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PODIUM ART

Anything for which people enter a stage.

These five shows you really want to see in December

I tell you here why you should go to see Parsifal, and not even just because of the object by Anish Kapoor that plays a part in it. And you could also go to theatre one day, by the way. With The Girls. Fel theatre by our very best theatre company (according to Americans). The National Opera, Parsifal (opera) Four years ago, I attended Pierre Audi's... 

Early music pioneer Marijke Ferguson: A lifetime of ears on stalks

This month, early music pioneer Marijke Ferguson turned 89. She led the adventurous ensemble Studio Laren for 30 years and has been making radio for over 50 years, the last 23 for the Concertzender. Time and again, she manages to intertwine old and new music with pop and world music in an appealing way. On Sunday 11 December, the Concertzender puts her centre stage during... 

Concert Jarre was everything but unforgettable. And that's a compliment.

Jean-Michel Jarre was visiting the Netherlands. At the Heineken Music Hall, old and new fans could enjoy his hypnotic work. I went there to listen, but of course also to watch. Forty years ago, Jean-Michel Jarre, pioneer in synthesiser music, released Oxygène. Anno 2016, we are 12 million copies sold. On that massive scale, the Frenchman produces... 

5 reasons to avoid (or not) Theatre Kikker's Winter Collection

From 6 December, theatre Kikker will show a week-long anthology of talented and diverse young theatre makers. We looked ahead to this Winter Collection. Hannah Roelofs, herself just over 30, issues five warnings for people over 29. 1. Twenty-somethings! 'This is the generation that's losing his or her... 

Ballet dancer Andrew Greenwood: 'Healthcare needs dance'

'What is the relevance of dance?' Since the conference The Relevance of Dance in March 2016, this question has been haunting my mind. Above all, I want to know why more people should dance. Therefore, I decide to put the question to inspiring and progressive dance teachers. The second one I question is Andrew Greenwood, who six months ago... 

(On)gehoord in November: ‘A doubled-headed debut dildo’

In de serie (On)gehoord presenteer ik elke maand buitengewoon geluid dat niet onopgemerkt en onbesproken blijft. In deze November-editie: Jacob Kirkegaard, Oren Ambarchi, Glice en N.M.O. Jacob Kirkegaard – Munk (Cassette, Phinery Tapes) De Deense geluidkunstenaar Jacob Kirkegaard onderzoekt de impact van geluidsresonantie op onze oren én de rest van het lichaam. In Kirkegaard’s werk staat direct, intiem contact via… 

With Broekmans & van Poppel, Amsterdam loses icon again

Until 31 December, classical music lovers can browse the unprecedented amount of sheet music, CDs and music books at Broekmans & van Poppel. The iconic shop, stately located next to Brasserie Keyzer and the Concertgebouw on the Van Baerlestraat in Amsterdam, will close its doors after 102 years. The family-run business will continue in Badhoevedorp, where the central warehouse is already... 

‘Een behoorlijk kabaal’: een eeuw minachting voor de kunsten

In 1975 organiseren de jazzmusicus Misha Mengelberg en de kunstenaar Wim T. Schippers Een behoorlijk kabaal in het Amsterdamse Mickery Theater. Een week lang onderzoeken ze in ‘onnavolgbaar muziektheater’ de verschillende betekenissen van een concert. Jacqueline Oskamp koos het als titel van haar recent verschenen boek waarin zij de Nederlandse muziekgeschiedenis van de afgelopen eeuw beschrijft. Treurige conclusie: er is… 

Meg Stuart throws very ordinary bodies into the fray

Meg Stuart's two-hour heroic epic Until Our Hearts Stop, showing at the Rotterdam Schouwburg this week, does not engage in dramatic construction according to the rules of Aristotle's Poetics. We don't know who those people are there on stage. Nor do they seem to have been given any special assignment, although they are clearly being... 

LGW, which is listening in total, focused fraternisation

It is around 11 o'clock on Sunday evening. Jlin taps a rattling beat in the air with her index fingers. When the relentlessly sucking bass kicks in, she accompanies it with an elbow down. Her grin from ear to ear is met with cheers from the audience. Le Guess Who? 2016 (hereafter LGW) is coming to an end, but that's what these... 

Stop whining about ageing audiences at classical concerts

Afgelopen weekend bezocht ik een koffieconcert van het barokgezelschap The Continuo Company. Met m’n 53 jaar was ik een van de jongste bezoekers. Om me heen gerimpelde gezichten en grijze haren. Steeds vaker hoor ik dat vergrijzing van het publiek voor klassieke muziek een probleem is. Ik vind dat grote onzin en begin me steeds meer te ergeren aan deze… 

'Holy F': nimble grappling with feminism is overpowering

The show Holy F opens with an audition. Two young women present themselves to a director - a man. They pronounce their phrases impeccably simultaneous, with the sweet tone men like to hear. Their confusion grows. Do they really understand what the director wants from them? Can they handle the role they aspire to? Playing a strong woman: is... 

here we live and now

Dance heals. Come and watch Here we live and now.

In turbulent times, an evening of dance works therapeutically. Especially when three former Nederlands Dans Theater (NDT) dancers show new work in Here we live and now. Only, anyone expecting a sharp look at current affairs by the programme title will be disappointed. Here we live and now refers mainly to choreographers living or working in The Hague and shows a snapshot of their... 

Ivo Pogorelich shocks Eindhoven and streams on Idagio

'It took me 18 years to make a new recording,' Croatian pianist Ivo Pogorelich (1958) says with a modest smile. 'Just as much time as it takes a baby to come of age.' It is Wednesday, November 2. A special moment, because on that day Pogorelich's CD-less new recording of Beethoven's Piano Sonatas No 22 and No 24 will go on... 

Compelling Jephta by Handel at The National Opera

Om maar meteen met de deur in huis te vallen: de nieuwe productie van het oratorium Jephta van Händel bij De Nationale Opera is prachtig. Decors, kostuums, enscenering en uitvoering: allemaal top. Na afloop van de première woensdag 9 november kregen uitvoerders en productieteam dan ook een welverdiende ovatie van een uitverkochte Stopera. Het is geen sinecure de geringe dramatische… 

Congratulations to Daniel Reuss on royal honour!

On Tuesday 2 November, Cappella Amsterdam presented a new CD at the Orgelpark. This includes Arvo Pärt's large-scale choral work Kanon Pokajanen, which was also performed live. After the concert, chief conductor Daniel Reuss was appointed Knight of the Order of the Dutch Lion. This very high royal decoration is only awarded to people "with extraordinary merits... 

String quartets Mantovani & Schubert: 'Schwingende Luft'

Unlike older colleagues, Bruno Mantovani (Châtillon, 1974) did not suffer from the modernist umbrella shadow that Pierre Boulez long cast over French musical life. He writes lyrical melodies as much as dissonant tone clusters and jazzy chords spiced with a pinch of microtonality. That he was appointed director of the Paris Conservatoire in 2010 illustrates how strong the musical climate... 

Cello Biennale full of highlights: 'Cellists are just nice people'

It no longer hums, buzzes, sings, saws and buzzes in the Muziekgebouw aan 't IJ. The cello caravan has left. The sixth edition of the Cello Biennale Amsterdam is over, leaving the thousands of cello and music fans with a feeling of emptiness. Nowhere else does such an amazing festival of cello take place in ten days, where the audience feels like... 

Sounding moths, ink drops and string mists in Cello Biennale

'He likes a joke,' says Fedor Teunisse of Slagwerk Den Haag, calling composer Brendan Faegre (1985) onto the Bimhuis stage. The young composer explains how the percussionists and the Biennale Cello Band should perform his Magical Quest for the Enchanted Armor. 'It's a game piece,' he says enthusiastically. 'The four percussionists and four cellists... 

The family vibe of 'Le Guess Who?': Like having an older cousin in tow

Festival Le Guess Who? in Utrecht is on the eve of its tenth edition. From 10 to 13 November, more than a hundred artists will take possession of every conceivable place in the city of Dom where you can perform with good grace. They come from far and wide, just like the visitors. Expect the unexpected, with the whole family? Is that... 

Administrative aversion to the idea of 'world music' is international

From 19 to 23 October, more than two thousand music professionals gathered in Santiago de Compostella for the 22nd World Music Expo (WOMEX). I was there and came back with mixed feelings. My first music fair experience was the WOMEX in Rotterdam. In 2001, the Maas city was the cultural capital of Europe and thus had extra resources at its disposal. The Berlin organiser of... 

Cello Biennale shines through groaning glissandi and whispering ghost choir

During the sixth edition of the Cello Biennale, the Muziekgebouw aan 't IJ is a bustling place to be. Immediately upon entering on the first floor, you enter an atmospheric pop-up brasserie, with market stalls set up in every other nook and cranny. There is a selection of handmade cellos, bows, bridges, dampers and strings alongside a large selection of magazines, CDs... 

The Busy Drone: Disruptive barrel organ music

Once built for a Belgian dance bar, The Busy Drone came to the Netherlands in the 1960s. Publisher De Bezige Bij placed the barrel organ at its stand at the annual book fair in the RAI in 1968, which explains its striking name. Five years later, director Edy de Wilde purchased the instrument for his Stedelijk Museum in Amsterdam, where it remained until... 

Hall view of Zvizdal. Photo: Frederik Buyckx

Unique theatre documentary 'Zvizdal' to be seen only a few times in the Netherlands

Zvizdal, the documentary theatre portrait of Pétro and Nadia filmed by Berlin between 2011 and 2016, is not only in Paris, Ghent and Athens. This moving story can also be seen in the Netherlands until 11 November 2016. Near the place where an atomic experiment failed in 1986, Berlin and Zvizdal tell a moving story about an old peasant couple. They remained as... 

Kian Soltani is the Great Discovery of the Cello Biennale 2016

Iedere ochtend staat Maarten Mostert, geestelijk vader en artistiek directeur van de Cello Biënnale Amsterdam, om half acht sinaasappeltjes uit te persen in het Muziekgebouw aan ‘t IJ. De vroege vogels onder de celloliefhebbers stromen dan massaal naar the place to be voor een gratis croissantje met jus d’orange, gevolgd door een topuitvoering van een van de zes Cellosuites van Bach in de serie Bach… 

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