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2001 is a film you should see again every 10 years. The sf epic even stands up to live orchestra

Does live accompaniment with choir and orchestra make Kubrick's 2001 a different or better film? Not necessarily, but as an homage and event, it is a wonderful gesture. Even on the hard bucket seats in the Gashouder, it is once again a breathtaking experience. Last night, at the Gashouder on Amsterdam's Westergasfabriek grounds, finally revisiting Kubrick's science fiction epic 2001: A Space Odyssey. This... 

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Those who are not already become Kubrick fans now. Exhibition and all films at EYE, kicking off on #HF12 with 2001 plus orchestra

Hear Vera Lynn sing as the atomic bombs explode in Dr Strangelove. Stanley Kubrick did wondrous things with the music in his films. Rightly so, the Holland Festival is making space for a special screening of 2001 with orchestra. Space ships to Strauss' waltzes, prelude to a Kubrick summer. Much has been written and speculated about the films of Stanley Kubrick (1928-1999),... 

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EYE on the IJ - a spaceship with allure

Tonight the queen may officially open the new home of the EYE Film Institute Netherlands, last night director Sandra den Hamer did it herself in advance at an opening party for relations. In doing so, she spoke of a historic moment for film culture in the Netherlands. Seen from a distance, the building, conveniently referred to as "the new film museum", is most reminiscent of a... 

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Wednesdays winner of Dutch competition Go Short

Last night the awards for best short films were presented at festival Go Short in Nijmegen. Winner of the Dutch competition is Woensdagen by Aaron Rookus, a small feature film that approaches the heavily charged subject of sexual abuse in the most subtle way. What begins as an emotionally stunningly well-struck impression of eight-year-old Kris' weekly outing... 

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CineCrowd shows at short film festival Go Short that crowdfunding works

In the short Dutch film Ceci n'est pas un rêve, which premiered at the festival Go Short (Nijmegen, 14-18 March), the cityscape of Paris slowly transforms into a dreamscape. You could call it a surrealist documentary, in which filmmaker Amos Mulder has incorporated influences from early German film pioneer Walter Ruttmann as well as modern computer animation. With further... 

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Originality rewarded at Oscars 2012

You can hardly claim it was a surprise result, because for weeks - what do I say, months - The Artist had been mentioned as a surefire Oscar favourite. Still, the crowning of this largely silent French black-and-white film that pays tribute to the end of the silent film era in Hollywood is proof that originality still counts in... 

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Berlin 2012 - Dutch debut Hemel wins Critics Award

Dutch film Hemel was chosen as best film in the Forum section for young cinema by the jury of international critics at the Berlin festival. This is a fine success for director Sacha Polak who delivers her first feature-length film with this drama about a young woman who has lost her way in search of love. Heaven, after a... 

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Berlin 2012 - Shakespeare knew it all

Would today's revolution makers even study Shakespeare? In Cesare deve morire (Caesar Must Die), the competition entry by the Italian Taviani brothers, we witness the preparation and performance of Shakespeare's Julius Caesar. Anyone watching this with the world's noise in mind will often feel a shock of recognition. The tragedy about a coup in ancient Rome shows... 

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Berlin 2012: Christian Petzold scores high marks with haunting GDR drama Barbara

Can a filmmaker born and raised in West Germany strike just the right tone in a film set in the former East Germany? I hadn't really thought about that before, but the Berliner Zeitung raised that question in response to Christian Petzold's Barbara, about a Berlin paediatrician who, after requesting to go to the West,... 

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Berlin 2012: Finnish SF comedy and Nazi parody Iron Sky met with cheers

Timo Vuorensola has done it to him. Perhaps reading the name of this Finnish director and music video maker does not light up a light yet, but then you do not belong to the extensive internet fan club that has been closely following the genesis of the potential cult hit Iron Sky for several years. Its world premiere at the Berlin festival is now the... 

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Berlin Film Festival opens with a messy Versailles

The 62nd Berlinale opened tonight with Benoït Jacquot's Les adieux à la reine, a French costume piece that does not play by the rules. The dresses worn by Queen Marie Antoinette's servants get dirty and one of the main characters stumbles in her haste and passes out twice. As the film begins we write 14 July 1789, and the... 

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IFFR 2012: Raw and sensitive Serbian debut awarded twice

Smiling, she lets a boy film her with his mobile phone and she happily wriggles into lascivious curves in the process. But when he really wants to see her breasts she flinches. Yet later she will go much, much further and she gets staggeringly little in return. Jasna, the rebellious protagonist from Cliff (Clip), is a Serbian teen... 

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IFFR 2012 - Sobering report from Egypt hit with festival audience

That Martin Scorsese's mesmerising Hugo was number one in the audience rating for a while at the Rotterdam festival is not so surprising. What is surprising, however, is the film that emerged as number two yesterday and has now ousted Hugo from first place: the documentary Back to the Square in which filmmaker Petr Lom looks at how things stand in Egypt after the... 

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IFFR 2012 - A small miracle in 3D

Last night, Rotterdam festival-goers in Pathé's Hall 4 witnessed a small miracle. Some film fragments from 1906 by the legendary Georges Méliès were now shown in stereoscopic 3D for the first time. So that you could, as it were, imagine yourself present on the set of this French pioneer who was the first to understand that cinema is not there... 

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41st International Film Festival Rotterdam opens with disturbing French drama 38 Témoins

Compared to previous editions, you could almost call the choice of opening film that kicks off the Rotterdam Film Festival tonight almost un-Rotterdamian. No wild young debut, exotic Asian or artistic crossover this time. The French book adaptation 38 Témoins, which has its world premiere in Rotterdam tonight, is the seventh feature by Walloon actor/director Lucas Belvaux and has already been acquired... 

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IDFA awards Planet of Snail

IDFA's jury neatly balanced poetry and politics by awarding among the feature-length documentaries the moving Planet of Snail (South Korea), alongside the Palestinian village-set 5 Broken Cameras, a Palestinian/Israeli/French/Dutch co-production. Planet of Snail by Seung-Jun Yi received the main award, the VPRO IDFA Award for best feature-length documentary. The fireworks of... 

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IDFA screens Tahrir 2011, eyewitness account of Egyptian revolution

A bit alienating it is. Watching at IDFA the eventful account of Egypt's February Tahrir 2011 revolution while at the same time, in Tahrir Square, the second phase of resistance against the dictatorship is in full swing. A kind of 'back to the future' feeling. Tahrir 2011 is a relatively unpolished, but with a sense of urgency in... 

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IDFA 2011: Ramon Gieling, Frank Scheffer and the magic of music

Coincidence? The two Dutch documentaries in the main competition of the IDFA documentary festival both explore what music can mean to people. Two films that also complement each other perfectly - one starts from the perspective of the listener, the other from the musician. In About Canto, Ramon Gieling outlines the profound influence that Simeon ten Holt's Canto Ostinato... 

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IDFA 2011 kicks off with Danish documentary stunt work: The Ambassador

The crisis rages on and the Arab world is in flux, but in the documentary world, the time for big stories is over. At least that was the conclusion drawn by festival director Ally Derks at a press conference ahead of the 24th edition of the International Documentary Film Festival Amsterdam (16-27 November). Unlike a decade ago, documentary filmmakers now focus... 

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According to US film magazine, our Oscar entry does not stand a chance

It is not very often that Dutch films attract the attention of the film trade magazine Screen International. Now that the web edition ScreenDaily happens to publish two reviews in a row, it is nice to quote something from them. Screen editor-in-chief Mike Goodridge saw Dutch Oscar contender Sonny Boy and Marco van Geffen's debut film Onder ons (international title Among Us) and came to the... 

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Dutch Film Festival - Three uncompromising auteur films

The Netherlands Film Festival is only halfway through, but let's list three notable premieres anyway. Three films that may not be big crowd pleasers, but three uncompromising auteur films that bear witness to a vision that goes beyond entertaining storytelling. Three films that have also received attention abroad... 

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Netherlands Film Festival - Tuschinski Award for If I didn't have you

The Tuschinski Award for best graduation film of the Film Academy was awarded this afternoon at the Dutch Film Festival to Anne-Marieke Graafmans for her documentary If I didn't have you. What is special about the presentation of this award for up-and-coming talent is that the commercial cinema business and independent film criticism are here together for a while. The Tuschinski Award will be presented and with 5000 euro... 

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31st edition Dutch Film Festival - Cinema or iconoclasm

Will classic cinema survive the digital iconoclasm of the future? The question is not new, but it comes to mind again upon seeing the programme of the Netherlands Film Festival, which opens tonight with André van Duren's De bende van Oss. Put that opening film next to Iconoclasm, the festival's main theme, and you see what... 

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