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PODIUM ART

Anything for which people enter a stage.

Composer Marijn Simons: 'Everything is about timing'

Although the press picks it up only sparsely, not only the NTRZaterdagMatinee pays much attention to Dutch composers. Indeed, they are also well represented in the AVROTROS Vrijdagconcert (formerly De Vrijdag van Vredenburg). In 2014, for instance, Joey Roukens wrote The building of the temple to mark the reopening of TivoliVredenburg. Two years later, the season opened with Atlantis by Robin... 

La clemenza di Tito: scorching performance by Teodor Currentzis & musicAeterna

Classical music matters again. - At least if we judge by the protests against the Stockhausen project and the fierce polemics about opera directors' interventions. Teodor Currentzis and Peter Sellars' La clemenza Di Tito, for instance, caused controversy even before its Dutch premiere. They deleted the interminable recitatives and added music from Mozart's Mass in... 

Resolved(?): Ombudsman Allegiance admits carelessness.

This was the email from the editor of Trouw, dated 9 May 2018: "Mr A. Bakx has had the phone number and email address we now have from him under this name since 2014. We therefore assume that he is A. Bakx." Was supported by an email to Erwin Roebroeks, which mentioned a telephone conversation with... 

Everyone is welcome at Pitfest. 'Bands playing at our place should be especially hard, or dirty and grimy.'

The Drenthe village of Erica was rocked on the last weekend of April by the cosy noise festival Pitfest. And that attracted a motley mix of people. I walked around there for a day. A golf cart zooms across the roundabout of the 4-star resort in the outskirts of the Drenthe town of Erica. To the right of the tarmac are tightly mowed golf courses, to the left is a plot of land... 

Daria Bukvić holds up a mirror to theatres and companies on SPOT Live: 'I don't shy away from new forms of marketing.'

'With my performances, I always try to make people feel that they are really going to miss a happening. 'The first performance with personal stories of four Moroccan-Dutch actresses in the big theatres of the Netherlands, the newest this, the most surprising that.' Daria Bukvić is one of the most exciting creators to enter the theatre world in recent years. She is not only... 

'Saigon' director (@hollandfestival) seeks extreme emotions: 'I don't want any more distance between the story and the audience.'

'Never, never would I make a performance about my mother, or about myself. Jamais.' Caroline Guiela Nguyen, child of 'a marriage between a Vietnamese mother and a 'pied-noir' (Algerian colonial) is not into personal stories. The theatre-maker captured audiences' hearts at last year's Avignon Festival with the play Saigon. This moving, deeply human play... 

Merlijn Twaalfhoven on SPOT-Live: 'Outside the Randstad lies a huge source of inspiration'

'I have knocked on the door of the Congres Podiumkunsten a few times in recent years on my own initiative, really from the idea that we can do much more as venues in the Netherlands. But then, every time I was there, people got enthusiastic, but does it stick?' Composer Merlijn Twaalfhoven is happy that he now serves as 'curator' of SPOT Live, the new... 

A fertile repertoire landscape.

Performing arts policy greatly determines what can be seen and heard on Dutch stages. It underpins government funding of theatre and music. This policy pays a lot of attention to the quality of performances, but it hardly discusses the choice of pieces played, let alone what kind of repertoire landscape... 

Annelies van Parys: 'No more beautiful symbol of love than a flower'

In 2014, Annelies van Parys (1975) composed her first opera, Private View, for Asko|Schönberg and Neue Vocalsolisten Stuttgart. It was awarded the FEDORA - Rolf Liebermann Prize for Opera shortly afterwards. The Stuttgart singers submissively asked her to compose a new piece for them. Songs of Love and War/An Archive of Love will premiere 20 May at Operadagen... 

Cellist Maya Fridman: 'The best thing about making music is communicating with my audience.'

Cellist Maya Fridman was born in Moscow in 1989, where she emerged as a child prodigy. Even while still studying at Schnittke College, she won first prize at the International Festival of Slavic Music. In 2010 she came to the Netherlands, where six years later she graduated Cum Laude from the Conservatorium van Amsterdam. Fridman naturally places contemporary... 

Culture Press Podcast on Theatreflix: The name is ambitious, but it could be something wonderful.

Wijbrand Schaap speaks in the kitchen of The Cooperative (where it is remarkably busy), with Tony Minnema and Emile Ripke. They are the initiators and the names behind Theatreflix, a website on which, like Netflix with TV shows, theatre shows can be seen. For now, they have a base from their own work, as Tony Minnema himself has a fairly thriving business in... 

Michel van der Aa in the spotlight of Nieuw Amsterdams Peil

On Thursday 19 April, composer Michel van der Aa takes the spotlight at Muziekgebouw aan 't IJ. Besides his own music, the adventurous Nieuw Amsterdams Peil will play pieces by kindred spirits chosen by him. Special guest is Wende Snijders, who composed a number of songs with Van der Aa. She will also solo in the world premiere of the integral cycle... 

Debussy's music blossoms subtly and powerfully between Lidy Blijdorp and Julien Brocal

To have an Ode to Debussy begin with one of his last compositions is a fine choice. Cellist Lidy Blijdorp and pianist Julien Brocal perform this programme to mark the centenary of the composer's death. Last strength Debussy suffered from cancer for the last six years of his life. This disease made his life unbearably hard. Yet three years later he... 

'Stadium' at @hollandfestival: Meet the hardcore supporter core of Racing Club de Lens. But then for real.

Fifty-three 'ultras' from a football club in an art theatre. That might be asking for trouble. Especially if they were the hard core of, say, Ajax, FC Den Haag or FC Utrecht. But this is France. There are no hooligans in France. The 'ultra's' of Racing Club de Lens, for example: they are bound to throw a punch somewhere, but in... 

Theatre from the sofa: from the South Bank of the Thames to Broadway in one evening.

For many a theatre lover, watching from the bench will be swearing in church. The atmosphere in the theatre and direct contact is missing. Totally true, and yet the advantages of sitting comfortably, watching when you want, subtitles and the on-demand W.C. break are also worth something. While enjoying a fireside chat, you're not looking at the back of anyone's head.... 

Sedje Hémon conjured music from paintings

The name of Sedje Hémon (1923-2011) will not immediately ring a bell with everyone. She was one of the first artists to work in a multidisciplinary way, basing compositions on her own paintings. Her painting scores were recently shown at Documenta 14 in Kassel and Athens, but her music has not been performed for almost four decades. The Hague-based ensemble Modelo62 puts Hémon... 

Poetry Performance Workshop teaches poets what 'taking a rest' means: 'my next performances will be a lot longer now.'

'There would be a difference between paper poems and poems that only fit into a recitation. I don't think it's a good poem in either case then. A good poem you can read well, and also reread, but it also fits very well in a performance.' Poet Anne van Winkelhof has clear views on what makes poetry good poetry.... 

Guy Coolen on Operadagen Rotterdam: 'We call ourselves a bluff festival'

'If Mohammed doesn't come to the mountain, the mountain will come to Mohammed,' they thought at Operadagen Rotterdam. Earlier this year, the Enschede-based Nederlandse Reisopera gave a press presentation in Carré. This time, the Rotterdammers travelled to the capital. Artistic director Guy Coolen and dramaturge Tobias Kokkelmans told a select club of journalists what the audience could expect from 18-27 May,... 

Stef Aerts directs 3D show JR at @hollandfestival: 'To go from 700 pages of real literature to a manageable stage text doesn't just happen.'

Listen to an atmospheric impression and the full interview with Stef Aerts here. Children have the ability to turn adults' worlds upside down. Eleven-year-old JR is really getting into it. On a school trip, he learns how the stock market works and then turns it to his will. In doing so, unhampered by a prefrontal cortex, that part of the brain... 

City of Birmingham Symphony Orchestra plays Fires by Raminta Šerkšnytė

The City of Birmingham Symphony Orchestra is coming to our country. On Monday 9 April, they will give a concert in TivoliVredenburg Utrecht under their young chief conductor Mirga Gražinytė-Tyla. They will play music by Wagner, Debussy and Beethoven, a fairly standard programme at first sight. But fortunately, Lithuanian Gražinytė-Tyla brings a piece by her compatriot Raminta Šerkšnytė. Who wrote Fires... 

Ligeti festival - tribute to adventurous and idiosyncratic composer

Hungarian composer György Ligeti (1923-2006) suffered under several dictatorships; the Nazis killed his father and brother during World War II, and after the War the Communists forced him to write sweet 'folk music'. After the 1956 Hungarian uprising, he fled to Vienna and then to Cologne. In the West, he unpopularised into an idiosyncratic composer, who already... 

SPOT-LIVE takes you into the minds of leading, original and exciting creators and thinkers. 15 May 2018, Stadsschouwburg De Harmonie Leeuwarden

What happens when original and exciting makers and thinkers shape the SPOT-LIVE programme? If a leading philosopher, theatre-maker or musician is allowed to fill the stage with debate, what would it be about? If they were allowed to inspire you with work that touches them, what would they showcase? Get inspired by three curators who will share with you their views on... 

Live art is much more exciting than video and motivated goalies dive right. Learn this at The Evening of Herd Behaviour in Utrecht

The separation between the Netherlands and Belgium was due to an opera at the Brussels Monnaie Theatre in 1830. During a certain song in the opera De Stomme van Portici, the flame flared and the opera-goers ran out of the hall like an angry mob to chase Den 'Ollander out of town. Such behaviour turns out to be more logical than you... 

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Subscribe to our free newsletter. Because you can! Here's why. Holland Festival, Poetry International, a summer full of art. And meanwhile, a whole new arts system is being put together. The Netherlands is eager to get outside, experience music, experience art and eat food trucks empty. And flipping the subsidy system. It is a... 

Dutch National Ballet DUTCH DOUBLES premiere 23 March 2018 Amsterdam

Wende Snijders turns ballet temple upside down in Dutch Doubles

In Dutch Doubles 2018 by the Dutch National Ballet, choreographers collaborate with other artists for the second time. The chemical reaction between Wende Snijders and Annabelle Lopez Ochoa almost blows up the formula. BAM! The audience jumps up. BAM!"It had to take 11 years for me to make something here again?", choreographer Annabelle Lopez Ochoa seems to be saying. The Belgian/Colombian is lumbering... 

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