All about politics, policy, society and how those things relate to culture and art.
"For someone to interfere with an artistic interpretation, I find that quite hefty. Let me put it this way: you have this prime minister in Turkey... To interfere with something artistic, I find that rather hefty." This was stated by Emil Szarkowicz, musician and cultural editor from Limburg, in a broadcast by regional broadcaster L1 yesterday, Reason being the negative opinion of...
Go ahead and express Nietzsche's book Also sprach Zarathustra in dance. But Brazilian choreographer Samir Calixto can do it. By focusing on a poem from the complex book: the Song of Midnight. This is immediately the reason for the title M: Midnight. Or Mensch, or Myth. Or Mahler. Or Metaphysical. You...
This is a review of a performance that is already over, and which, moreover, I participated in myself. That's not allowed at all. But it's also a story about refugees in Europe, a theatre floating above the clouds, a church made of marzipan, tunnels in Palestine and 49 draws. So I do it anyway.
Last weekend, during the Kunstenfestivaldesarts, a miracle happened at the Royal Flemish Theatre in Brussels. Scenographer Jozef Wouters and his crew had settled in the old hall with its domed roof. Completely renovated ten years ago, 'de Bol' is now an old-fashioned frame theatre equipped with the latest theatre technology. Including those 49 draws, and that was what it was all about.
On a pull,
Champagne at BAK in Utrecht, deep disappointment at The New Institute in Rotterdam: the Council for Culture has spoken. Today, Thursday 19 May 2016, the first advice after the draconian art cuts by the first Rutte cabinet came out, and heads are rolling. Amsterdam loses prestigious presentation institution De Appel, in The Hague fellow institution Stroom has to redo its homework. The Orkest van het Oosten and the Gelders Orkest have to come up with merger plans within two years. In Utrecht, the city company Theater Utrecht will no longer receive funding despite artistic appreciation. Het Zuidelijk Toneel in Eindhoven Tilburg must make new plans and Opera Zuid must quickly raise its artistic quality. These are the main conclusions of the Culture Council's opinion.
As dramatic as some of this may sound, the advice is actually not, when you look over the whole battlefield. Thanks in part to
"Thea, I must have that concert organiser's number!", his commanding baritone sounded in my ear. Bernard van Beurden (1933-2016) invariably phoned from the South of France, where he lived - he had a modest pied-à-terre in Amsterdam. As a music journalist, I had interviewed him several times and seemed the right person to help him get information from his distant homeland. Subsequently, we sat for hours...
'This regime also rules over you after you die. The regime steals your story. They use you to tell their own story. Relatives are forced to sign statements that the dead were killed by the opposition. The regime uses the dead to oppress the living.' Lebanese artist Tania El Khoury made a statement: Gardens Speak (Gardens Speak). An installation, an immersive[hints]definition: immersive, making you forget the real world around you[/hints] performance, in which the spectators themselves are actors. A performance that consists of a mountain of earth from which soft voices sound from beneath tombstones. That performance comes in June to Amsterdam, as one of the examples of the new Holland Festival programming by festival director Ruth MacKenzie.
The pile of earth in and on which the installation takes place represents the many thousands of anonymous backyard graves in Syria. At the beginning of the Syrian civil war, the struggle was still mainly between opponents of President Assad's dictatorship and his (secret) police. The first victims were often still just students taking part in peaceful demonstrations, handing out pamphlets, or attending the funeral of a friend. After all: bombing funerals was and is a proven method of murderous regimes and crime syndicates to eliminate insurgent networks.
Tania El Khoury heard of the Syrian alternative in 2013: the private burial in one's own backyard, or failing that, in an anonymous city park, with no headstone or memorial. Such an action is both an expression of fear and an act of resistance: these are deaths that the government can no longer abuse. 'The play was not originally intended for European audiences either. It was made in Lebanon and the text was also in Arabic. The last thing I thought about was the European audience. The idea was
Joost Galema, journalist and programme maker, was called one day by Bastiaan Everink. The baritone and ex-marine wanted to make a book about his personal struggles and how music changed his life. Not being a writer, he started looking for a ghostwriter. Joost was third on his list. A few days later, Bastiaan was standing in Joost's Hilversum living room telling his story. The singer talked about marines, survival, violence, Iraq, Wagner's music and a quest. Not a one-dimensional chronicle, Joost thought, and he decided to start working with Bastiaan. After three years
In the huge Zuiveringshal of Amsterdam's Westergasfabriek, musicians from jubilee Het Balletorkest live it up on stage in the creative dance performance Creatures. They even lie flat on the floor or swing loose in a small big band.
'Come and see that, Creatures: special show with fifty musicians and ten breakdancers," shouts the man at the door. The last tickets for the premiere must be sold. Creatures is at the Zuiveringshal in Amsterdam for a fortnight. Schools visit the show during the week, on weekends anyone can see it. But Creatures is such a
'She is the embodiment of the incredible lightness of existence, agile, alert and precise on the beat.' So says one critic about Korean-American conductor Han-Na Chang (Suwon, 1982), who led just about every major orchestra after her debut in 2007. In 2014, she scored highly at the renowned BBC Proms with her fresh interpretation of the Fifth Symphony....
The Radio Philharmonic Orchestra and the Groot Omroepkoor should focus more on broadcasting and less on concert practice. So says the Council for Culture in an opinion released today on the policy plan of the Netherlands Broadcasting Music Foundation (SOM), which includes the choir and orchestra.
While the Council is very appreciative of the Saturday matinee, are the two other series the Foundation is bringing
Filmmaker Louis van Gasteren, who died on 10 May 2016, was initially an electrician but still found his calling as a filmmaker, producer, bohemian, visual artist and sleeper by conviction. The creator of a distinctive documentary oeuvre put much of himself into his work.
For a dramma giocoso, there was precious little to laugh at during a performance of Don Giovanni by De Nationale Opera on Tuesday 10 May. This production, taken over from the Salzburg Festival, is weighed down by a leaden seriousness, exacerbated by the turbo-Mozart presented to us by conductor Marc Albrecht and the Netherlands Philharmonic Orchestra. Despite his often punishing tempi, the...
Good news for anyone who also thinks the Dutch film world could use a bit more spice. On 29 September, film theatre Springhaver in Utrecht will host the Evening of the Burning Calf organised. Rounded off with the presentation of the Brandend Kalf, the new film award for the most sensational, daring, cheeky or inspired Dutch film initiative. At least, if enough crowdfunders are those who want to support this project by film journalist Karin Wolfs and writer A.H.J. Dautzenberg.
Yes, you see, this event takes place, not entirely coincidentally, on the evening preceding the presentation of the Golden Calf awards. And no, the Brandend Kalf is not a side-programme of the Dutch Film Festival. When we ask Karin Wolfs to explain, she first of all wants to emphasise that it is a completely independent project. Nor a private party of Wolfs and Dautzenberg. Hence also that crowdfunding. If it succeeds
Simon McBurney is a real theatre nerd. Exceedingly interested in mathematics and physics, he enjoys nothing more in the theatre than building technical illusions. He is also an in-demand actor and director, who, when he has a performance at London's Barbican Centre, gets a visit from Kate Bush, who humbly comes to congratulate him on his work. This year, he is,...
The novel Jij zegt het, in which Connie Palmen gives a voice to Ted Hughes, won the Libris Literature Prize yesterday. Of course, you can think all sorts of things about that. Maybe another book was better. Tastes and juries differ. In the novel based on facts and diaries, letters and biographies, Palmen gives the poet Ted Hughes a rebuttal. A rebuttal to all the...
Connie Palmen won the 2016 Libris Literature Prize on Monday evening, 9 May, with her novel You say. In the long history of this literary award, which was first presented in 1994, Palmen is only the third woman to receive the €50,000 cash prize and a bronze medal. Previous winners were Frieda Vogels (1994) and D. Hooijer (2008).
In a new clip, seen below, the Johavas target children. And use questionable tactics in the process. Of course: the practices of Jehovah's Witnesses are generally friendly, wishing them "also have a nice day" and closing the door is usually enough. That the Witnesses get their foot stuck between the door is by now also cliché and prejudice....
Grandfather Louis Toebosch was a famous organist and composer. His daughter - her aunt - Moniek an equally famous artist and performer; mother recorder teacher, father Mozart-crazy: 'When I left home I couldn't hear a recorder or Mozart anymore!' Mayke Nas (Voorschoten, 1972) is no stranger to making music and composing. In doing so, she likes to avoid the beaten track and...
Toneelschuur, Don Carlos (stage) Nina Spijkers brings Friedrich Schiller's classic play back to its essence. No lavish scenery depicting the Spanish court, but canvases peeled off layer by layer. playlist M31 Foundation, Nederlandse Reisopera, Theater na de Dam, Der Kaiser von Atlantis (opera) Forty years after its world premiere at Theater Bellevue, Victor Ullmann's Der Kaiser von Atlantis will be re...
'Ultimately, of course, it ends up on my plate,' sighed Jet Bussemaker, minister of culture in cabinet Rutte II, the other day. She was speaking at the presentation of a research report into the functioning of supervisors in the cultural sector, in Amstelveen at the end of April. Because, she summed up: if supervision fails, there is no one but the minister to repair the damage.
Some time ago, I discussed with broadcaster MAX the idea of phoning random residents in music districts to ask what they thought of 'their' composer. Would they spontaneously burst into an ode to, say, Carolus Hacquart, Cornelis Schuyt or Henriëtte Bosmans? Unfortunately, this playful plan never materialised, but lo and behold: a number of musicians joined hands....
Imagine has been transforming for several years. When this festival was still going through the world under the name Amsterdam Fantastic Film Festival, its main focus was on genre cinema. The Fantatstic genre is an insidious term used as a catch-all for science fiction, fantasy and horror. In these postmodern times, fantatstic is harder to delineate. The festival therefore changed its name back in 2009,...
She came, saw and conquered. Until recently, Nell Zink was almost the embodiment of the cliché image of the poor writer, alone in an attic room. But when American writer Jonathan Frantzen touted her work, she grew into literary hype in no time. Her publisher gave her a six-figure advance. From nobody to 'Her Nellness' -...
Last Sunday, 24 April, clarinetist George Pieterson died at his home in Amsterdam, aged 74. 'George was an iconic player with a big musical heart,' says his former student Frank van den Brink. 'He invariably went full steam ahead and whichever recording you listen to, his playing is always remarkable. You didn't necessarily have to put up with his...
Although Panorama Mesdag always focuses on one painting, it is not a static museum. Changing exhibitions sometimes highlight Mesdag and his time, sometimes more modern artistic expressions. This time, the museum has approached artists to develop new visions on the concept of the panorama. A laudable decision. Whether the new panoramas are all equally convincing is a second. The main work in the exhibition is...
English (UK) 
Nederlands 
Français