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The Garden is a new dance film by Sem, now also a dancer with the Dutch National Ballet, which premiered last week. The choreography is by British dancer Pascal Johnson, with five dancers dancing on the roof of artist Jean Dubuffet's famous artwork Jardin d'émail in the sculpture garden of the Kröller-Möller Museum. That in itself is special enough, however, it is the optimism of the dance film that impresses.
Since Saturday 10 October, you can watch the Dutch National Ballet's ballet Live online for 2.95 euros. I did it. It was worth it.
In October, the Blazers and Bart Moeyaert will tour again with De Schepping, the first part of this successful musical theatre trilogy. During this performance, Bart Moeyaert (winner of the 2019 Astrid Lindgren Memorial Award, the 'Nobel Prize for children's literature') tells the story using a self-written text to this old, but never performed this way, music by Haydn.
This year, November Music awards 10 commissions to Dutch and two to foreign composers, including a choral work for Finnish composer Kaija Saariaho. Traditionally, November Music opens with the Bosch Requiem on Friday 6 November, which of course takes on an extra charge this year. Korean-Dutch composer Seung-Won Oh draws inspiration from the YeonDo death ritual that links Korean funeral traditions with the Catholic faith. After Kate Moore and Calliope Tsoupaki, she is the third female composer of the Bosch Requiem in a row.
Maas theatre and dance presents from Saturday 5 September to Friday 16 October 2020
Every week a 60-minute creative lecture by eat designer Marije Vogelzang as part of the
of summer performance The Wild Kitchen. Vogelzang's aim with the lectures is to use the
inspire visitors and viewers to improve their relationship with food.
Under the banner 'Sender Boulevard', the organisers of Theatre Festival Boulevard signed up for six weeks of live encounters in 's-Hertogenbosch. More than 40 different projects delivered an extraordinary variety of performances, performances and installations. Based on the theme 'Nader de ander' (Closer to the other), Boulevard more than ever entered into dialogue with makers and audience, which led to an intense dialogue with results.
Writers and translators hit by the corona crisis can now apply for three support schemes set up especially for them. They can apply for up to €5,000 for a project grant or income support. The first submission deadline closes on 30 September 2020. Membership of the Authors' Association or affiliation to Lira is not compulsory.
This year's Charlotte Köhler Prize, a triennial award for writers of literary works, has been awarded to Manon Uphoff (1962). Uphoff receives the €15,000 prize for her entire oeuvre and in particular for the novel Vallen is als vliegen (2019), which is rooted in reality.
The NBE calls on young composers to write music about something or someone they want to stand up for, or even rebel against. There are hardly any rules, anything goes and anything goes as long as it is self-invented.
Exterior, day. A deserted street in a southern Dutch town, unusually bright daylight. No sound. A man drives up and parks at a vacant power point. He walks to the entrance of a large, empty, modernist building. He is greeted by a very very old veteran, who tells him that "the wife is in for a moment", "she asked me to go on the...
Boukje Schweigman is an artist this country desperately needs. My deep admiration for her arose with 'Klep', the performance with which she graduated from the Amsterdam mime school long ago. With eight others in a trolley, looking around through very small flaps in a world where sweet creatures are equally curious about you, after which a minimal touch has the impact of...
'For Indonesian Dutch, 15 August is definitely not liberation day,' explains playwright Bo Tarenskeen. The last day of the alternative Festival Boulevard in Den Bosch, Sender Boulevard, coincides with the commemoration of Japan's surrender on 15 May 1945. The Dutch East Indies, the colony exploited by our country for centuries, had also been liberated from the Japanese, but the end...
What festival director Viktorien van Hulst, together with her team, is pulling off seems almost impossible, but it fits the tradition she has developed since taking office. For a few years now, Boulevard has been as much about massive events as intimate encounters.
Illusionary Rockaz Company was due to release a new work by Shailesh Bahoran this spring. A new production for the first time in two years, after a time in which the Utrecht-based choreographer was constantly winning awards. And then Corona broke out. For Shai, reason to pause for a while: 'For Shakti, the performance that is coming up now, we have to...
'Of course Corona has an impact on me, but the impact of Black Lives Matter is much bigger. I want to get to work activating young people. They need to feel that this is our country. I think it's important to always use every stage to make that clear.' Bright Richards is twenty years after graduating from the Arnhem...
'The spontaneous breeze should be planned at least 15 minutes in advance. After all, you have to buy tickets for a block of time. When you enter our venue, you immediately see all the security measures we have taken to protect staff and visitors. There are huge screens to separate the flow of visitors. There's a chance you won't get lost in... this time.
Dear Prime Minister Rutte, Dear Mark, We have met before. For you one meeting out of many, so you probably won't remember. After all, we have nothing in common, not in terms of political colour or skin colour, not in terms of our socio-economic class, not in terms of our nest, not our gender, height and possibly other distinguishing characteristics: many NOT...
What an incredible bucket of guts Lucie Horsch has. Twenty years old. Quite world-famous by now, admittedly. But you just have to dare, in your acceptance speech for the prestigious Dutch Music Prize, to throw the minister's just-expressed words back in her face. Because that is what Lucie Horsch did, with a controlled fury that made a deep impression even from 25 metres away. The...
Ingrid van Frankenhuyzen's article on the high pay for some directors in the arts sector (Forget KLM and Booking: directors are big earners in the subsidised arts too.), and Wijbrand Schaap's commentary on it in the Cultural Press Agency newsletter lack context. Why do I think so? Salaries within cultural institutions follow collective agreements/wage guidelines that are in place in the industries...
Just like in the world outside culture (call it capitalism), in the cultural sector itself you also see a huge payment gap between creators and 'the plush'. Only you can't talk about that taboo without being seen as a traitor.
'I have only met one person for more than 3 minutes in five weeks. I live alone, I see people at the groceries, I take walks and bike rides, but apart from that I don't see anyone live.' Rainer Hofmann, artistic director of Spring, is experiencing a very different spring than intended, thanks to Corona. This month, the major Utrecht festival of innovative art was supposed to...
'At some point, you get it again. then you just have to start paying again. Unless there will somehow be remission, but that is not the case for now.' For Paul Baltus, director of museum dome Amersfoort in C, a big challenge awaits if the intelligent lockdown will slowly be lifted. How can...
'If you can put only a quarter, or even less, in a hall that normally holds 600 people, then the tickets do become very expensive, because your costs don't change. Then my popular heart starts beating again: should we really want something so elitist?' Bernard van Gellekom is an important figure in the Amersfoort pop scene. In his home...
The Cabinet is allocating an extra three hundred million euros to cushion the damage of the corona crisis in the cultural and creative sector. This is an important step in the right direction and will actually help a number of institutions get over the bridge. By doing so, the cabinet is also sending a signal: that culture matters. Moreover, Rutte and his...
We must continue to get through the already theatre-less weekends this spring and summer without Sunday with Lubach and This Was The News. Their season is over. The latter remained witty without an audience, Lubach in my opinion did not. How did that happen? Five weeks ago, when the shows first recorded it without an audience, it was noticeable that Sunday with...
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