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The chance of encountering a hedgehog or an (abandoned) nest with eggs in real life is unfortunately getting smaller and smaller with the shrinking area of nature and the extinction of many animal species, but the 'realness' of Helmantel's paintings still lets you enjoy these beautiful phenomena.
Strictly speaking, prioritisation is another word for wielding a saw line, but it feels different. 'Prioritisation within the applicable criteria', as stated on the site, smacks of possible arbitrariness, as nowhere is it indicated which criteria were given how much weight.
Those who read De opgang begin to understand more about Belgium: the country's gigantic split, the friction between the two parts of the country, and the rise and success of the Vlaams Blok. Hertmans has also come to a better understanding of how deep the cleavages and "the sorrows of Belgium" run.
Polish-Dutch Hanna Kulenty (Białystok, 1961) writes music that gets under your skin. Whether it is early works like Fourth Circle for violin and piano (1994), the opera Mother of Black-Winged Dreams about multiple personality syndrome (1995), or more recent compositions like the Viola Concerto (2015) and her Flute Concerto No.3 (2018), irrevocably you are taken on an exhilarating journey with a...
How to get young people to read again (or more)? Writer Bas Steman (49) succeeded in getting a group of adolescents to really like reading.
The performance is outstanding, a lot of time has clearly been spent on it. However, this cannot prevent the performance from slumping a bit halfway through.
The 40th edition of the Netherlands Film Festival pushes the boundaries. Corona makes everything go differently. Now in more than 100 theatres across the country, and also online. For groundbreaking work, there is the sixth instalment of the Directors' Forum.
The total of eight festivals that were given a place in the Basic Cultural Infrastructure thanks to vigorous political lobbying are in the clear. They do not benefit from the extra millions released by the Cabinet on Budget Day to rescue the Performing Arts Fund, because they are not (or no longer) covered by it.
Further postponement and downsizing of commercial theatre productions means a severe blow to the countless self-employed who have work in the smaller roles and accompaniment.
Pièce de résistance will be the brand new Reconnaissance (Rusty Mirror Madrigal) for choir, percussion and double bass. Saariaho composed it commissioned by November Music and the Donaueschinger Musiktage. The first performance was scheduled at the German festival, which, however, was also cancelled. - A stroke of luck for November Music.
The hybrid German-English model combines the best of three worlds. But it also involves major changes. Artists will no longer all live in Amsterdam, but in one of eight or 10 urban cultural regions.
The scope of the stories that stand a chance of winning the Thea Beckman Prize awarded by the Archeon today is wide. The five contenders on what Thea Beckman's work and nomination for the prize mean to them.
As this is D66 culture minister Van Engelshoven's presumably last budget year, the press release once again emphasises that a total of 95 million extra has now come into the culture budget during her tenure. It is too early to draw far-reaching conclusions.
For Mark Rutte, this must be a defeat, or else a U-turn of sorts. Although, there are indications that he is taking a milder view. In 2016, his speechwriter actually managed to cycle the K-word into the speech from the throne
How nice it would not be if the Culture Council really 'got its hands on' supporting freelancers and self-employed people! There is an opportunity.
The cultural centre of gravity in Limburg has been in the south for years. However, to encourage southern institutions to programme outside the region, only 1 extra point is available. Examples of the problem of geographical spread also exist at the Council of Culture and the Performing Arts Fund.
My mouthpiece is non-medical. I like the idea of that. Because as a result, my mouthguard creates a false sense of security. And when I have a false sense of security, I am much more vigilant than with real security.
More than 20 years ago, David Grossman's phone rang. A woman by the name of Eva Panić Nahir had something to say about an article he had published in an Israeli newspaper. Grossman smiles at the memory. 'What my piece was about I don't remember, except that she thought I had not gone far enough in my criticism of the government. I did find it refreshing to be attacked for once by someone from the left, instead of - as usual - the right wing.'
Anno 2020, Music Week is buzzing like never before. Even corona has barely caught on. How many 'Mozarts' have emerged by now I will leave open, but the rich and varied off- and online offerings create some choice stress. At 75, the organisation is younger than ever: Gaudeamus is the place to be.
The VVD will not give away Mark Rutte's latest crown jewel, the arts subsidy cut, for free. The latest argument: suction effect.
Politically, the municipality of Noordwijk is not a paragon of civilisation, fortunately sporting - football, surfing - is doing much better and in terms of culture, the coastal municipality offers a wonderful palette of theatre, music and visual arts.
An ambitious young writer turned Dutch celebrity - Joost Zwagerman's life was turbulent, as was his character. That his marriage ended in divorce after almost twenty years, he could not bear. A year later, on 8 September 2015 - so exactly five years ago today - he ended his life. In her book The Longest Breath, his ex-wife Arielle Veerman looks back. There appears to be no resentment, only sadness.
A fire letter from the United Performing Arts Festivals. One of more than a hundred lobbying organisations in the arts, but a very important one. After all, the festivals are the place where audiences were introduced to arts and entertainment in its full breadth. That doesn't happen anywhere else. And beautiful: they stand up for all performing arts, because, as loyal readers of this site know: they are quite the hare, and become even more the hare with every half-hearted rescue.
Things need time and distance to become a story. Good, then, that in his 'State of Theatre,' the traditional opening of the theatre season, Rau did not take the floor himself, but handed it over to people who are now in the midst of the confusing time of austerity, coronasteun and political turmoil. Because the 100 international makers he asked for a book entitled "Why Theatre?" could not come because of the pandemic, six Dutch makers were invited.
As a child, I played the piano moderately for years on a large, tattered Kaps from Dresden. The instrument eluded me when I went to college, as it proved impossible to get the thing up the stairs in my first independent home, one of the HAT units in the Boekhoven building on Breedstraat.
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