last thing Liz Lecompte of the Wooster Group heard from the heirs of playwright Tennessee Williams shortly before the premiere of Vieux Carré. Since then, the trustees of the estate of this American monument have been keeping quiet about the performance Lecompte created. It was the end of a long period in which... 

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