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PODIUM ART

Anything for which people enter a stage.

The true Picasso of ballet are Franck Chartier and Gabriela Carizzo

The true Picasso of ballet are Franck Chartier and Gabriela Carizzo

Amsterdam is once again spoilt for choice with Julidans, an international festival packed with impressive dance. The second festival night features Child by Peeping Tom. The work of this Brussels-based company is a phenomenon and I am a fan of it. Ever since its dance trilogy at NDT1: The missing door (2013), The lost room (2015), The hidden floor (2017) (reviews under... 

Colonisation is not a relationship. But we still need to establish that relationship, this Holland Festival showed.

Post-colonial criticism and reflection ran like a thread through this year's Holland Festival programme. Not only William Kentrigde and Faustin Linyekula, the associate artists with whom the festival's programmers collaborated, their work addresses the devastating effects of centuries of Western European trade and commerce. In reframing political and social history and reclaiming... 

'When you bring back the songs, you bring back the people, you bring back everything'. Why Amsterdam Roots should be proud of coming Jeremy Dutcher.

28-year-old Jeremy Dutcher is a sensation. With his reinterpretation of native songs by Canadian Indians, he won the Canadian equivalent of the Grammy last year; names like Arcade Fire, Feist and Kaytranada preceded him. Amsterdam Roots Festival is now bringing award-winning Canadian musician Jeremy Dutcher to the Netherlands for a performance at the Bimhuis on 10 July 2019. When... 

With a cohesive team, you win the World Cup. How the Holland Festival gagged all the cynics this year.

The 2019 Holland Festival was the best in decades. At least in the 25 years I have consciously witnessed it, I cannot recall a national festival that coupled so much impact with so much prestige. Whether visitor targets were met or not will be of no concern to me in this regard. It is, as Volkskrant colleague Hein Janssen once remarked,... 

Colin Benders plays Concertgebouw flat on closing night of memorable Holland Festival 2019

Stereo is primitive. Cinema operators have known that for a while, and so has anyone with a 7:1 set to go with their TV. Two speakers, no matter how good and big or small, remain two speakers. Now, of course, we also only have two ears, but they can place 360-degree sound thanks to some clever ribbing and our own smart brains. So sound should be... 

Why Conny Janssen Danst will win this year. Dance award nominees Swans 2019 announced.

The nominations for the 2019 Swans have been announced. Here is my annual prediction of who will win one. Spoiler alert. This year, it will be a cautious prediction. Even though in past years I wasn't far wrong (sometimes completely right) in guessing the winners, now when it comes to the dancers, you have to choose from superlatives: 'let them be on a... 

Pity the Poles! Intense suicidal sadness in stage adaptation of Kafka's 'Trial'.

You must be a Pole. That, as the Dutch premiere of 'Process' at the Holland Festival showed, is no laughing matter. This performance, an adaptation of Franz Kafka's famous novel of the same name, conveys that feeling very poignantly. Five hours long, interrupted only by two half-hour intermissions, during which a mackerel sandwich can be eaten. Or a bowl of mixed nuts. Observant... 

Homage to Robert Mapplethorpe: slideshow with moderate music #HF19

A black man sits on the edge of the stage of Amsterdam's Stadsschouwburg, pardon ITA. He observes us with intense gaze as we walk into the auditorium. - As the incarnate subtitle of the performance Triptych (Eyes of One on Another) dedicated to Robert Mapplethorpe. Behind a gauze screen are the instruments of Asko|Schönberg, which, together with Roomful of Teeth, signs for... 

Tryptich by Bryce Dessner is just a little too perfect to really hit home

The Americans have a word for it: production value. By this you can indicate that a performance is technically perfect. The sound is right, the stage setting is excellent, the costumes are all right, the lighting brilliant and the actors, singers and musicians: top notch. Even the extras are at their best. So a show with high production value can rely on little... 

ITA's Cherry Garden delivers neat play in theatrical no man's land

It must have started with a big plan in Simon McBurney's head. The Brit, a master of mathematically precise text theatre full of technical gadgets, saw the amazing floor of the Rabozaal of Amsterdam's Stadsschouwburg and his brain started working. Something about a backcloth covering the full width of the hall, something about a doll's house, something about... 

Phenomenal ballet needs no message for Holland Festival 2019

Phenomenal ballet needs no message for Holland Festival 2019

With all the socially critical, exotic and personal life art at the Holland Festival, Van Manen, Forsythe, Arqués is actually an outlier, a statement without a message. Dance has enough on its own, expresses itself full-length. And how. Work of overwhelming quality. How much better can it get? At most by giving it a message anyway. There is room there. The rest is complete.... 

'Congo' is another highlight of one of the most meaningful Holland Festivals in years.

'I think they understood.' Faustin Linyekula says it, very quietly, a little apologetically almost, to his fellow actor at the end of the performance Congo. A slightly relieved laugh can be heard in the main auditorium of Frascati, where Princess Beatrix is also seated. Shortly before, Daddy Moanda Kamono had erupted in an increasingly desperate tirade against our shared past.... 

Four reasons to go to Pelléas et Mélisande #HF19

The Holland Festival, with its ample offerings, is sometimes its own competitor. For instance, I missed Turan Dokht and the premiere of Pelléas et Mélisande because I was at aus LICHT. To attend a performance of Debussy's only opera, I had to pass up Abd Al Malik's concert. - Cultural choice stress, frustrating on the one hand but a blessing on the other. Was it... 

More French-language rap please.

French is made for rap. Forget all that American-English mincing, listen to the rhythmic drone that good French-language rap offers. One of the possible benefits of a self-absorbed US and a post-Brexit Europe is that we might start hearing that beautiful language of our southern southern neighbours a bit more often. 'Speak French to me, darling!' Macron will be delighted. Wednesday... 

Does blood have to flow then? (How much art you can make about art not hurting)

Why do we actually want to see blood so much? That's what I wondered during the performance Roughhouse. This American-German piece is showing in the Holland Festival (Wednesday 12 June still) and in it there is no blood. That's also what it's about. That blood no longer flows anywhere, in the media, in art. That everyone always gets up again, that... 

Why, as a total layman, I did three days AUS LIGHT. And came out as a different person.

Music critics were unabatedly enthusiastic. And even opera lovers came, saw and were pleased. Of course, there was the chorus of monuments, led by a Flemish antiquity, who liked Maria Calllas better seventy years ago, but its members are only the necessary minority needed for something as unprecedented as AUS LICHT, the Magnum opus of the 72nd Holland Festival. Beforehand, it seemed... 

Crash Park, la vie d'une île - Philippe Quesne. Photo: Martin Argyroglo.

Until the laughter dies down. Crashpark stages the downfall of the world as a beautiful landscape full of partygoers

Crash Park - La vie d'une île (2018) by French director Philippe Quesne performs 19th-century values in their 21st-century elaboration. The elitist explorer has become a modal tourist, moving in well-organised groups to every corner of the world in search of ultimate experiences, provided they don't get in the way of a return ticket western... 

Angélica Liddell's screams are particularly interesting in The Scarlet Letter

The much nudity and sex in Angelica Liddel's adaptation of Hawthorne's famous novel are a bit old-fashioned. The Spanish language is the real attraction. In his review of Angélica Liddell's play 'The Scarlet Letter' on this website, Wijbrand Schaap calls the scene with a naked black man "a painful low point". According to Schaap, the man is treated by Lidell as... 

And Stockhausen saw that it was good - aus LICHT in Holland Festival #HF19

'Then he could split into three and was a singer, dancer and trumpet player,' says a girl on the screen prior to Michael's Jugend. She is one of the little children who tell at the beginning of each day what aus LICHT is about. A good find by Pierre Audi and his artistic team, because the universe that Karlheinz Stockhausen gives us... 

Pipi Longstocking rules in Zwolle. (Why everyone who cares about learning should go to Festival Woest)

Put 15 or so bouncy balls from the first grade of primary VMBO in an antique cabin of a few square metres and you can be sure there will be a hundred of them. Music they will make and they themselves had thought it should be about a forest. Protoon's accompanist is going to arrange that for them. There are pads ready,... 

Iranian Turandot disarms with engaging music. But Puccini remains undefeated

It is quite daring. To take a classic Italian opera and give it a 'primal version'. I know a small army of militant opera critics who would prefer to take up arms against that. If that comes from Iran, you soon have the puppets dancing. To get right to the first... 

Jimi Hendrix and Hlengiwe Lushaba: heavenly union in a requiem for Congo's freedom

Hlengiwe Lushaba, remember that name. This South African singer sings the paving stones out of the street during Sur lessons traces the Dinozord. She does so with a voice that goes from gritty falsetto to full Wagner soprano, though that term will again be resented by classical sharpshooters. But what would it be? Hlengiwe Lushaba will care little, because... 

Eight by Michel van der Aa: hallucinatory mixed reality at Holland Festival. - But don't forget to take off your pumps

Slightly nauseated and with shaky legs, I leave the corridor in which I have just experienced Eight by Michel van der Aa. 'Did you follow the circuit in those high heels?' a Holland Festival staff member asks incredulously. Indeed I had better leave my pumps at the entrance. The mixed reality project Eight will have its world premiere on Tuesday 4 June at Muziekgebouw... 

Parliament Debout: round of Bijlmer mostly results in discomfort for Holland Festival audience.

The Bijlmermeerpolder is still known as a district where you don't go unless something or someone forces you to. A stigma the apartment neighbourhood acquired in the 1980s when it served as a drain on society. And still its reputation is bad. A single incident of violence repeatedly damages the entire district, though that is... 

Antony and Cleopatra, Tiago Rodrigues. Photo: Magda Bizarro.

'I have no problem at all if spectators want to see Anthony and Cleopatra. But for me, it's about something else.' Tiago Rodrigues writes theatre for dancers.

Anthony and Cleopatra is exactly the kind of repertory piece that people look forward to during the Holland Festival, or any other prestigious stage. Director and writer Tiago Rodrigues manages not so much to deflate that grandiose expectation as to reduce it to the intimacy of a duet and a play with extremely basic theatrical gestures. His two actors are dancers, an experienced choreographer duo 

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