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ACTUAL

All about politics, policy, society and how those things relate to culture and art.

Ed Spanjaard is the ideal new leader of the Orchestra of the East

After it was announced in January this year that Jan Willem de Vriend was leaving at the end of the 2016/2017 season, the Orchestra of the East announced that it was in no hurry to find a successor. One would start working with "renowned guest conductors". Just over six months later, a few months before the departure of interim director Bart van Meijl, a successor was still presented. That this successor, Ed Spanjaard, is given the title of 'permanent conductor' seems mainly a semantic issue.

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Fernando Botero: 'Almost everything around us is art'

A major retrospective of the work of Fernando Botero (1932) is on show at the Kunsthal in Rotterdam, entitled Botero: Celebrate Life! The rush of opening such an exhibition takes energy out of him, but strangely enough painting never exhausts him, he says in his studio in Monaco. 'I have never experienced anything more fulfilling than painting or sculpting. Painting takes you out of everyday reality. You forget your body - even your existence. It's intense, but while painting I don't feel any fatigue, even after working for seven or eight hours. Whereas at a cocktail party I'm exhausted after only half an hour.'

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Theatre festival Boulevard

Theatre festival Boulevard: Not the Avignon, but the Berlin of the Netherlands?

There are many reasons not to go on holiday. It costs money, you come back more stressed than you went, the food is no good, it costs tons of CO2 and it doesn't increase mutual understanding between countries either. Reason enough, then, to just stay here and enjoy the free time given to you by the boss, or by yourself if you are self-employed. Without being barked at by airport staff.

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Jubilee concert #DNO: unnecessary flexing of muscles

'I feel cheated,' said the man next to me as we left the auditorium at ten to nine-thirty. He had come all the way from Tilburg to the Stopera for the concert that concluded the National Opera's 50th anniversary on Wednesday 29 June. 'It will take me even longer than the concert lasted, including intermission,' he grumbled. He also had little to say about the offering itself. And that while all around us the audience stood on their seats to cheer on the internationally renowned soprano Eva-Maria Westbroek.

Read More "Jubilee concert #DNO: unnecessary flexing of muscles

Carolijn Visser and Iris Hannema: 'Writing gives travel a purpose'

Holidays are just around the corner, so it's time to pack your bags. Travel writers Carolijn Visser and Iris Hannema prefer to be on the road all year round. 'The Netherlands is lovely, but after a few months at home it already starts itching again: travelling turns everything upside down; your ideas about the world, the ideas you have about yourself.'

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Screenshot of Nieuwsuur Geert Wilders,

Oy. @geertwilderspvv sets Richard III as an example to the Netherlands

Finally, it was not quite literal, but he was clearly referring to it: Richard III. Geert Wilders, himself not too culturally savvy, quotes Shakespeare in his umpteenth plea to get the Netherlands out of the EU with pot-covered borders. In the second chamber. I saw it on Nieuwsuur, and you can watch it back. At 39′:49″ minutes into the broadcast he is in debate with his great friend, the VVD's Halbe Zijlstra.

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Ça ira (1) Fin de Louis, Joël Pommerat, photo: Elisabeth Carecchio.

On the edge of Europe, Holland Festival attracts 86,000 visitors #HF16

Ruth Mackenzie has brought new impetus to the Holland Festival. Not that her predecessor Pierre Audi did badly, but the British organisational talent has brought topicality and urgency to the programme. When she devised her programme theme, she too will not have suspected that the concept of 'Edges of Europe' would take on such a charge. After all, simultaneously with the last weekend of the festival, the English people decided, against the wishes of everyone but the Welsh, to leave the European Union behind. The Netherlands suddenly found itself on the far edge of Europe, with only a view of distant Ireland.

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Nicolas Mansfield: Today I feel more European than ever. #Brexit

24th of June, 2016. What a day. I spent it at the Dutch Ministry of Education, Culture and Science in The Hague. Speaking with civil servants about the achievements, plans, challenges and dreams of the Dutch National Touring Opera. All in the shadow of something I find difficult to process. 

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Roaring, pounding big band overwhelms with conspiracies #hf16

A big band, a ticking clock, conspiracy theories and twelve-tonality. Mix that in a theatrical setting and it can go whooping out of control. Yet composer Darcy James Argue manages to make it a propulsive and energising whole, with help from director Isaac Butler and cinematographer Peter Nigrihi.

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Stella actors Oscar Batterham and Richard Cant © Matthew Hargraves

Neil Bartlett's Stella: so perfect it's a bit irritating #HF16

The smallest details speak for themselves. For the second time during this edition of the Holland Festival, the legendary BBC series This Life comes along. Richard Cant, who plays a flawless lead role in Neil Bartlett's play Stella, was previously seen in This Life, the series that set the standard for the modern docusoap in 1996. So now live, up close, in De Brakke Grond's Red Hall, the man who also played a solid role in Midsomer Murders.

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Jan Fabre's gems keep atmosphere of Hieronymus Bosch alive

Calm has returned to the North Brabant Museum in 's-Hertogenbosch. After more than 400,000 people saw the successful and widely acclaimed Hieronymus Bosch exhibition, the halls are now light and quiet again. No more opening hours from early morning to midnight. Just, peace and quiet. Although the Jan Fabre mosaics hanging there now are disturbing. Mosaic Panels 2016 is... 

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Bombarie on Bombarie? New festival in Utrecht has broad profile

In our participatory society, Community Art 'hip, hot & happening'. Consequently, there are many projects and initiatives that bring amateurs and professionals together. Fortunately, because the more widely art practice and experience is shared and supported by as many people as possible, the more beautiful the world becomes, so I think.

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Pascal Gallois: formidable champion of the bassoon #HF16

Bassoonist Pascal Gallois gets laughs when he tries in vain to insert the flowers he has just received into the tube of his instrument. Also in the now classic Dialogue de l'ombre double by Pierre Boulez, he manages to make the audience chuckle on Sunday 19 June, when he produces a kind of elephant-like trumpet with much misfiring. His performance is part of the ''Save the bassoon', which will conclude on Sunday 25 June with a concert at the Holland Festival Proms at the Concertgebouw. For this hundreds of (amateur) bassoonists ON. Action successful, in other words.

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Grunberg doesn't come out of his hole in The Future of Sex #HF16

Woody Allen made sure in 1972 that his fans could not watch Star Wars with dry eyes years later. The final scene of his film 'Everything You Always Wanted To Know About Sex, But Were Afraid To Ask' shows us the male brain as the bridge of a Star Cruiser where the crew is hard at work to bring a date to a successful conclusion. The spermatozoa in the front are a bickering gang of take-off runners, on their way to an uncertain descent towards beating egg.

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Mark Haddon: 'Without death there is no fiction, nor any value in existence'

It came anything but naturally, writing his collection of short stories The Pier Collapses. Mark Haddon, made famous with The Miraculous Incident with the Dog in the Night, novels come a lot easier. 'I've been trying to write short stories for a long time, and I knew I should be capable of it, but I never succeeded. It was like a... 

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Courage Conny Janssen Danst

COURAGE by Conny Janssen Danst shows a delicious new world

You don't have to go to Terschelling at all for an atmospheric location performance. COURAGE by Conny Janssen Danst is an exciting experience on a totally, totally neglected place.

In the 1980s she started choreographing with Djazzex, years later she performed for Obama. Now Conny Janssen (interview here) with her ensemble at the Ferro Dome. A dilapidated venue you wouldn't expect much from the outside. Plans to turn it into a Rotterdam Heineken Music Hall are according to the AD cancelled. It's as if the city of Rotterdam said to Conny: here's a place we can't do anything with, you do something with it. Dut succeeded her wonderfully: thanks to a creative approach, the entire industrial entourage has a underground-appearance.

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Though dated, Pina Bausch' Nelken still impresses #HF16

This way from row nine, it is like being knee-deep in carnations yourself. The heads of the audience in front of me merge silently into a forest of stems crowned with pink, through which dancers carefully step back and forth like leggy chickens.

The find is great: Nelken by Pina Bausch depicts paradise as a place where you have to be careful or things will go wrong. The carnations force the dancers to be careful. As a spectator, you go along with them, without all the underlying thoughts immediately coming through to you.

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Gardens Speak ©-Tania-El-Khoury-1-

Digging in the earth stays on the surface in Gardens Speak #HF16

There I am. Next to Holland Festival director Ruth Mackenzie, on a grave, as part of the installation Gardens Speak on the stage of the main hall of Theatre Bellevue in Amsterdam. There is nothing to see, little to hear. Tone lights suggest a rising sun after a few minutes. I get up together with the ten other visitors. Quite a shame, because I was actually quite comfortable lying there.

The programme booklet sounded promising:

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Make money with Culture Press? You don't even have to become a member!

You can of course member be, or donor, from Culture Press. This has huge advantages: you have access to our premium-stories and may also publish[hints]Anyone who is a member, benefactor or bearer can access the CMS and submit stories for review by the final editors[/hints] on the site. But of course, you don't necessarily have to become a member to support the good cause. Indeed, you can support the charity and just make net money. How can you do that? By recruiting members: if partner of the cooperative. When you recruit members for us through the partner programme, we give you a piece of the proceeds.

How does that work?

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Choir and orchestra are the true stars in Pique Dame #HF16

The biggest applause at the end of Tchaikovsky's opera Pique Dame went to the choir of the National Opera and the Royal Concertgebouw Orchestra on Wednesday 15 June. And rightly so: choristers and orchestral musicians brought the highly varied score to sound flawlessly, without once getting out of sync with each other. Dynamics, rhythm, phrasing, empathy, everything was solid. A performance of stature rarely seen in the Stopera. The vocal soloists were somewhat pale in comparison.

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'The European is an orphan' - Milo Rau on The Dark Ages #HF16

Swiss playwright Milo Rau created a theatrical trilogy about the demise of the European ideal. The second part The Dark Ages is now at the Holland Festival. Rau combined his actors' painful, personal life stories with themes from the works of Chekhov, Shakespeare and the Greek tragedies. With a Freudian sauce: 'Countless people who are The Dark Ages have seen ask me: 'Milo, is something wrong with your father?'

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Ça Ira: political theatre with the allure of House of Cards #HF16

Over four hours long Ça ira (1) Fin de Louis, a performance by French director Joël Pommerat, to be seen this weekend at the Holland Festival. He reconstructed events in France between 1789 and 1794, better known as The French Revolution. What begins as a sometimes hard-to-follow, animated history lesson culminates in an impressive 'whodunnit', balancing between re-enactment and live television.

Read More "Ça Ira: political theatre with the allure of House of Cards #HF16

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