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'NOW support saved us, but creates a lot of extra workload afterwards.'

At the end of July, we posted an appeal by the UWV on this site. The benefit agency sounded the alarm because few cultural organisations had yet completed their final application for corona support. If they had not submitted the application corresponding to the advance received earlier before 31 October, they would have to repay that advance anyway. Every reason to take a... 

Nina Hiddema, director a.i. of the Netherlands Reisopera: 'Nicolas Mansfield's succession is going to take some time to complete

'A sorcerer's apprentice? It is really not the case that Josef Fuchs could and would single-handedly bend an entire application process to his will. That is pertinently untrue and I even find it damaging to his person.' Nina Hiddema reacts vehemently to our article on Josef Fuchs' remarkable job title, and the change in it. Hiddema explains: 'I am... 

The dizzying void is literally at the heart of L'absolu during Festival Circolo

For those who love acrobatics and existential questions of life, Boris Gibé's L'absolu is a valhalla. The extraordinary spectacle can be admired during Festival Circolo in Tilburg. In an empty silo at a height of 12 metres, acrobat (and metaphysician) Gibé confronts the audience with the big questions of life. With his act, he shows that circus and art can go hand in... 

Lucho Smit's unique take on circus innovation: 'Everything already exists, we just make different connections' #festivalcircolo

'I often wonder why I keep doing what I do. I do circus, but I don't just want to tell stories, I want to act, I want to live up to my beliefs and my values. And by acting, I don't mean eating organic food, sorting my waste and donating to Greenpeace, no ; I really want to contribute to all those issues I... 

Jolanda Spoel seamlessly forges hip-hop and classical together in Melomaniac. And that is quite difficult

'They come from two worlds, but work together towards something that is one. Jolanda Spoel has done that perfectly'. Katinka Reinders, head of education at the Rotterdam Philharmonic Orchestra, is enthusiastic after one of the first play-in performances of Melomaniac at Maas Theatre & Dance. Just now, a room full of somewhat timid secondary school students turned into a churning group of lovers of... 

New at Festival Circolo: The stage is at least as exciting when you can only hear it.

During Tilburg circus festival Circolo, you can experience it, if you want to, and certainly if you can't help it: audio description. Especially for the blind and visually impaired, the festival offers the services of Komt Het Zien, a company specialising in live description of what is on stage in front of you. Founder Arlette Hanson, is one such... 

'Smash the crystal ball. Empathise with future generations!' - About Digital Decisiveness #2

Perhaps the COVID pandemic did not itself create unprecedented inventions and new things, but unexpected things that were already there suddenly came to the fore. Like podcasts, like online art, like new views on leadership and a different way of looking at the future. Very briefly, this is what you take away from the total of eight hours of... 

Great, scintillating Trojan Wars from National Theatre

Dance and ballet, drama with gory atrocities and clattering emotions, imaginative lighting, set and costume effects and, above all, enthusiasm bursting forth. HNTjong's 'biggest production ever' with 30 actors for 50 roles is overwhelming. Thanks also to the corona crisis: the National Theatre had to postpone the performance for a year and a half and lift it over two summer holidays, with all the misery... 

The big question of online gathering: who will show us the way to the bar? #Digitaladventure 1

A virtual gun, which, when you shoot it, does not fire a bullet but displays a pop-up with encyclopaedic information about what you have just fired at. Now if only we fought the next war with that. It was conceived by Iranian artist Ali Eslami, who was forced by the lockdown to use his international network to develop... 

From 'artistic director' to 'deputy artistic director': what is Josef Fuchs' position at the Netherlands Reisopera?

Last Monday, 20 September, the Nederlandse Reisopera presented its programme for the upcoming season. The speaker was Josef Fuchs, who was introduced as the company's new artistic director by its general director a.i. Nina Hiddema. A festive occasion, which caused slight surprise in the small gathering (a few journalists and some colleagues). In an interview (below... 

Marta Barone's craftsmanship glistens beneath the surface of 'Sunken City'

'It really is the case that at some point the dead come back to look for you, and then you have to have dinner with them.' Italian writer Marta Barone (34), who records these words in her novel Sunken City, experienced this first-hand when she lost her father Leonardo, now a decade ago. Barone grew up at... 

In the grip of mental illness. Jan van Mersbergen wrote a novel about the demise of his family

If either parent is not firmly on their feet, how does that affect an entire family? That is what Een goede moeder (A good mother), the new novel by Jan van Mersbergen (50), is about. The story is based on the past years of his own life. 'It wasn't supposed to be a reckoning.' Adventure novel Two years ago, he said that at 50, when he was... 

Museum association sounds alarm: even strong museums will not get out of the one-and-a-half-meter without support

Last weekend's #unmuteus parades might lead you to believe that, as soon as the weather allows, the cultural world will be out of its misery in less than no time. The tens of thousands who took to the streets are quickly populating the halls again, and with a little more water with the beer, and slightly more expensive mints, the night and event industry - which is also there for the... 

Westbeat, Amsterdam's newly built cultural fray, is perhaps too good.

Art, and certainly avant garde art, thrives on the frayed edges of society. Especially in the second half of the 20th century, industrial heritage and as yet unrenovated urban foam were the places where art could escape the norms of the ruling class. The NDSM wharf in Amsterdam North, Hall 4 or the Submarine Wharf in Rotterdam, Ceramique in Maastricht, Sterrebos in... 

Tobias Kokkelmans starts as director of the Dutch Theatre Festival: 'More exchange between different groups in audiences and creators.'

'As for many people, the theatre festival really does mean something. Like the Fringe, it is impossible to imagine without it. I've been able to make artistic friendships there, I've been able to have arguments there, I've met people who I thought were adversaries who turned out to be comrades-in-arms. Because there are not only performances, there is... 

Back to the primal power of magic, through youth theatre. With thanks to Jetse Batelaan.

Plays often end in chaos. An overturned liquor cabinet, a blood blade among royals, we are used to a few things. Jetse Batelaan's latest play, baroque and sharper than he showed before, also ends in beauty, but then that is actually the beginning. Indeed, the ending is sterile and stripped of any life. But that is where the performance begins. The artistic director of... 

New private museum in Amsterdam: a rather brazen action, seemingly fuelled by resentment.

'A beautiful gift to the city'- this is how the Hartwig Art Foundation describes on its website the plan to initiate a new art museum on the Zuidas. It is a private initiative by entrepreneur, art collector and philanthropist Rob Defares. The Amsterdam Arts Council has advised positively on the plan, with the municipality deciding soon. It sounds promising: an art hall - there will be no... 

NTF Pro: professionals look for gripes at Dutch Theatre Festival.

Those who fear - by virtue of being white men or women - that the descendants of enslaved people are coming to punish them for being grossly at fault for the consequences of the now infamous VOC Mentality, can sleep a little more peacefully again. During the first day of the Dutch Theatre Festival, Thursday 2 September in Amsterdam, surprisingly conciliatory noises rang out when it came to... 

Nerd podcast s2a3: Guy Weizman talks to Wijbrand Schaap and Marijn Lems about The State of Theatre.

'We thought it would be a good idea, after a year and a half of misery, not to start immediately with the most critical perspective, but rather to emphasise how good it was to be together again.' In this podcast, Marijn Lems and Wijbrand Schaap look back with Guy Weizman at his 'State of the Theatre', the traditional opening of the... 

Anne Lise Kjaer, futurologist, special guest at The Dutch Theatre Festival: 'If everyone stays in their bubble nothing will happen.'

If you want to navigate in unfamiliar waters, it is good to take a map with you. My father was a fisherman, he hardly read, but that's what he told me. Now that I come to Amsterdam, that is also the first thing I do: make a map. What museums are there, is there a cool restaurant, is there new architecture? 

Nerd podcast with Jan Veldman, Marijn Lems and Wijbrand Schaap on theatre refusers and cabaret.

We're talking about the non-attending theatre. Because it was all about it last week at Theatre Festival Boulevard and then on social media following this post. One who spoke out very strongly about it was theatre and screenwriter Jan Veldman (a.o. Theatre Group Jan Vos). 'I think thinking theatre is an elitist idea, and at least... 

Daan Roosegaarde falls through. But what about Zara?

There is a bit of a buzz about Daan Roosegaarde. Again, we might say, because Daan Roosegaarde, it turns out, cannot be described as a creator of original work, but as someone with a rather remarkably sensitive antenna for other people's ideas. Which he then presents as his own work. From the article in the Volkskrant on this, one and... 

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