Moving image. To be seen on TV, in a museum, in a cinema. On an iphone.
EYE is pulling out all the stops. This year, the final exam papers of the students of the Netherlands Film and Television Academy will get an ideal presentation in the largest auditorium of this new film centre. What is also new is that yesterday, immediately after the screening for press and relations, awards were handed out for best commercial (The End, Soon), best documentary (A Twist in...
Does live accompaniment with choir and orchestra make Kubrick's 2001 a different or better film? Not necessarily, but as an homage and event, it is a wonderful gesture. Even on the hard bucket seats in the Gashouder, it is once again a breathtaking experience. Last night, at the Gashouder on Amsterdam's Westergasfabriek grounds, finally revisiting Kubrick's science fiction epic 2001: A Space Odyssey. This...
Hear Vera Lynn sing as the atomic bombs explode in Dr Strangelove. Stanley Kubrick did wondrous things with the music in his films. Rightly so, the Holland Festival is making space for a special screening of 2001 with orchestra. Space ships to Strauss' waltzes, prelude to a Kubrick summer. Much has been written and speculated about the films of Stanley Kubrick (1928-1999),...
Tonight the queen may officially open the new home of the EYE Film Institute Netherlands, last night director Sandra den Hamer did it herself in advance at an opening party for relations. In doing so, she spoke of a historic moment for film culture in the Netherlands. Seen from a distance, the building, conveniently referred to as "the new film museum", is most reminiscent of a...
Last night the awards for best short films were presented at festival Go Short in Nijmegen. Winner of the Dutch competition is Woensdagen by Aaron Rookus, a small feature film that approaches the heavily charged subject of sexual abuse in the most subtle way. What begins as an emotionally stunningly well-struck impression of eight-year-old Kris' weekly outing...
In the short Dutch film Ceci n'est pas un rêve, which premiered at the festival Go Short (Nijmegen, 14-18 March), the cityscape of Paris slowly transforms into a dreamscape. You could call it a surrealist documentary, in which filmmaker Amos Mulder has incorporated influences from early German film pioneer Walter Ruttmann as well as modern computer animation. With further...
You can hardly claim it was a surprise result, because for weeks - what do I say, months - The Artist had been mentioned as a surefire Oscar favourite. Still, the crowning of this largely silent French black-and-white film that pays tribute to the end of the silent film era in Hollywood is proof that originality still counts in...
Towards the end of this Berlinale, it could be heard in the corridors that the Danish costume piece A Royal Affair about a nipped-in-the-nippled revolution was surely going to win the Golden Bear. However, the jury did not care about that and designated Caesar Must Die by the Taviani brothers as the best film. The jury chaired by...
Dutch film Hemel was chosen as best film in the Forum section for young cinema by the jury of international critics at the Berlin festival. This is a fine success for director Sacha Polak who delivers her first feature-length film with this drama about a young woman who has lost her way in search of love. Heaven, after a...
Would today's revolution makers even study Shakespeare? In Cesare deve morire (Caesar Must Die), the competition entry by the Italian Taviani brothers, we witness the preparation and performance of Shakespeare's Julius Caesar. Anyone watching this with the world's noise in mind will often feel a shock of recognition. The tragedy about a coup in ancient Rome shows...
Can a filmmaker born and raised in West Germany strike just the right tone in a film set in the former East Germany? I hadn't really thought about that before, but the Berliner Zeitung raised that question in response to Christian Petzold's Barbara, about a Berlin paediatrician who, after requesting to go to the West,...
Timo Vuorensola has done it to him. Perhaps reading the name of this Finnish director and music video maker does not light up a light yet, but then you do not belong to the extensive internet fan club that has been closely following the genesis of the potential cult hit Iron Sky for several years. Its world premiere at the Berlin festival is now the...
The 62nd Berlinale opened tonight with Benoït Jacquot's Les adieux à la reine, a French costume piece that does not play by the rules. The dresses worn by Queen Marie Antoinette's servants get dirty and one of the main characters stumbles in her haste and passes out twice. As the film begins we write 14 July 1789, and the...
Smiling, she lets a boy film her with his mobile phone and she happily wriggles into lascivious curves in the process. But when he really wants to see her breasts she flinches. Yet later she will go much, much further and she gets staggeringly little in return. Jasna, the rebellious protagonist from Cliff (Clip), is a Serbian teen...
That Martin Scorsese's mesmerising Hugo was number one in the audience rating for a while at the Rotterdam festival is not so surprising. What is surprising, however, is the film that emerged as number two yesterday and has now ousted Hugo from first place: the documentary Back to the Square in which filmmaker Petr Lom looks at how things stand in Egypt after the...
Last night, Rotterdam festival-goers in Pathé's Hall 4 witnessed a small miracle. Some film fragments from 1906 by the legendary Georges Méliès were now shown in stereoscopic 3D for the first time. So that you could, as it were, imagine yourself present on the set of this French pioneer who was the first to understand that cinema is not there...
Compared to previous editions, you could almost call the choice of opening film that kicks off the Rotterdam Film Festival tonight almost un-Rotterdamian. No wild young debut, exotic Asian or artistic crossover this time. The French book adaptation 38 Témoins, which has its world premiere in Rotterdam tonight, is the seventh feature by Walloon actor/director Lucas Belvaux and has already been acquired...
IDFA's jury neatly balanced poetry and politics by awarding among the feature-length documentaries the moving Planet of Snail (South Korea), alongside the Palestinian village-set 5 Broken Cameras, a Palestinian/Israeli/French/Dutch co-production. Planet of Snail by Seung-Jun Yi received the main award, the VPRO IDFA Award for best feature-length documentary. The fireworks of...
A bit alienating it is. Watching at IDFA the eventful account of Egypt's February Tahrir 2011 revolution while at the same time, in Tahrir Square, the second phase of resistance against the dictatorship is in full swing. A kind of 'back to the future' feeling. Tahrir 2011 is a relatively unpolished, but with a sense of urgency in...
Coincidence? The two Dutch documentaries in the main competition of the IDFA documentary festival both explore what music can mean to people. Two films that also complement each other perfectly - one starts from the perspective of the listener, the other from the musician. In About Canto, Ramon Gieling outlines the profound influence that Simeon ten Holt's Canto Ostinato...
The crisis rages on and the Arab world is in flux, but in the documentary world, the time for big stories is over. At least that was the conclusion drawn by festival director Ally Derks at a press conference ahead of the 24th edition of the International Documentary Film Festival Amsterdam (16-27 November). Unlike a decade ago, documentary filmmakers now focus...
It is not very often that Dutch films attract the attention of the film trade magazine Screen International. Now that the web edition ScreenDaily happens to publish two reviews in a row, it is nice to quote something from them. Screen editor-in-chief Mike Goodridge saw Dutch Oscar contender Sonny Boy and Marco van Geffen's debut film Onder ons (international title Among Us) and came to the...
The Netherlands Film Festival is only halfway through, but let's list three notable premieres anyway. Three films that may not be big crowd pleasers, but three uncompromising auteur films that bear witness to a vision that goes beyond entertaining storytelling. Three films that have also received attention abroad...
The Tuschinski Award for best graduation film of the Film Academy was awarded this afternoon at the Dutch Film Festival to Anne-Marieke Graafmans for her documentary If I didn't have you. What is special about the presentation of this award for up-and-coming talent is that the commercial cinema business and independent film criticism are here together for a while. The Tuschinski Award will be presented and with 5000 euro...
Will classic cinema survive the digital iconoclasm of the future? The question is not new, but it comes to mind again upon seeing the programme of the Netherlands Film Festival, which opens tonight with André van Duren's De bende van Oss. Put that opening film next to Iconoclasm, the festival's main theme, and you see what...
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